Scouting the City for Her Characters |
Scouting the City for Her Characters
The New York Times
2011-08-19
John Leland
A Summer afternoon in Chelsea, and Sarah Jones was on a recon mission, searching for… she did not know what, exactly. An accent, for starters. An ethnic wild card. “Hybridity,” she said, using a word she uses often to describe her field of urban study.
She noted a young man with a do-rag under his baseball cap and a belt buckle in the shape of a handgun; a Caribbean woman pushing a white baby in a designer stroller; a heavy woman smoking a long, exaggeratedly slim cigarette. “The slim cigarette trumps the fact that she wasn’t talking to anyone,” Ms. Jones said, turning to follow the woman. “Nobody smokes those anymore.”
Ms. Jones asked the woman for a cigarette, but got nothing useful in return. “She didn’t say, ‘Yeah, honey, you can have one,’ ” Ms. Jones said, shifting her voice to sound like a Bensonhurst ashtray, circa 1938. “I’m looking for something else.”
Ms. Jones, 37, might be described as an unlicensed anthropologist, an explorer of the cultural fault lines that unite and divide the city. More plainly, she is a playwright and performer whose one-woman shows carry her through rapid successions of ethnically diverse male and female roles: a Russian immigrant or an elderly Jewish woman; an Italian cop or a Brooklyn rapper seeking treatment for rhyme addiction; an American Indian comedian or a Chinese-American woman whose daughter, to her disappointment, is lesbian…
…Ms. Jones, the daughter of a white mother and a black father, both doctors, came by her cultural inquisitiveness early, as a child in Baltimore trying to figure out who she was. When she brought home forms from school asking her to designate her race, her mother would cross out the line and write “human,” she said.
“My grandmothers are Irish-American and German-American; my grandfather is from the Caribbean,” Ms. Jones said. “My father is African-American. My family looked funny. I just started naturally imitating whoever I was talking to. I didn’t want to be a phony, but I felt very authentic in the moment. I don’t think of it as having a fractured self, but as having many interconnecting selves, concentric identities.”…
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Tags: John Leland, New York, Sarah Jones, The New York Times