Throughout the various media realms—television, film, news media, and the less clearly defined intersecting worlds of music, sports, and youth culture—representations of interracial sex and relationships follow certain patterns, and what emerges is a delicate dance between interracial sex sells and interracial sex alienates. The small number of representations as well as the particular types of depictions of interracial relationships, when they are shown, reveals the lingering opposition to interracial sexuality and marriage as well as the persistent racialized images of racial Others and the protection of whiteness. Interracial representations are symbolic struggles over meaning, not only in how interracial relationships are portrayed but also in how they are received, understood, and responded to in the larger society. In particular, interracial images are used to perpetuate negative stereotypes yet are simultaneously marketed as an example of how color-blind we have become and of the declining significance of race. Yet one may ask, Why are interracial relationships shown at all if they are still widely opposed by whites and other racial groups? The answer is twofold, as we have seen throughout the book, that showing interracial relationships is a necessary piece of the current rhetoric that asserts race no longer matters and the representations are only shown in ways that either deviantize these relationships, privilege whiteness, or support the contention that America is color-blind.
Erica Chito Childs, Fade to Black and White: Interracial Images in Popular Culture, (Lanham: Rowman & Littlefield, 2009): 177-178.
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