Bezuidenhout noted that Noah always identified himself as a mixed-race South African raised in straitened circumstances in Soweto without “using it as a crutch.” |
Both men said [Trevor] Noah distinguished himself from other comics by resisting labels and “genre-based comedy.” [Schalk] Bezuidenhout noted that Noah always identified himself as a mixed-race South African raised in straitened circumstances in Soweto without “using it as a crutch.” Contemporaries who have shared the stage with him say he’s unusually attuned to the audience, shifting direction based on the feel in the room, and Bezuidenhout has seen Noah drop chunks of material based on the city he’s performing in. This was a quality that a number of immigrants in South Africa had already mentioned to me. Omega Chembhere, a waiter, told me that when he had arrived from Zimbabwe 10 years earlier, much of South African pop culture had seemed inaccessible. “Trevor’s different, so good at it,” he said. “His strength is that everything springs from his experience in life, but you understand his reality because he makes an effort to explain.”
Douglas Foster, “Trevor Noah’s World,” The Atlantic, April 5, 2015. http://www.theatlantic.com/international/archive/2015/04/trevor-noah-world-south-africa-comedy/389697.
Tags: Douglas Foster, The Atlantic, Trevor Noah