Clearly Invisible Racial Passing and the Color of Cultural Identity by Marcia Alesan Dawkins, and: The Souls of Mixed Folk: Race, Politics and Aesthetics in the New Millennium by Michele Elam (review)

Posted in Articles, Book/Video Reviews, Media Archive, Passing, United States on 2013-10-08 21:15Z by Steven

Clearly Invisible Racial Passing and the Color of Cultural Identity by Marcia Alesan Dawkins, and: The Souls of Mixed Folk: Race, Politics and Aesthetics in the New Millennium by Michele Elam (review)

Philip Roth Studies
Volume 9, Number 2, Fall 2013
pages 99-103
DOI: 10.1353/prs.2013.0024

Donavan L. Ramon
Rutgers University

Marcia Alesan Dawkins, Clearly Invisible: Racial Passing and the Color of Cultural Identity, Waco: Baylor University Press, 2012, vxi + 229 pp.

Michele Elam, The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium, Palo Alto: Stanford University Press, 2011, xxiii + 277 pp.

According to W.E.B. DuBois’s prophetic theory articulated in The Souls of Black Folk (1903), “the problem of the twentieth century is the problem of the color line” (221). Myriad critical and popular pieces over the past several years suggest that this theory has run its course: the celebration of mixed race people putatively implies the “end” of race. Certainly the election of the first biracial president has been touted as the epitome of post-race life in America. Yet as recent critical interventions by Michele Elam and Marcia Alesan Dawkins remind us, race remains prevalent because of biracial people, not in spite of it.

The continuities between DuBois’s theory and Elam’s are underscored by the title of the latter’s monograph. In The Souls of Mixed Folk, the Stanford University English Professor asserts that the notion of post-Black art being apolitical is a complete fiction, much like the idea that post-Civil Rights politics are in decline. By examining the images of mixed race subjects in a wide range of artistic forms, Elam argues that these venues are the newer locations that “engage issues of civil rights and social change” (16). To accept this belief, she begins her book by convincing readers that the increased interest in mixed race deludes many people into believing that race no longer exists. If this is truly the case, then why do fictional representations of biracial people continue to represent anxiety across a multitude of genres? More specifically, why has the last several years seen a resurgence in narratives of racial passing—such as Philip Roth’s The Human Stain?

Elam explores these questions across five thoroughly researched and well-written chapters. The first traces the history of mixed race studies in curricula across the nation while raising related yet ignored issues. For instance she problematizes the focus of heteronormative depictions of mixed race families at the expense of homosexual ones, while also reminding us that mixed Americans have historically been the result of sexual violation. She believes we must be mindful of considering the product of these unions as representatives of racial progress without understanding the nuances of slavery and violence inflicted on black bodies by whites.

Chapter two changes the focus from history to contemporary comic strips by Aaron McGruder and Nate Creekmore. In their works, Elam rightly sees racial identity as “a matter of public negotiation, social location, cultural affirmation, political commitment, and historical homage” (58). In chapter four, Elam situates the traditional European bildungsroman against the “mixed race bildungsroman”. The former focuses on the “social incorporation of the individual” (125) whereas protagonists in the latter are not “incorporated into the society or the social progress that they are supposed to represent . . . [and they] challenge the popular image of the ‘modern minority’” (126). She applies her theory of the “mixed race bildungsroman” to Emily Raboteau’s The Professor’s Daughter (1997) and Danzy Senna’s Symptomatic (2004). Elam’s last chapter examines performances of mixed race in Carl Hancock Rux’s play Talk and “The Racial Draft” skit from Dave Chappelle’s defunct late-night comedy show. Her argument here is that in both performances, there is a “re-visioning and a re-membering of the national order” (161).

The middle chapter is the one that is most germane to this journal, as it examines racial passing in Danzy Senna’s Causcasia (1999), Philip Roth’s The Human Stain (2000), and Colson Whitehead’s The Intuitionist (2000). Despite research to the contrary, Elam begins this chapter by arguing that racial passing literature is far from being an obsolete genre, as these novels attest. Despite living in a post-race era, these narratives collectively argue for the rebirth of racial passing as a “social inquiry” (98). Explaining further, the novels addressed here force readers to reconsider “the performative, iterative nature of racial identity as a rich social heuristic” (98).

This is nowhere more evident than in The Human Stain , where racial passing acts as a “reactionary vehicle to critique political correctness”—particularly because it is set during President Clinton’s sex scandal (98). In this regard, “performance,” can have multiple meanings in the novel: one referring…

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The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium

Posted in Anthropology, Books, Communications/Media Studies, Literary/Artistic Criticism, Media Archive, Monographs on 2013-03-24 18:51Z by Steven

The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium

Stanford University Press
February 2011
312 pages
23 illustrations
Cloth ISBN-10: 0804756295; ISBN-13: 9780804756297
Paper ISBN-10: 0804756309; ISBN-13: 9780804756303

Michele Elam, Martin Luther King, Jr. Centennial Professor of English and Olivier Nomellini Family University Fellow in Undergraduate Education
Stanford University, Stanford, California

Cover Photo: “Baby Halfie Brown Head”, from artist Lezley Saar’s, Mulatto Nation (2003) art installation.

The Souls of Mixed Folk examines representations of mixed race in literature and the arts that redefine new millennial aesthetics and politics. Focusing on black-white mixes, Elam analyzes expressive works—novels, drama, graphic narrative, late-night television, art installations—as artistic rejoinders to the perception that post-Civil Rights politics are bereft and post-Black art is apolitical. Reorienting attention to the cultural invention of mixed race from the social sciences to the humanities, Elam considers the creative work of Lezley Saar, Aaron McGruder, Nate Creekmore, Danzy Senna, Colson Whitehead, Emily Raboteau, Carl Hancock Rux, and Dave Chappelle. All these writers and artists address mixed race as both an aesthetic challenge and a social concern, and together, they gesture toward a poetics of social justice for the “mulatto millennium.”

The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the “race problem” and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folk offers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century?

Read an excerpt of “Obama’s Mixed Race Politics” here.

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‘Searching for Zion’: Emily Raboteau’s Hunt for the Promised Land

Posted in Africa, Articles, Biography, Interviews, Media Archive on 2013-01-15 18:36Z by Steven

‘Searching for Zion’: Emily Raboteau’s Hunt for the Promised Land

The Daily Beast
2013-01-13

Mindy Farabee

A writer set out around the world to find the mythical ‘promised land’ of the African diaspora. Emily Raboteau speaks about the Jewish search for the same, African-American tourism to Ghana, and Barack Obama’s ties to this search.

Mention the notion of Zion, author Emily Raboteau notes, and most people will think almost automatically of Israel. But for citizens of the African diaspora, Zion, with its promised land of abundance and freedom from oppression, has carried profound cultural significance since the days of slavery, when the saga of Hebrew slaves fleeing Egyptian captors served as a galvanizing narrative.

In Searching for Zion: The Quest for Home in the African Diaspora, Raboteau’s self-described “strange admixture” of travelogue, cultural anthropology, and historical study, the author uses this promised land as a point of departure, lighting out for Israel, Ethiopia, Jamaica, Ghana, and the post-Katrina American South to talk to immigrants and others who have wrestled with displacement.

Her new book likewise stumbles across complications everywhere. In this edited interview below, she talks about family ghosts, the other side of heritage tourism, and the state of Zion today…

Read the entire interview here.

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Searching for Zion: The Quest for Home in the African Diaspora

Posted in Africa, Autobiography, Books, Judaism, Media Archive, Novels, Religion, Social Science on 2013-01-15 16:36Z by Steven

Searching for Zion: The Quest for Home in the African Diaspora

Grove/Atlantic
January 2013
320 pages
6×9
Cloth ISBN: 978-0-8021-2003-8
eBook ISBN-13: 978-0-8021-9379-7

Emily Raboteau

A decade in the making, Emily Raboteau’s Searching for Zion takes readers around the world on an unexpected adventure of faith. Both one woman’s quest for a place to call “home” and an investigation into a people’s search for the Promised Land, this landmark work of creative nonfiction is a trenchant inquiry into contemporary and historical ethnic displacement.

At twenty-three, Emily Raboteau traveled to Israel to visit her childhood best friend. While her friend appeared to have found a place to belong, Raboteau couldn’t say the same for herself. As a biracial woman from a country still divided along racial lines, she’d never felt at home in America. But as a reggae fan and the daughter of a historian of African-American religion, Raboteau knew of Zion as a place black people yearned to be. She’d heard about it on Bob Marley’s Exodus and in the speeches of Martin Luther King. She understood it as a metaphor for freedom, a spiritual realm rather than a geographical one. In Israel, the Jewish Zion, she was surprised to discover black Jews. Inspired by their exodus, Raboteau sought out other black communities that had left home in search of a Promised Land. Her question for them is the same she asks herself: have you found the home you’re looking for?

On her journey back in time and across the globe, through the Bush years and into the age of Obama, Raboteau visits Jamaica, Ethiopia, Ghana, and the American South to explore the complex and contradictory perspectives of Black Zionists. She talks to Rastafarians and African Hebrew Israelites, Evangelicals and Ethiopian Jews, and Katrina transplants from her own family—people who have risked everything in search of territory that is hard to define and harder to inhabit.

With Searching for Zion, Raboteau overturns our ideas of place and patriotism, displacement and dispossession, citizenship and country in a disarmingly honest and refreshingly brave take on the pull of the story of Exodus.

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Shades of gray: Black-white multiracialism in contemporary American literature

Posted in Dissertations, Literary/Artistic Criticism, Media Archive, United States, Women on 2011-06-05 03:51Z by Steven

Shades of gray: Black-white multiracialism in contemporary American literature

York University (Canada)
2011
294 pages
Publication Number: AAT NR71345
ISBN: 9780494713457

Molly Littlewood McKibbin

A Dissertation submitted to the Faculty of Graduate Studies in English in partial fulfillment of the requirments for the degree of Doctor of Philosophy

The American construction of whiteness and blackness as dichotomous racial categories and subsequent black refashioning of the one-drop rule as a method of empowering and mobilizing African Americans have meant that whiteness has developed in terms of purity (and not-blackness) while blackness has absorbed mixture into one racial category. However, since the Civil Rights Movement and the Multiracial Movement (begun shortly after the Loving v. Virginia decision invalidated antimiscegenation laws in 1967), American treatment of racial mixture has undergone consistent change. My dissertation addresses how literature at the turn of the millennium ultimately offers a new exploration of black-white multiracialism. I examine four texts in detail: Danzy Senna’s Caucasia (1998), Rebecca Walker’s Black White and Jewish (2001), Emily Raboteau’s The Professor’s Daughter (2005), and Rachel Harper’s Brass Ankle Blues (2006).

The introduction outlines the historical development of racial blackness in the U.S. and traces the possibilities and limitations of racial identity for multiracial figures throughout African American literary history. In the first chapter, I analyze more recent multiracial theory and advocacy to establish and critique the state of current discourse surrounding (multi)racial identity and also examine the ways in which contemporary writers depict the negotiation of racial identity within a new social climate that permits self-identification but still clings to recognized labels. In the second chapter, I use white studies and an understanding of the historical development of racial whiteness in the U.S. to analyze how contemporary writing is transforming the apparent homogeneity of whiteness into a heterogeneous classification by racializing and diversifying the otherwise normative, generic category of whiteness. In the third chapter, I use the context of black racial identity politics to analyze the difficulty multiracial figures have in claiming blackness, since on the one hand they are “not black enough” to claim blackness and on the other they are seen as “race traitors” for not claiming monoracial blackness.

My research emphasizes that multiracial discourse is still in its formative stages but is working towards articulating multiracial identities and writing them into the American literary landscape even if current literature can only gesture towards such identities at present.

Table of Contents

  • Introduction: Black and White in the United States
  • Chapter One: “What are you, anyway?”: Mixture, Identity Formation, and the Social Context of Race Classification
  • Chapter Two: Racializin’ and Diversifyin’: Negotiating Whiteness
  • Chapter Three: “Black Like Me”: Negotiating Blackness
  • Conclusion: The (Continuing) Work of Multiracial Literature
  • Bibliography

Purchase the dissertation here.

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The Professor’s Daughter: A Novel

Posted in Books, Media Archive, Novels, United States on 2010-10-19 02:55Z by Steven

The Professor’s Daughter: A Novel

Picador an Imprint of Macmillan
January 2006
288 pages
5 1/2 x 8 1/4 inches
Paperback ISBN: 978-0-312-42568-5, ISBN10: 0-312-42568-6

Emily Raboteau, Associate Professor of English
The City College of New York

“My father is black and my mother is white and my brother is a vegetable.” When Emma Boudreaux’s older brother winds up in a coma after a freak accident, she loses her compass: only Bernie was able to navigate—if not always diplomatically—the terrain of their biracial identity. And although her father and brother are bound by a haunting past that Emma slowly uncovers, she sees that she might just escape.

In exhilarating prose, The Professor’s Daughter traces the borderlands of race and family, contested territory that gives rise to rage, confusion, madness, and invisibility. This astonishingly original voice surges with energy and purpose.

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Mulattobama

Posted in Articles, Barack Obama, Identity Development/Psychology, Media Archive, Social Science, United States on 2010-10-19 02:40Z by Steven

Mulattobama

The Guardian
2008-08-14

Emily Raboteau, Associate Professor of English
The City College of New York

As Barack Obama’s presidential campaign has shown, being mixed race in America means balancing black and white identities

My boyfriend, Victor, and I flew into Kingston the day after Barack Obama clinched the Democratic party nomination. We were giddy. A trip to Jamaica and a potential black president. We were discussing Obama’s campaign on the flight down when Victor suddenly asked: “How would you feel if our baby came out looking white?”

“Negro, puhleez,” I said, polishing off my airline peanuts. “I am not pregnant.”

“Answer the question,” he pushed…

Read the entire article here.

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Mixed: An Anthology of Short Fiction on the Multiracial Experience

Posted in Anthologies, Books, Media Archive, United States on 2010-03-04 04:38Z by Steven

Mixed: An Anthology of Short Fiction on the Multiracial Experience

W. W. Norton & Company
August 2006
336 pages
5.5 × 8.2 in
Paperback ISBN: 978-0-393-32786-1

Edited by Chandra Prasad

With an Introduction by Rebecca Walker

With a roster of acclaimed fiction writers, Mixed shatters expectations of what it means to be multiracial.

Globally, the number of multiracial people is exploding. In 10 US states, the percentage of multiracial residents who are of school age—between 5 and 17—is at least 25 percent. In California alone, it is estimated that 15 percent of all births are multiracial or multiethnic. Despite these numbers, mixed-race people have long struggled for a distinct place on the identity map. It was only as recently as 2000 that the U.S. Census Bureau began to allow citizens to check off as many racial categories as are applicable-White, African American, Asian, Hispanic, Native Hawaiian, American Indian, and Alaska Native. Previously, Americans were allowed to check off only one, leaving multiracial people invisible and unaccounted for.

Though multiracialism has recently become a popular aspect of many memoirs and novels, Mixed is the first of its kind: a fiction anthology with racial overlap as its compass. With original pieces by both established and emerging writers, Mixed explores the complexities of identity that come with being a multiracial person. Every story, crafted by authors who are themselves mixed-race, broaches multiracialism through character or theme. With contributors such as Cristina Garcia, Danzy Senna, Ruth Ozeki, Mat Johnson, Wayde Compton, Diana Abu-Jaber, Emily Raboteau, Mary Yukari Waters, and Peter Ho Davies, and an illuminating introduction by Rebecca Walker, Mixed gives narrative voice to the multiple identities of the rising generation.

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