{"id":10509,"date":"2010-12-29T22:00:30","date_gmt":"2010-12-29T22:00:30","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/wordpress\/?p=10509"},"modified":"2019-06-12T15:20:31","modified_gmt":"2019-06-12T15:20:31","slug":"other-tongues-mixed-race-women-speak-out","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=10509","title":{"rendered":"Other Tongues: Mixed-Race Women Speak Out"},"content":{"rendered":"<p><strong><em><a href=\"http:\/\/www.inanna.ca\/catalog\/other-tongues-mixed-race-women-speak-out\" target=\"_blank\" rel=\"noopener\">Other Tongues: Mixed-Race Women Speak Out<\/a><\/em><\/strong><\/p>\n<p><a href=\"http:\/\/www.inanna.ca\" target=\"_blank\" rel=\"noopener\">Inanna Publications<br \/>\n<\/a>November 2010<br \/>\n250 pages<br \/>\nISBN-10: 1926708148<br \/>\nISBN-13: 978-1-926708-14-0<\/p>\n<p>Edited by<\/p>\n<p><strong><a href=\"http:\/\/adebe.wordpress.com\/about\/\" target=\"_blank\" rel=\"noopener\">Adebe De Rango-Adem<\/a> (Adebe D. A.)<\/strong><\/p>\n<p><strong><a href=\"http:\/\/andreathompson.ca\" target=\"_blank\" rel=\"noopener\">Andrea Thompson<\/a><\/strong><\/p>\n<p><a href=\"http:\/\/www.inanna.ca\/catalog\/other-tongues-mixed-race-women-speak-out\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"http:\/\/www.inanna.ca\/files\/9113\/6883\/1092\/other-tongues.jpg\" alt=\"\" width=\"300\" border=\"0\" \/><\/a><\/p>\n<p>This anthology of poetry, spoken word, fiction, creative non-fiction, spoken word texts, as well as black and white artwork and photography, explores the question of how mixed-race women in <a href=\"https:\/\/en.wikipedia.org\/wiki\/North_America\" target=\"_blank\" rel=\"noopener\">North America<\/a> identify in the twenty-first century. Contributions engage, document, and\/or explore the experiences of being mixed-race, by placing interraciality as the center, rather than periphery, of analysis. The anthology also serves as a place to learn about the social experiences, attitudes, and feelings of others, and what racial identity has come to mean today.<\/p>\n<p>Adebe De Rango-Adem recently completed a research writing fellowship at the Applied Research Center in New York, where she wrote for <em>ColorLines<\/em>, America&#8217;s primary magazine on race politics. She has served as Assistant Editor for the literary journal <em>Existere<\/em>, and is a founding member of s.t.e.p.u.p.\u2014a poetry collective dedicated to helping young writers develop their spoken word skills. Her poetry has been featured in journals such as <em>Canadian Woman Studies<\/em>, <em>The Claremont Review<\/em>, <em>Canadian Literature<\/em>, and <em>cv2<\/em>. She won the Toronto Poetry Competition in 2005 to become Toronto&#8217;s first Junior Poet Laureate, and is the author of a <a href=\"http:\/\/en.wikipedia.org\/wiki\/Chapbook\" target=\"_blank\" rel=\"noopener\">chapbook<\/a> entitled <em>Sea Change<\/em> (2007). Her debut poetry collection, <em>Ex Nihilo<\/em>, will be published in early 2010.<\/p>\n<p>Andrea Thompson is a performance poet who has been featured on film, radio, and television, with her work published in magazines and anthologies across Canada. Her debut collection, <em>Eating the Seed<\/em> (2000), has been featured on reading lists at the University of Toronto and the Ontario College of Art and Design, and her spoken word CD, <em>One<\/em>, was nominated for a Canadian Urban Music Award in 2005. A pioneer of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Slam_poetry\" target=\"_blank\" rel=\"noopener\">slam poetry<\/a> in Canada, Thompson has also hosted <em>Heart of a Poet<\/em> on Bravo tv, CiTr Radio&#8217;s spoken word show, <em>Hearsay<\/em>. In 2008, she toured her Spoken Word\/Play <em>Mating Rituals of the Urban Cougar<\/em> across the country, and in 2009 was the Poet of Honour at the Canadian Festival of Spoken Word.<\/p>\n<p><strong>Table of Contents<\/strong> (Thanks to Nicole Asong Nfonoyim)<\/p>\n<ul>\n<li><em>Acknowledgements<\/em><\/li>\n<li>Preface &#8211; <em>Carol Camper<\/em><\/li>\n<li>Introduction &#8211; <em>Adebe DeRango-Adem and Andrea Thompson<\/em>1<\/li>\n<li><strong>RULES\/ROLES<\/strong>\n<ul>\n<li>Enigma &#8211; <em>Andrea Thompson<\/em><\/li>\n<li>Blond- <em>Natasha Trethewey<\/em><\/li>\n<li>Mixed- <em>Sandra Kasturi<\/em><\/li>\n<li>pick one &#8211; <em>Chistine Sy and Aja<\/em><\/li>\n<li>My Sista, Mi Hermana &#8211; <em>Phoenix Rising<\/em><\/li>\n<li>little half-black-breed &#8211; <em>Tasha Beeds<\/em><\/li>\n<li>\u201cWhite Mask\u201d &#8211; <em>Jordan Clarke<\/em><\/li>\n<li>\u201cNothing is just black or white\u201d &#8211; <em>Jordan Clarke<\/em><\/li>\n<li>Roll Call &#8211; <em>Kirya Traber<\/em><\/li>\n<li>What Am I? &#8211; <em>Marijane Castillo<\/em><\/li>\n<li>Casting Call: Looking for White Girls and Latinas &#8211; <em>D.Cole Ossandon<\/em><\/li>\n<li>Conversations of Confrontation &#8211; <em>Natasha Morris<\/em><\/li>\n<li>\u201cwhy i don\u2019t say i\u2019m white\u201d- <em>Alexis Kienlen<\/em><\/li>\n<li>\u201cConfession #8\u201d &#8211; <em>Mica Lee Anders<\/em><\/li>\n<li>\u201cOther Female\u201d &#8211; <em>Mica Lee Anders<\/em><\/li>\n<li>\u201cMMA and MLA\u201d &#8211; <em>Mica Lee Anders<\/em><\/li>\n<li>The Pieces\/Peace(is) in Me &#8211; <em>monica rosas<\/em><\/li>\n<li>Generation Gap (Hawaiian Style) &#8211; <em>ku\u2019ualoha ho\u2019omanawanui<\/em><\/li>\n<li>The Incident that Never Happened &#8211; <em>Ann Phillips<\/em><\/li>\n<li>In the Dark &#8211; <em>Anajli Enjeti-Sydow<\/em><\/li>\n<li>ananse vs. anasi (2007) &#8211; <em>Rea McNamara <\/em><\/li>\n<li>Contamination-\u00a0 <em>Amber Jamilla Musser<\/em><\/li>\n<li>A Mixed Journey From the Outside In &#8211; <em>Liberty Hultberg<\/em><\/li>\n<li>What Are You? &#8211; <em>Kali Fajardo-Anstine<\/em><\/li>\n<li>One Being Brown &#8211; <em>Tru Leverette<\/em><\/li>\n<li>One for Everyday of the Week &#8211; <em>Michelle Lopez Mulllins<\/em><\/li>\n<li>Savage Stasis &#8211; <em>Gena Chang-Campbell<\/em><\/li>\n<li>The Half-Breed\u2019s Guide to Answering the Question &#8211; <em>M. C. Shumaker<\/em><\/li>\n<li>My Definition &#8211; <em>Kay\u2019la Fraser<\/em><\/li>\n<li>Pop Quiz &#8211; <em>Erin Kobayashi<\/em><\/li>\n<\/ul>\n<\/li>\n<li><strong>ROOTS\/ROUTES<\/strong>\n<ul>\n<li>Melanomial &#8211; <em>Sonnet L\u2019Abbe<\/em><\/li>\n<li>half-breed &#8211; <em>Jonina Kirton<\/em><\/li>\n<li>\u201cInca\/Jew\u201d &#8211; <em>Margo Rivera-Weiss<\/em><\/li>\n<li>Open Letter &#8211; <em>Adebe DeRango Adem<\/em><\/li>\n<li>Prism Woman &#8211; <em>Adebe DeRango-Adem<\/em><\/li>\n<li>Southern Gothic &#8211; <em>Natasha Trethewey<\/em><\/li>\n<li>The Drinking Gourd- <em>Miranda Martini<\/em><\/li>\n<li>Reflection &#8211; <em>Jonina Kirton<\/em><\/li>\n<li>\u201cUntitled\u201d White Sequence &#8211; <em>Cassie Mulheron<\/em><\/li>\n<li>\u201cUntitled\u201d Black Sequence &#8211; <em>Cassie Mulheron<\/em><\/li>\n<li>Mapping Identities &#8211; <em>Gail Prasad<\/em><\/li>\n<li>Whose Child Are You? &#8211; <em>Amy Pimentel<\/em><\/li>\n<li>From the Tree &#8211; <em>Lisa Marie Rollins<\/em><\/li>\n<li>My sister\u2019s hair &#8211; <em>ku\u2019ualoha ho\u2019omanawanui<\/em><\/li>\n<li>I, too, hear the dreams &#8211; <em>Peta Gaye-Nash<\/em><\/li>\n<li>Learning to Love Me &#8211; <em>Michelle Jean-Paul<\/em><\/li>\n<li>A Conversation among Friends &#8211; <em>Nicole Salter<\/em><\/li>\n<li>The Combination of the Two &#8211; <em>Rachel Afi Quinn<\/em><\/li>\n<li>\u201cLoving Series: Elena Rubin\u201d &#8211; <em>Laura Kina<\/em><\/li>\n<li>On the Train &#8211; <em>Naomi Angel<\/em><\/li>\n<li>Coloured &#8211; <em>Sheila Addiscott<\/em><\/li>\n<li>Of Two Worlds &#8211; <em>Christina Brobby<\/em><\/li>\n<li>What is my Culture? &#8211; <em>Karen Hill<\/em><\/li>\n<li>mo\u2019oku\u2019auhau (Genealogy) &#8211; <em>ku\u2019ualoha ho\u2019omanawanui<\/em><\/li>\n<li>Siouxjewgermanscotblack [cultural software instructions] &#8211; <em>Robin M. Chandler<\/em><\/li>\n<li>\u201cLoving Series: Shoshanna Weinberger\u201d &#8211; <em>Laura Kina<\/em><\/li>\n<li>A Hairy Situation &#8211; <em>Saedhlinn B. Stweart-Laing<\/em><\/li>\n<li>\u201cPot Vida\u201d &#8211; <em>Margo Rivera-Weiss<\/em><\/li>\n<li>Songs Feet Can Get &#8211; <em>Rage Hezekiah<\/em><\/li>\n<li>Opposite of Fence &#8211; <em>Lisa Marie Rollins<\/em><\/li>\n<li>Applique &#8211; <em>Lisa Marie Rollins<\/em><\/li>\n<li>Blanqueamiento &#8211; <em>Adebe DeRango-Adem<\/em><\/li>\n<li>The Land &#8211; <em>Farideh de Bossett<\/em><\/li>\n<li>Native Speaker: Daring to Name Ourselves &#8211; <em>Nicole Asong Nfonoyim<\/em><\/li>\n<\/ul>\n<\/li>\n<li><strong>REVELATIONS<\/strong>\n<ul>\n<li>Colour Lesson I &#8211; <em>Adebe DeRango-Adem<\/em><\/li>\n<li>Concealed Things &#8211; <em>Adebe DeRango-Adem<\/em><\/li>\n<li>Serendipity &#8211; <em>Priscila Uppal<\/em><\/li>\n<li>\u201cUltramarine\u201d &#8211; <em>Margo Rivera-Weis<span style=\"text-decoration: underline;\">s<\/span><\/em><\/li>\n<li>before i was this &#8211; <em>Katherena Vermette<\/em><\/li>\n<li>Firebelly &#8211; <em>Andrea Thompson<\/em><\/li>\n<li>From Chopsticks to Meatloaf and Back Again &#8211; <em>Jasmine Moy<\/em><\/li>\n<li>My Power &#8211; <em>Sonnet L\u2019Abbe<\/em><\/li>\n<li>Whitewashed &#8211; <em>Kathryn McMillan<\/em><\/li>\n<li>Actually, I\u2019m Black &#8211; <em>Marcelite Failla<\/em><\/li>\n<li>\u201cSelf\u201d &#8211; <em>Lisa Walker<\/em><\/li>\n<li>Grey (A Bi-racial Poem) &#8211; <em>Sonya Littlejohn<\/em><\/li>\n<li>Nubia\u2019s Dream &#8211; <em>Mica Valdez<\/em><\/li>\n<li>both sides &#8211; <em>Jonina Kirton<\/em><\/li>\n<li>Mulatto Nation &#8211; <em>Marika Schwandt<\/em><\/li>\n<li>Colour Lesson II &#8211; <em>Adebe DeRango-Adem<\/em><\/li>\n<li>racially queer femme &#8211; <em>Kimberly Dree Hudson<\/em><\/li>\n<li>mypeople &#8211; <em>Ruha Benjamin<\/em><\/li>\n<li>My Life in Pieces &#8211; <em>Jennifer Adese<\/em><\/li>\n<li>Burden of Proof: From Colon-Eyes to Kaleidoscope &#8211; <em>Angela Dosalmas<\/em><\/li>\n<li>Recipe for mixing &#8211; <em>Tomie Hahn<\/em><\/li>\n<li>Metamorphosis &#8211; <em>Gena Chang-Campbell<\/em><\/li>\n<li>The Land Knows &#8211; <em>Shandra Spears Bombay<\/em><\/li>\n<li>Land in Place: Mapping the Grandmother &#8211; <em>Joanne Arnott <\/em><\/li>\n<li>\u201cI am the leaf, you are the leaf\u201d &#8211; <em>Lisa Walker<\/em><\/li>\n<li>Language and the Ethics of Mixed Race &#8211; <em><a href=\"http:\/\/author.oit.ohio.edu\/pols\/profile.cfm?customel_datapageid_1683562=1884530\" target=\"_blank\" rel=\"noopener\">Debra Thompson<\/a><\/em><\/li>\n<li>Hybrid Identity and Writing of Presence &#8211; <em>Jackie Wang<\/em><\/li>\n<\/ul>\n<\/li>\n<li><em>Contributors Notes<\/em><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>This anthology of poetry, spoken word, fiction, creative non-fiction, spoken word texts, as well as black and white artwork and photography, explores the question of how mixed-race women in North America identify in the twenty-first century.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,11,19,666,125,8,1617,20,25],"tags":[2423,4628,4814,4822,4828,4843,4826,2422,4876,4841,4813,4850,4820,68,4836,4860,4842,4833,4627,4883,4864,4875,4882,4838,4817,4829,4851,4863,4865,4835,4872,4871,4873,4818,2984,41,3101,4858,4857,4859,4867,4825,4834,4866,4839,4819,4870,4823,4869,4845,4831,4830,4832,4840,4824,4848,4821,1133,4861,3982,3983,4846,4844,4815,4862,4847,4856,4827,4853,4852,4874,4854,4855,4812,4881,4880,4879,4849,4837,4868,4816,4877,3968],"class_list":["post-10509","post","type-post","status-publish","format-standard","hentry","category-anthologies","category-books","category-canada","category-gaylesbian","category-identitydevelopment","category-media-archive","category-poetry-books","category-usa","category-women","tag-adebe-d-a","tag-adebe-de-rango-adem","tag-aja-sy","tag-alexis-kienlen","tag-amber-jamilla-musser","tag-amy-pimentel","tag-anajli-enjeti-sydow","tag-andrea-thompson","tag-angela-dosalmas","tag-cassie-mulheron","tag-chistine-sy","tag-christina-brobby","tag-d-cole-ossandon","tag-debra-thompson","tag-erin-kobayashi","tag-farideh-de-bossett","tag-gail-prasad","tag-gena-chang-campbell","tag-inanna-publications","tag-jackie-wang","tag-jasmine-moy","tag-jennifer-adese","tag-joanne-arnott","tag-jonina-kirton","tag-jordan-clarke","tag-kali-fajardo-anstine","tag-karen-hill","tag-katherena-vermette","tag-kathryn-mcmillan","tag-kayla-fraser","tag-kimberly-d-hudson","tag-kimberly-dree-hudson","tag-kimberly-hudson","tag-kirya-traber","tag-kuualoha-hoomanawanui","tag-laura-kina","tag-liberty-hultberg","tag-lisa-m-rollins","tag-lisa-marie-rollins","tag-lisa-rollns","tag-lisa-walker","tag-m-ann-phillips","tag-m-c-shumaker","tag-marcelite-failla","tag-margo-rivera-weiss","tag-marijane-castillo","tag-marika-schwandt","tag-mica-lee-anders","tag-mica-valdez","tag-michelle-jean-paul","tag-michelle-l-mullins","tag-michelle-lopez-mulllins","tag-michelle-mullins","tag-miranda-martini","tag-monica-rosas","tag-naomi-angel","tag-natasha-morris","tag-natasha-trethewey","tag-nicole-a-nfonoyim","tag-nicole-asong-nfonoyim","tag-nicole-nfonoyim","tag-nicole-salter","tag-peta-gaye-nash","tag-phoenix-rising","tag-priscila-uppal","tag-rachel-afi-quinn","tag-rage-hezekiah","tag-rea-mcnamara","tag-robin-chandler","tag-robin-m-chandler","tag-ruha-benjamin","tag-saedhlinn-b-stweart-laingm","tag-saedhlinn-stweart-laingm","tag-sandra-kasturi","tag-shandra-bombay","tag-shandra-s-bombay","tag-shandra-spears-bombay","tag-sheila-addiscott","tag-sonnet-labbe","tag-sonya-littlejohn","tag-tasha-beeds","tag-tomie-hahn","tag-tru-leverette"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/10509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10509"}],"version-history":[{"count":4,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/10509\/revisions"}],"predecessor-version":[{"id":58343,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/10509\/revisions\/58343"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}