{"id":13197,"date":"2011-04-10T02:24:38","date_gmt":"2011-04-10T02:24:38","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/wordpress\/?p=13197"},"modified":"2016-06-06T00:09:10","modified_gmt":"2016-06-06T00:09:10","slug":"the-amalgamation-waltz-race-performance-and-the-ruses-of-memory-review","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=13197","title":{"rendered":"The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (review)"},"content":{"rendered":"<p><strong><em><a href=\"http:\/\/muse.jhu.edu\/journals\/theatre_journal\/summary\/v063\/63.1.jones.html\" target=\"_blank\">The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (review)<\/a><\/em><\/strong><\/p>\n<p><a href=\"http:\/\/muse.jhu.edu\/journals\/theatre_journal\" target=\"_blank\">Theatre Journal<\/a><br \/>\n<a href=\"http:\/\/muse.jhu.edu\/journals\/theatre_journal\/toc\/tj.63.1.html\" target=\"_blank\">Volume 63, Number 1<\/a> (March 2011)<br \/>\npages 136-138<br \/>\nE-ISSN: 1086-332X; Print ISSN: 0192-2882<\/p>\n<p><a href=\"http:\/\/www.stanford.edu\/dept\/drama\/people\/students.html#Jones_Doug\" target=\"_blank\"><strong>Douglas A. Jones Jr<\/strong>.<\/a><br \/>\n<em>Stanford University<\/em><\/p>\n<p>Although the election of a mixed-race president signaled to many the beginning of the end of the problem of the color line, the discourse of postraciality is &#8220;not just the effect of recent pre- and post-millennial effusions&#8221;, <a href=\"http:\/\/performance.tisch.nyu.edu\/object\/NyongoT.html\" target=\"_blank\">Tavia Nyong&#8217;o<\/a> notes, but rather &#8220;it was already visible, for instance, during the antebellum struggle to abolish slavery&#8221;. In his stunning new book <em><a href=\"http:\/\/www.mixedracestudies.org\/?p=535\" target=\"_blank\">The Amalgamation Waltz<\/a><\/em>, Nyong&#8217;o compels us to confront the problematics of this particular dialectic\u2014namely, the nascent talk of racial transcendence alongside the entrenchment of white supremacy and racialized slavery. For Nyong&#8217;o, this struggle was\/is too often waged on the back of the &#8220;hybrid child.&#8221; <em>The Amalgamation Waltz<\/em> argues against the biopolitical notion that the keys to a national transcendence of race inhere within mixed-race subjects; instead, he insists, &#8220;racial mixing and hybridity are neither problems for, nor solutions to, the long history of &#8216;race&#8217; and racism, but part of its genealogy&#8221;.<\/p>\n<p>The author begins with the contention that hybridity can both sustain and disrupt the pedagogy of the &#8220;national Thing,&#8221; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Slavoj_%C5%BDi%C5%BEek\" target=\"_blank\">Slavoj \u017di\u017eek&#8217;s<\/a> term for an indefinable essence that appears to be present throughout the nation&#8217;s way of life, but only exists as long as members of the community continue to believe in it. For Nyong&#8217;o, the American national Thing is &#8220;a powerful force shaping the nation&#8221; that &#8220;often accommodates hybridity to an official teleology that is forever reducing the many to the one&#8221;&#8230;<\/p>\n<p>Read or purchase the review <a href=\"http:\/\/muse.jhu.edu\/journals\/theatre_journal\/v063\/63.1.jones.pdf\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (review) Theatre Journal Volume 63, Number 1 (March 2011) pages 136-138 E-ISSN: 1086-332X; Print ISSN: 0192-2882 Douglas A. Jones Jr. Stanford University Although the election of a mixed-race president signaled to many the beginning of the end of the problem of the color line, the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,5,459,8],"tags":[5951,5952,5953,5954,5950],"class_list":["post-13197","post","type-post","status-publish","format-standard","hentry","category-articles","category-book-reviews","category-history","category-media-archive","tag-douglas-a-jones","tag-douglas-a-jones-jr","tag-douglas-jones","tag-tavia-nyongo","tag-theatre-journal"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/13197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13197"}],"version-history":[{"count":1,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/13197\/revisions"}],"predecessor-version":[{"id":47344,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/13197\/revisions\/47344"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}