{"id":13559,"date":"2011-05-01T04:28:40","date_gmt":"2011-05-01T04:28:40","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/wordpress\/?p=13559"},"modified":"2013-02-09T15:44:08","modified_gmt":"2013-02-09T15:44:08","slug":"whiting-up-whiteface-minstrels-and-stage-europeans-in-african-american-performance","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=13559","title":{"rendered":"Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance"},"content":{"rendered":"<p><strong><em><a href=\"http:\/\/uncpress.unc.edu\/browse\/book_detail?title_id=2201\" target=\"_blank\">Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance<\/a><\/em><\/strong><\/p>\n<p><a href=\"http:\/\/uncpress.unc.edu\" target=\"_blank\">University of North Carolina Press<\/a><br \/>\nDecember 2011<br \/>\n336 pages<br \/>\n6.125 x 9.25, 15 illus., notes, bibl., index<br \/>\nCloth ISBN: 978-0-8078-3508-1<\/p>\n<p><a href=\"http:\/\/uncpress.unc.edu\/browse\/book_detail?title_id=2201\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.uncpress.unc.edu\/images\/jackets\/large\/mcallister_whiting.jpg\" border=\"0\" alt=\"\" \/><\/a><\/p>\n<p><strong><a href=\"http:\/\/www.cas.sc.edu\/engl\/people\/pages\/mcallister.html\" target=\"_blank\">Marvin McAllister<\/a><\/strong>, Assistant Professor of English<br \/>\n<em>University of South Carolina<\/em><\/p>\n<p>In the early 1890s, black performer <a href=\"http:\/\/en.wikipedia.org\/wiki\/Bob_Cole_(composer)\" target=\"_blank\">Bob Cole<\/a> turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star <a href=\"http:\/\/en.wikipedia.org\/wiki\/Busta_Rhymes\" target=\"_blank\">Busta Rhymes<\/a> performed a whiteface supercop in his hit music video &#8220;<a href=\"http:\/\/www.youtube.com\/watch?v=ZwlDdrcEECw\" target=\"_blank\">Dangerous<\/a>.&#8221; In this sweeping work, Marvin McAllister explores the enduring tradition of &#8220;whiting up,&#8221; in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities.<\/p>\n<p>Not to be confused with racial &#8220;passing&#8221; or derogatory notions of &#8220;acting white,&#8221; whiting up is a deliberate performance strategy designed to challenge America&#8217;s racial and political hierarchies by transferring supposed markers of whiteness to black bodies\u2014creating unexpected intercultural alliances even as it sharply critiques racial stereotypes. Along with theater, McAllister considers a variety of other live performance modes, including antebellum <a href=\"http:\/\/en.wikipedia.org\/wiki\/Cakewalk\" target=\"_blank\">cakewalks<\/a> and contemporary stand-up comedy by solo artists such as <a href=\"http:\/\/en.wikipedia.org\/wiki\/Dave_Chappelle\" target=\"_blank\">Dave Chappelle<\/a>. For over three centuries and in today&#8217;s supposedly &#8220;postracial&#8221; America, McAllister argues, whiting up has allowed African American performers first to appropriate artistic products of a white imagination and then to fashion new black identities through these &#8220;white&#8221; forms, therefore enhancing our collective understanding of self and other.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance University of North Carolina Press December 2011 336 pages 6.125 x 9.25, 15 illus., notes, bibl., index Cloth ISBN: 978-0-8078-3508-1 Marvin McAllister, Assistant Professor of English University of South Carolina In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,459,1196,8,17,6462],"tags":[6179,667],"class_list":["post-13559","post","type-post","status-publish","format-standard","hentry","category-books","category-history","category-literary-criticism","category-media-archive","category-monographs","category-passing-2","tag-marvin-mcallister","tag-university-of-north-carolina-press"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/13559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13559"}],"version-history":[{"count":0,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/13559\/revisions"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}