{"id":19323,"date":"2011-12-28T23:11:22","date_gmt":"2011-12-28T23:11:22","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/wordpress\/?p=19323"},"modified":"2011-12-28T23:12:05","modified_gmt":"2011-12-28T23:12:05","slug":"the-mystery-of-samba-popular-music-and-national-identity-in-brazil","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=19323","title":{"rendered":"The Mystery of Samba: Popular Music and National Identity in Brazil"},"content":{"rendered":"<p><strong><em><a href=\"http:\/\/uncpress.unc.edu\/browse\/book_detail?title_id=217\" target=\"_blank\">The Mystery of Samba: Popular Music and National Identity in Brazil<\/a><\/em><\/strong><\/p>\n<p><a href=\"http:\/\/uncpress.unc.edu\" target=\"_blank\">University of North Carolina Press<\/a><br \/>\nFebruary 1999<br \/>\n168 pages<br \/>\n6.125 x 9.25, notes, bibl., index<br \/>\nPaper ISBN\u00a0 978-0-8078-4766-4<\/p>\n<p><strong>Hermano Vianna<\/strong><\/p>\n<p>Edited and translated by<\/p>\n<p><strong><a href=\"http:\/\/history.unc.edu\/people\/faculty\/chasteen.html\" target=\"_blank\">John Charles Chasteen<\/a><\/strong>, Associate Professor of History<br \/>\n<em>University of North Carolina, Chapel Hill<\/em><\/p>\n<p><a href=\"http:\/\/uncpress.unc.edu\/browse\/book_detail?title_id=217\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/sunsite.unc.edu\/uncpress\/pics\/jackets\/v\/vianna_mystery.jpg\" border=\"0\" alt=\"\" \/><\/a><\/p>\n<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/Samba\" target=\"_blank\">Samba<\/a> is Brazil&#8217;s &#8220;national rhythm,&#8221; the foremost symbol of its culture and nationhood. To the outsider, samba and the famous pre-Lenten carnival of which it is the centerpiece seem to showcase the country&#8217;s African heritage. Within Brazil, however, samba symbolizes the racial and cultural mixture that, since the 1930s, most Brazilians have come to believe defines their unique national identity.<\/p>\n<p>But how did Brazil become &#8220;the Kingdom of Samba&#8221; only a few decades after abolishing slavery in 1888? Typically, samba is represented as having changed spontaneously, mysteriously, from a &#8220;repressed&#8221; music of the marginal and impoverished to a national symbol cherished by all Brazilians. Here, however, Hermano Vianna shows that the nationalization of samba actually rested on a long history of relations between different social groups&#8211;poor and rich, weak and powerful&#8211;often working at cross-purposes to one another.<\/p>\n<p>A fascinating exploration of the &#8220;invention of tradition,&#8221; <em>The Mystery of Samba<\/em> is an excellent introduction to Brazil&#8217;s ongoing conversation on race, popular culture, and national identity.<\/p>\n<p><strong>Table of Contents<\/strong><\/p>\n<ul>\n<li>Translator&#8217;s Preface<\/li>\n<li>Author&#8217;s Preface to the U.S. Edition<\/li>\n<li>Acknowledgments<\/li>\n<li>1. The Encounter<\/li>\n<li>2. The Mystery<\/li>\n<li>3. Popular Music and the Brazilian Elite<\/li>\n<li>4. The Unity of the Nation<\/li>\n<li>5. Race Mixture<\/li>\n<li>6. <a href=\"http:\/\/en.wikipedia.org\/wiki\/Gilberto_Freyre\" target=\"_blank\">Gilberto Freyre<\/a><\/li>\n<li>7. The Modern Samba<\/li>\n<li>8. Samba of My Native Land<\/li>\n<li>9. Nowhere at All<\/li>\n<li>10. Conclusions<\/li>\n<li>Notes<\/li>\n<li>Index<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The Mystery of Samba: Popular Music and National Identity in Brazil University of North Carolina Press February 1999 168 pages 6.125 x 9.25, notes, bibl., index Paper ISBN\u00a0 978-0-8078-4766-4 Hermano Vianna Edited and translated by John Charles Chasteen, Associate Professor of History University of North Carolina, Chapel Hill Samba is Brazil&#8217;s &#8220;national rhythm,&#8221; the foremost [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,83,21,459,1196,8,17,6940],"tags":[2652,8913,8915,8914,8916,1392,6726,667],"class_list":["post-19323","post","type-post","status-publish","format-standard","hentry","category-books","category-brazil","category-latincarib","category-history","category-literary-criticism","category-media-archive","category-monographs","category-slavery","tag-gilberto-freyre","tag-hermano-vianna","tag-john-c-chasteen","tag-john-charles-chasteen","tag-john-chasteen","tag-music","tag-samba","tag-university-of-north-carolina-press"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/19323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19323"}],"version-history":[{"count":0,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/19323\/revisions"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}