{"id":24649,"date":"2012-08-04T23:05:04","date_gmt":"2012-08-04T23:05:04","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/wordpress\/?p=24649"},"modified":"2016-04-01T15:59:03","modified_gmt":"2016-04-01T15:59:03","slug":"more-than-a-few-words-about-post-war-german-cinema-race-and-toxi","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=24649","title":{"rendered":"More Than A Few Words About Post-War German Cinema, Race and &#8216;Toxi&#8217;"},"content":{"rendered":"<p><strong><em><a href=\"http:\/\/blogs.indiewire.com\/shadowandact\/more-than-a-few-words-about-post-war-german-cinema-race-and-toxi\" target=\"_blank\">More Than A Few Words About Post-War German Cinema, Race and &#8216;Toxi&#8217;<\/a><\/em><\/strong><\/p>\n<p><a href=\"http:\/\/blogs.indiewire.com\/shadowandact\" target=\"_blank\">Shadow and Act: On Cinema of the African Diaspora<\/a><br \/>\n2012-08-01<\/p>\n<p><strong><a href=\"mailto:blackstarline@yahoo.com\" target=\"_blank\">Sergio Mims<\/a><\/strong>, Staff Writer<\/p>\n<p>For anyone interested in foreign films, one of the most interesting periods of German filmmaking was the post war period between 1946 to the mid 1960\u2019s.<\/p>\n<p>In effect, only two types of films were being made: pure escapist film such as musicals and comedies that were designed to make the audience complete forget the ugly events of the recent past. But then there were films such as <em>The Lost One<\/em>, <em>Germany Year Zero<\/em>, and <em>Murderers Among Us<\/em> which explicitly dealt with the aftermath of the horrors of <a href=\"http:\/\/en.wikipedia.org\/wiki\/World_War_II\" target=\"_blank\">World War II<\/a> and Germany\u2019s guilt and its repercussions.<\/p>\n<p>But of all the films, one of the most fascinating, and worthy of rediscovery, is the 1952 film <em><a href=\"http:\/\/www.mixedracestudies.org\/?p=21520\" target=\"_blank\">Toxi<\/a><\/em> co-written and directed <a href=\"http:\/\/en.wikipedia.org\/wiki\/Robert_A._Stemmle\" target=\"_blank\">Robert Stemmie<\/a>, who was major and very successful successful director of the period. It was one of the very few German films made then, and even now, which seriously tried to deal with race. No doubt a very touchy and controversial subject considering Germany\u2019s Nazi \u201cracial purity\u201d agenda.<\/p>\n<p>For years the film was very difficult to see. I first saw it a couple of  years ago during a film series of post war German films. However, the film has been recently remastered and released on DVD and is available from the <a href=\"http:\/\/www.defafilmlibrary.com\/\" target=\"_blank\">DEFA Film Library<\/a> DVD series from the University of Massachusetts Amherst.<\/p>\n<p>The film centers around an abandoned German \u201coccupation baby\u201d,  which was the term for children of U.S, soldiers stationed in Germany after the war and German women, who were abandoned by their parents. <strong>It was estimated that there were some 3000-5000 of these children, many of whom were biracial.<\/strong><\/p>\n<p>The lead actress, who was six years old when she made the film, was <a href=\"http:\/\/de.wikipedia.org\/wiki\/Elfi_Fiegert\" target=\"_blank\">Elfie Fiegert<\/a> who was herself an \u201coccupation baby\u201d left by both her parents and adopted by a childless German couple who renamed her&#8230;<\/p>\n<p>Read the entire review <a href=\"http:\/\/blogs.indiewire.com\/shadowandact\/more-than-a-few-words-about-post-war-german-cinema-race-and-toxi\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>More Than A Few Words About Post-War German Cinema, Race and &#8216;Toxi&#8217; Shadow and Act: On Cinema of the African Diaspora 2012-08-01 Sergio Mims, Staff Writer For anyone interested in foreign films, one of the most interesting periods of German filmmaking was the post war period between 1946 to the mid 1960\u2019s. In effect, only [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,5,28,8],"tags":[3228,11482,2948,11483,11479,11481,11480,969],"class_list":["post-24649","post","type-post","status-publish","format-standard","hentry","category-articles","category-book-reviews","category-europe","category-media-archive","tag-afro-germans","tag-elfie-fiegert","tag-germany","tag-robert-stemmie","tag-sergio-mims","tag-shadow-and-act","tag-shadow-and-act-on-cinema-of-the-african-diaspora","tag-world-war-ii"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/24649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24649"}],"version-history":[{"count":1,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/24649\/revisions"}],"predecessor-version":[{"id":46355,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/24649\/revisions\/46355"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}