{"id":34776,"date":"2013-11-19T03:02:54","date_gmt":"2013-11-19T03:02:54","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/wordpress\/?p=34776"},"modified":"2013-11-19T03:02:54","modified_gmt":"2013-11-19T03:02:54","slug":"african-slavery-the-new-hollywood-renaissance","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=34776","title":{"rendered":"African Slavery: The New Hollywood Renaissance"},"content":{"rendered":"<p><strong><em><a href=\"http:\/\/ourweekly.com\/news\/2013\/nov\/14\/african-slavery-new-hollywood-renaissance\" target=\"_blank\">African Slavery: The New Hollywood Renaissance<\/a><\/em><\/strong><\/p>\n<p><a href=\"http:\/\/ourweekly.com\" target=\"_blank\">Our Weekly: Los Angeles<\/a><br \/>\n2013-11-14<\/p>\n<p><strong><a href=\"http:\/\/ourweekly.com\/staff\/william-covington\/\" target=\"_blank\">William Covington<\/a><\/strong>, Contributor<\/p>\n<p>With the recent release of \u201c12 Years A Slave\u201d and \u201cDjango Unchained\u201d and numerous slave genre movies awaiting release, it appears the slavery motif is possibly generating a new African American Renaissance in Hollywood.<\/p>\n<p>According to Pasadena screenwriter Herman James, \u201cHollywood doesn\u2019t care about educating the nation on the institution that built this country. They are taking the pulse and following the money.<\/p>\n<p>Movies about slavery have become a niche genre that has a strong possibility of making money, and James says this has nothing to do with a Black president in the White House or the fact that the Civil War took place 150 years ago. Instead, he thinks the proliferation may be attributed to the fact that recently Hollywood discovered that movies about slavery and plantations are profitable. \u201cThey are the new race movies. However, if they flop they will vanish as easy as they have become big-screen entertainment.\u201d&#8230;<\/p>\n<p>The race movies that James refers to are early movies produced between 1915 and 1950 for Black audiences&#8230;<\/p>\n<p>&#8230;In \u201cThe North Star,\u201d the character Big Ben escapes a southern plantation and makes his way north to freedom by following the North Star. He ends up in Bucks County, Pennsylvania, where he is helped by local Quakers who are part of the Underground Railroad, a system of hiding places and trails for those escaping the horrors of slavery. This movie is currently in post production.<\/p>\n<p>\u201cBelle\u201d is inspired by the true story of Dido Elizabeth Belle (Gugu Mabatha-Raw), the illegitimate mixed-race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield (Tom Wilkinson) and his wife (Emily Watson), Belle\u2019s lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Expected to be released in 2014.<\/p>\n<p>In \u201cThe Keeping Room,\u201d three Southern women\u2014two sisters and one African American slave\u2014left without men in the dying days of the Civil War, are forced to defend their home from the onslaught of a band of soldiers who have broken off from the fast-approaching Union Army. It is scheduled for release in 2014&#8230;<\/p>\n<p>Read the entire article <a href=\"http:\/\/ourweekly.com\/news\/2013\/nov\/14\/african-slavery-new-hollywood-renaissance\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>African Slavery: The New Hollywood Renaissance Our Weekly: Los Angeles 2013-11-14 William Covington, Contributor With the recent release of \u201c12 Years A Slave\u201d and \u201cDjango Unchained\u201d and numerous slave genre movies awaiting release, it appears the slavery motif is possibly generating a new African American Renaissance in Hollywood. According to Pasadena screenwriter Herman James, \u201cHollywood [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,5,459,8,6940,20],"tags":[16402,5276,16401,16403],"class_list":["post-34776","post","type-post","status-publish","format-standard","hentry","category-articles","category-book-reviews","category-history","category-media-archive","category-slavery","category-usa","tag-herman-james","tag-our-weekly","tag-our-weekly-los-angeles","tag-william-covington"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/34776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=34776"}],"version-history":[{"count":0,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/34776\/revisions"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=34776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=34776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=34776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}