{"id":47881,"date":"2016-06-22T16:05:48","date_gmt":"2016-06-22T16:05:48","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=47881"},"modified":"2017-03-30T01:12:06","modified_gmt":"2017-03-30T01:12:06","slug":"fanny-eaton-the-black-pre-raphaelite-muse-that-time-forgot","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=47881","title":{"rendered":"Fanny Eaton: The Black Pre-Raphaelite Muse that Time Forgot"},"content":{"rendered":"<p><a href=\"http:\/\/www.anothermag.com\/art-photography\/8453\/fanny-eaton-the-black-pre-raphaelite-muse-that-time-forgot\" target=\"_blank\"><em><strong>Fanny Eaton: The Black Pre-Raphaelite Muse that Time Forgot<\/strong><\/em><\/a><\/p>\n<p><a href=\"http:\/\/www.anothermag.com\" target=\"_blank\">AnOther<\/a><br \/>\n2016-03-07<\/p>\n<p><a href=\"http:\/\/www.anothermag.com\/user\/SholavonReynolds\" target=\"_blank\"><strong>Shola von Reynolds<\/strong><\/a><\/p>\n<table border=\"0\" width=\"552\">\n<tbody>\n<tr>\n<td><a href=\"http:\/\/www.anothermag.com\/art-photography\/8453\/fanny-eaton-the-black-pre-raphaelite-muse-that-time-forgot\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/7\/79\/Stocks%2C_Walter_Fryer%2C_Mrs._Fanny_Eaton%2C_ca._1859.jpg\/800px-Stocks%2C_Walter_Fryer%2C_Mrs._Fanny_Eaton%2C_ca._1859.jpg\" width=\"550\" border=\"0\" \/><\/a><br \/>\n<small>Walter Fryer Stocks, British, 1842\u20131915: <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fanny_Eaton\" target=\"_blank\"><em>Mrs. Fanny Eaton<\/em><\/a>, ca. 1859 \/ Black, red, and white chalk on cream wove paper \/ 43.2 \u00d7 34.9 cm (17 \u00d7 13 3\/4 in.) \/ Museum purchase, Surdna Fund \/ 2016-1 \/ <a href=\"http:\/\/artmuseum.princeton.edu\" target=\"_blank\">Princeton University Art Museum<\/a><br \/>\n<\/small><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><em>The enigmatic model made her way to <a href=\"https:\/\/en.wikipedia.org\/wiki\/London\" target=\"_blank\">London<\/a> from <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jamaica\" target=\"_blank\">Jamaica<\/a> in the early 19th century to sit for the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Pre-Raphaelite_Brotherhood\" target=\"_blank\">Pre-Raphaelites<\/a>, and her legacy lives on in their impactful work<\/em><\/p>\n<p><strong>Who?<\/strong> <a href=\"https:\/\/en.wikipedia.org\/wiki\/Elizabeth_Siddal\" target=\"_blank\">Lizzie Siddal<\/a> has long reigned supreme in the minds of historians, artists and writers as the embodiment of the artist\u2019s muse. Her fellow Pre-Raphaelite models, such as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Marie_Spartali_Stillman\" target=\"_blank\">Marie Spartali<\/a>, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jane_Morris\" target=\"_blank\">Jane Morris<\/a> or <a href=\"https:\/\/en.wikipedia.org\/wiki\/Maria_Zambaco\" target=\"_blank\">Maria Zambaco<\/a> are less well known, but renewed attention has given many of these women a rightful place in art history beyond the typically limited conception of \u201cthe muse\u201d. If you haven\u2019t heard of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fanny_Eaton\" target=\"_blank\">Fanny Eaton<\/a>, however, there would be meagre cause for surprise, though surprise there should be: little exists in the way of information about her, and until recent years all that remained was the series of paintings and drawings she sat for.<\/p>\n<p>Fanny Eaton was a black <a href=\"https:\/\/en.wikipedia.org\/wiki\/Victorian_era\" target=\"_blank\">Victorian<\/a> Londoner and, for some time, painter\u2019s model. Born in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jamaica\" target=\"_blank\">Jamaica<\/a> in 1835, Eaton was the daughter of an ex-slave and, it is suspected, a white slave owner. She came to <a href=\"https:\/\/en.wikipedia.org\/wiki\/London\" target=\"_blank\">London<\/a> in the 1840s and began modelling in her twenties. It has been discovered that she was working as a regular portrait model at the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Royal_Academy_of_Arts\" target=\"_blank\">Royal Academy<\/a>, which is potentially where she caught the attention of the many renowned painters of the era she sat for&#8230;<\/p>\n<p>Read the etnire article <a href=\"http:\/\/www.anothermag.com\/art-photography\/8453\/fanny-eaton-the-black-pre-raphaelite-muse-that-time-forgot\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The enigmatic model made her way to London from Jamaica in the early 19th century to sit for the Pre-Raphaelites, and her legacy lives on in their impactful work<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,24,1245,459,8,10,25],"tags":[24263,24261,81,24262,850,24265,24264],"class_list":["post-47881","post","type-post","status-publish","format-standard","hentry","category-articles","category-arts","category-biography","category-history","category-media-archive","category-uk","category-women","tag-another","tag-another-magazine","tag-england","tag-fanny-eaton","tag-london","tag-pre-raphaelites","tag-shola-von-reynolds"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/47881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=47881"}],"version-history":[{"count":3,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/47881\/revisions"}],"predecessor-version":[{"id":53084,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/47881\/revisions\/53084"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=47881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=47881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=47881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}