{"id":48569,"date":"2016-08-06T00:29:18","date_gmt":"2016-08-06T00:29:18","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=48569"},"modified":"2017-03-23T19:00:13","modified_gmt":"2017-03-23T19:00:13","slug":"a-biography-of-e-azalia-smith-hackley-1867-1922-african-american-singer-and-social-activist","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=48569","title":{"rendered":"A Biography Of E. Azalia Smith Hackley (1867-1922), African-american Singer And Social Activist"},"content":{"rendered":"<p><a href=\"http:\/\/mellenpress.com\/book\/A-Biography-Of-E-Azalia-Smith-Hackley-1867-1922-African-american-Singer-And-Social-Activist\/560\/\" target=\"_blank\"><em><strong>A Biography Of E. Azalia Smith Hackley (1867-1922), African-american Singer And Social Activist<\/strong><\/em><\/a><\/p>\n<p><a href=\"http:\/\/mellenpress.com\/\" target=\"_blank\">Edwin Mellen Press<\/a><br \/>\n2001<br \/>\n436 pages<br \/>\nISBN: 978-0-7734-7575-5<\/p>\n<p><a href=\"https:\/\/www.waldenu.edu\/colleges-schools\/center-for-general-education\/faculty\/bios\/lisa-a-pertillar-brevard\" target=\"_blank\"><strong>Lisa Pertillar Brevard<\/strong><\/a>, Core Faculty and Academic Coordinator of Humanities<br \/>\n<em>Walden University<\/em><\/p>\n<p><a href=\"http:\/\/mellenpress.com\/book\/A-Biography-Of-E-Azalia-Smith-Hackley-1867-1922-African-american-Singer-And-Social-Activist\/560\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/images-na.ssl-images-amazon.com\/images\/I\/51Mytwy7zXL._SX341_BO1,204,203,200_.jpg\" width=\"300\" border=\"0\" \/><\/a><\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Emma_Azalia_Hackley\" target=\"_blank\">Madame E. Azalia Hackley<\/a> was an African American classical singer, social worker, writer, philanthropist, and activist who championed the use of African-American spirituals among the African-American people as a tool for social change. Her efforts laid the groundwork for the use of spirituals as freedom songs during the <a href=\"https:\/\/en.wikipedia.org\/wiki\/African-American_Civil_Rights_Movement_(1954%E2%80%9368)\" target=\"_blank\">Civil Rights Movement<\/a>. This work used newspaper accounts and archive studies documenting Madame Hackley\u2019s tours cross-country and abroad to raise funds for African-American classical musicians. It show Hackley\u2019s intense devotion to her African-American roots, as she easily could have <a href=\"http:\/\/www.mixedracestudies.org\/?p=5864\" target=\"_blank\">passed for white<\/a>. Nevertheless, she traveled throughout the South in \u2018<a href=\"http:\/\/www.mixedracestudies.org\/?p=4781\" target=\"_blank\">Jim Crow<\/a>\u2019 railway cars by choice. This work also recovers several of her influential published works, including <em>A Guide to Voice Culture<\/em> (1909); <em>The Colored Girl Beautiful<\/em> (1916), an etiquette book for African-American women desiring professional jobs; and \u201cHints to Young Colored Artists\u201d, a series of articles designed to help young African-American classical musicians succeed. Includes illustrations.<\/p>\n<p><strong>Table of Contents<\/strong><\/p>\n<ul>\n<li>Foreword by Richard A. Long<\/li>\n<li>Introduction<\/li>\n<li>Part I: Madame Emma Azalia Smith Hackley: The Lady and Her Legacy\n<ul>\n<li>1. Azalia\u2019s Early Years (1867-1894)<\/li>\n<li>2. Denver (1894-1900)<\/li>\n<li>3. Philadelphia and The Washington Conservatory of Music (1900-1915)<\/li>\n<li>4. Jim Crow Cars and Beyond \u2013 Paris, London, Tokyo (1916-1920)<\/li>\n<li>5. Madame Hackley\u2019s Last Days (1920-1922)<\/li>\n<\/ul>\n<\/li>\n<li>Part II: The Soul and Grit of a Colored Prima Donna: Madame E. Azalia Hackley as Journalist\n<ul>\n<li>\u201cHints to Young Colored Artists\u201d (1914-15) by E. Azalia Hackley<\/li>\n<\/ul>\n<\/li>\n<li>Part III: Lessons Before Dying: Madame Hackley\u2019s T<em>he Colored Girl Beautiful<\/em><\/li>\n<li>Part IV: A Scrapbook of Madame E. Azalia Hackley\n<ul>\n<li>Photographs<\/li>\n<li>\u201cReport on Scholarship for 1908\u201d by E. Azalia Hackley<\/li>\n<li>Correspondence Between E. Azalia Hackley and James Weldon Johnson<\/li>\n<li>Advertisements<\/li>\n<li>T<em>he New York Age<\/em> Salutes Madame Hackley (Obituary by Lucien H. White, 1922)<\/li>\n<\/ul>\n<\/li>\n<li><em>Chronology<\/em><\/li>\n<li><em>Appendix: A Guide in Voice Culture (1909) by E. Azalia Hackley<\/em><\/li>\n<li><em>Sheet Music: \u201cCarola, A Serenade\u201d (1918) by E. Azalia Hackley<\/em><\/li>\n<li><em>Bibliography<\/em><\/li>\n<li><em>Index<\/em><\/li>\n<\/ul>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Emma_Azalia_Hackley\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/6\/6e\/EAHackley.PNG\" width=\"300\" border=\"0\" \/><\/a><br \/>\n<small>Photograph by Julius Taylor<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Madame E. Azalia Hackley was an African American classical singer, social worker, writer, philanthropist, and activist who championed the use of African-American spirituals among the African-American people as a tool for social change. Her efforts laid the groundwork for the use of spirituals as freedom songs during the Civil Rights Movement.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,1245,11,8,17,20,25],"tags":[24702,1928,24703,24706,24704,24705,1392],"class_list":["post-48569","post","type-post","status-publish","format-standard","hentry","category-arts","category-biography","category-books","category-media-archive","category-monographs","category-usa","category-women","tag-e-azalia-smith-hackley","tag-edwin-mellen-press","tag-emma-azalia-hackley","tag-emma-azalia-smith-hackley","tag-lisa-a-pertillar-brevard","tag-lisa-pertillar-brevard","tag-music"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/48569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48569"}],"version-history":[{"count":2,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/48569\/revisions"}],"predecessor-version":[{"id":52805,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/48569\/revisions\/52805"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=48569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=48569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}