{"id":49210,"date":"2016-09-25T21:44:33","date_gmt":"2016-09-25T21:44:33","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=49210"},"modified":"2016-09-25T21:44:33","modified_gmt":"2016-09-25T21:44:33","slug":"this-movie-was-nearly-lost-now-theyre-fighting-to-save-it","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=49210","title":{"rendered":"This Movie Was Nearly Lost. Now They\u2019re Fighting to Save It."},"content":{"rendered":"<p><a href=\"http:\/\/www.nytimes.com\/2016\/09\/25\/movies\/cane-river-restoration.html\" target=\"_blank\"><em><strong>This Movie Was Nearly Lost. Now They\u2019re Fighting to Save It.<\/strong><\/em><\/a><\/p>\n<p><a href=\"http:\/\/www.nytimes.com\" target=\"_blank\">The New York Times<\/a><br \/>\n2016-09-23<\/p>\n<p><a href=\"http:\/\/www.nyfcc.com\/membership\/john-anderson\/\" target=\"_blank\"><strong>John Anderson<\/strong><\/a><\/p>\n<table border=\"0\" width=\"552\">\n<tbody>\n<tr>\n<td><a href=\"http:\/\/www.nytimes.com\/2016\/09\/25\/movies\/cane-river-restoration.html\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/static01.nyt.com\/images\/2016\/09\/25\/arts\/25CANERIVER2\/25CANERIVER2-master768.jpg\" width=\"550\" border=\"0\" \/><\/a><br \/>\n<small><a href=\"http:\/\/www.imdb.com\/name\/nm1102173\/\" target=\"_blank\">Richard Romain<\/a> in the 1982 film \u201c<a href=\"http:\/\/www.imdb.com\/title\/tt0318346\/\" target=\"_blank\">Cane River<\/a>.\u201d<br \/>\nCredit IndieCollect<\/small><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>When it debuted in 1982, \u201c<a href=\"http:\/\/www.imdb.com\/title\/tt0318346\/\" target=\"_blank\">Cane River<\/a>\u201d was already a rarity: a drama by an independent black filmmaker, financed by wealthy black patrons and dealing with race issues untouched by mainstream cinema. <a href=\"https:\/\/en.wikipedia.org\/wiki\/Richard_Pryor\" target=\"_blank\">Richard Pryor<\/a> had even tried to take it to <a href=\"https:\/\/en.wikipedia.org\/wiki\/Cinema_of_the_United_States\" target=\"_blank\">Hollywood<\/a>.<\/p>\n<p>But since a negative resurfaced two years ago, it has attained a certain mythic quality, connecting a disparate group of people across the country: <a href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_City\" target=\"_blank\">New York<\/a> preservationists dedicated to restoring it; a cultural historian in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Louisiana\" target=\"_blank\">Louisiana<\/a> devoting an academic paper to it; an archivist in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Los_Angeles\" target=\"_blank\">Los Angeles<\/a> fascinated with it. And the director\u2019s son, the music journalist and filmmaker <a href=\"https:\/\/en.wikipedia.org\/wiki\/Sacha_Jenkins\" target=\"_blank\">Sacha Jenkins<\/a>, who knew about the film but has never seen it, and who has been left with a question no small number of sons have asked about their fathers.<\/p>\n<p>\u201cWho was this guy?\u201d&#8230;<\/p>\n<p>&#8230;<a href=\"https:\/\/www.nps.gov\/crha\/index.htm\" target=\"_blank\">Cane River<\/a> itself is a historically multicultural area in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Natchitoches_Parish,_Louisiana\" target=\"_blank\">Natchitoches Parish<\/a> in Louisiana, and the movie, in addition to being a <a href=\"https:\/\/en.wikipedia.org\/wiki\/Romeo_and_Juliet\" target=\"_blank\">Romeo-Juliet<\/a> romance, deals with land swindles perpetrated against people of color, and \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/Discrimination_based_on_skin_color\" target=\"_blank\">colorism<\/a>\u201d\u2014 that is, social hierarchy as dictated by skin tone.<\/p>\n<p>\u201cIt\u2019s a common issue, because there was a lot of intermarriage and, of course, slavery,\u201d said Carol Balthazar, who was Horace Jenkins\u2019s partner, and whose family history provided the movie\u2019s historical backdrop&#8230;<\/p>\n<p>&#8230;Ms. Spann watched a bootleg DVD of \u201cCane River.\u201d \u201cI can\u2019t think of any film that dealt with colorism in such a serious way,\u201d she said. She is writing a paper on \u201cCane River\u201d for the Louisiana Historical Society, and said some of the scenes seemed too long. Debra I. Moore, who edited the film in 1980, said there\u2019s a good reason for that&#8230;<\/p>\n<p>Read the entire article <a href=\"http:\/\/www.nytimes.com\/2016\/09\/25\/movies\/cane-river-restoration.html\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This Movie Was Nearly Lost. Now They\u2019re Fighting to Save It. The New York Times 2016-09-23 John Anderson Richard Romain in the 1982 film \u201cCane River.\u201d Credit IndieCollect When it debuted in 1982, \u201cCane River\u201d was already a rarity: a drama by an independent black filmmaker, financed by wealthy black patrons and dealing with race [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1649,12,8413,459,369,8,10],"tags":[25041,25042,240,25040,10376,2640,25039,25043,2327],"class_list":["post-49210","post","type-post","status-publish","format-standard","hentry","category-anthropology","category-articles","category-communications","category-history","category-louisiana","category-media-archive","category-uk","tag-cane-river","tag-carol-balthazar","tag-colorism","tag-horace-jenkins","tag-john-anderson","tag-new-york-times","tag-richard-romain","tag-sacha-jenkins","tag-the-new-york-times"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/49210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49210"}],"version-history":[{"count":1,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/49210\/revisions"}],"predecessor-version":[{"id":49211,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/49210\/revisions\/49211"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=49210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=49210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}