{"id":55815,"date":"2018-02-26T23:01:49","date_gmt":"2018-02-26T23:01:49","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=55815"},"modified":"2018-02-26T23:01:49","modified_gmt":"2018-02-26T23:01:49","slug":"broken-identity","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=55815","title":{"rendered":"Broken identity"},"content":{"rendered":"<p><a href=\"https:\/\/www.the-tls.co.uk\/articles\/public\/broken-identity-afua-hirsch-british\/\" target=\"_blank\" rel=\"noopener\"><em><strong>Broken identity<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.the-tls.co.uk\" target=\"_blank\" rel=\"noopener\">The Times Literary Supplement<\/a><br \/>\n2018-01-31<\/p>\n<p><a href=\"https:\/\/bevaristo.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Bernardine Evaristo<\/strong><\/a><\/p>\n<table border=\"0\" width=\"550\">\n<tbody>\n<tr>\n<td><a href=\"https:\/\/www.the-tls.co.uk\/articles\/public\/broken-identity-afua-hirsch-british\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.the-tls.co.uk\/s3\/tls-prod\/uploads\/2018\/01\/p29_Evaristo.jpg\" width=\"550\" border=\"0\" \/><\/a><br \/>\n<small><a href=\"https:\/\/twitter.com\/afuahirsch\" target=\"_blank\" rel=\"noopener\">Afua Hirsch<\/a> <em><sup>\u00a9<\/sup>Ken McKay\/ITV\/REX\/Shutterstock<\/em><\/small><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Afua Hirsch, <em><a href=\"http:\/\/www.mixedracestudies.org\/?p=55336\" target=\"_blank\" rel=\"noopener\">Brit(ish): On Race, Identity and Belonging<\/a><\/em> (London: Jonathan Cape, 2018)<\/strong><\/p>\n<p>People of colour raised in the openly racist <a href=\"https:\/\/en.wikipedia.org\/wiki\/United_Kingdom\" target=\"_blank\" rel=\"noopener\">Britain<\/a> of the 1960s and 70s often put an identity quest at the heart of their fiction, poetry, drama and non-fiction. <a href=\"https:\/\/en.wikipedia.org\/wiki\/Joan_Riley\" target=\"_blank\" rel=\"noopener\">Joan Riley\u2019s<\/a> novel about an alienated girl, <em>The Unbelonging<\/em> (1985), and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Caryl_Phillips\" target=\"_blank\" rel=\"noopener\">Caryl Phillips\u2019s<\/a> pan-European travelogue, <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_European_Tribe\" target=\"_blank\" rel=\"noopener\"><em>The European Tribe<\/em> <\/a>(1988), provide powerful early examples. <a href=\"http:\/\/en.wikipedia.org\/wiki\/Hanif_Kureishi\" target=\"_blank\" rel=\"noopener\">Hanif Kureishi\u2019s<\/a> first novel, <a href=\"http:\/\/www.mixedracestudies.org\/?p=34202\" target=\"_blank\" rel=\"noopener\"><em>The Buddha of Suburbia<\/em><\/a> (1990), opens with the mixed-race protagonist declaring, \u201cMy name is Karim Amir, and I am an Englishman born and bred, almost\u201d. In her play <em>Talking in Tongues<\/em> (1991), <a href=\"https:\/\/en.wikipedia.org\/wiki\/Winsome_Pinnock\" target=\"_blank\" rel=\"noopener\">Winsome Pinnock<\/a> wrote about an Afro-Caribbean woman who sought to reassemble her fragmented identity back in her parents\u2019 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jamaica\" target=\"_blank\" rel=\"noopener\">Jamaica<\/a>. In my own verse novel, <a href=\"http:\/\/www.mixedracestudies.org\/?p=3950\" target=\"_blank\" rel=\"noopener\"><em>Lara<\/em><\/a> (1997), the mixed-race protagonist journeys to her father\u2019s <a href=\"https:\/\/en.wikipedia.org\/wiki\/Nigeria\" target=\"_blank\" rel=\"noopener\">Nigeria<\/a> to see if she can belong there. Back then, writing in this genre spoke of the dilemma of not feeling accepted in Britain; to the children of immigrants, the seemingly harmless question, \u201cWhere do you really come from?\u201d, was seen as a challenge to their British birthright. <a href=\"https:\/\/twitter.com\/JackieKayPoet\" target=\"_blank\" rel=\"noopener\">Jackie Kay\u2019s<\/a> memorable poem \u201cIn My Country\u201d encapsulates one response: \u201cWhere do you come from? \/ Here, I said, Here, these parts\u201d (<em>Other Lovers<\/em>, 1993).<\/p>\n<p>It is a question I haven\u2019t been asked in decades; I hoped it had died out along with the idea that Black and British was an oxymoron. <a href=\"https:\/\/twitter.com\/afuahirsch\" target=\"_blank\" rel=\"noopener\">Afua Hirsch\u2019s<\/a> <em>Brit(ish)<\/em>, however, finds it still tripping out of people\u2019s mouths, as the most \u201cpersistent reminder of that sense of not belonging\u201d. The book digs deep into the reasons for this enduring question, skilfully blending memoir, history and social commentary around race, culture and identity. Hirsch writes with an incisive honesty that disproves the idea that privilege can be easily reduced to racial binaries. She fully acknowledges the exclusive pedigree of her own background as a lighter-skinned woman of mixed parentage in a colourist society, who enjoyed a comfortable middle-class suburban childhood with her Ghanaian-born mother and English Jewish father. Her education was private all the way to Oxford University, and led to a first career as a barrister. Ten years ago she became a journalist. Hirsch is ostensibly the successful embodiment of Britain\u2019s multicultural project, but her privileged status has not immunized her from the perniciousness of racism&#8230;<\/p>\n<p>Read the entire book review <a href=\"https:\/\/www.the-tls.co.uk\/articles\/public\/broken-identity-afua-hirsch-british\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It is a question I haven\u2019t been asked in decades; I hoped it had died out along with the idea that Black and British was an oxymoron. Afua Hirsch\u2019s &#8220;Brit(ish),&#8221; however, finds it still tripping out of people\u2019s mouths, as the most \u201cpersistent reminder of that sense of not belonging\u201d. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,395,5,10],"tags":[11657,1345,28093,28094],"class_list":["post-55815","post","type-post","status-publish","format-standard","hentry","category-articles","category-autobiography","category-book-reviews","category-uk","tag-afua-hirsch","tag-bernardine-evaristo","tag-the-times-literary-supplement","tag-times-literary-supplement"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/55815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55815"}],"version-history":[{"count":1,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/55815\/revisions"}],"predecessor-version":[{"id":55816,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/55815\/revisions\/55816"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=55815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=55815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}