{"id":56166,"date":"2018-08-17T17:15:24","date_gmt":"2018-08-17T17:15:24","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=56166"},"modified":"2018-08-17T17:15:52","modified_gmt":"2018-08-17T17:15:52","slug":"mulata-nation-visualizing-race-and-gender-in-cuba","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=56166","title":{"rendered":"Mulata Nation: Visualizing Race and Gender in Cuba"},"content":{"rendered":"<p><a href=\"http:\/\/www.upress.state.ms.us\/books\/2116\" target=\"_blank\" rel=\"noopener\"><em><strong>Mulata Nation: Visualizing Race and Gender in Cuba<\/strong><\/em><\/a><\/p>\n<p><a href=\"http:\/\/www.upress.state.ms.us\" target=\"_blank\" rel=\"noopener\">University Press of Mississippi<\/a><br \/>\n2018-08-15<br \/>\n248 pages (approx.)<br \/>\n58 color illustrations<br \/>\n6 x 9 inches<br \/>\nHardcover ISBN: 9781496814432<\/p>\n<p><a href=\"http:\/\/kellyciurej.com\/sxu-vac\/faculty\/alison-fraunhar\/\" target=\"_blank\" rel=\"noopener\"><strong>Alison Fraunhar<\/strong><\/a>, Associate Professor of Art and Design<br \/>\n<em>Saint Xavier University, Chicago, Illinois<\/em><\/p>\n<p><a href=\"http:\/\/www.upress.state.ms.us\/books\/2116\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/images-na.ssl-images-amazon.com\/images\/I\/51m2ZSxXKaL.jpg\" width=\"300\" border=\"0\" \/><\/a><\/p>\n<p><em>A vivid exploration of the key role played by multi-racial women in visualizing and performing Cuban identity<\/em><\/p>\n<p>Repeatedly and powerfully throughout Cuban history, the <a href=\"http:\/\/www.mixedracestudies.org\/?p=451\" target=\"_blank\" rel=\"noopener\"><em>mulata<\/em><\/a>, a woman of mixed racial identity, features prominently in Cuban visual and performative culture. Tracing the figure, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Atlantic_World\" target=\"_blank\" rel=\"noopener\">Atlantic world<\/a>. Widely understood to embody the bridge between European subject and African other, the <em>mulata<\/em> contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty.<\/p>\n<p>This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Cuba\" target=\"_blank\" rel=\"noopener\">Cuba<\/a>. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure&#8217;s role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender.<\/p>\n<p>Fraunhar&#8217;s study stands out for attending to the phenomenon of <em>mulataje<\/em> not only in elite production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, <em>mulataje<\/em> remains a popular theme with Cubans as well as foreigners in drag shows, reflecting queerness in visual culture.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A vivid exploration of the key role played by multi-racial women in visualizing and performing Cuban identity<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,21,459,1196,8,17,25],"tags":[16966,673,1420],"class_list":["post-56166","post","type-post","status-publish","format-standard","hentry","category-books","category-latincarib","category-history","category-literary-criticism","category-media-archive","category-monographs","category-women","tag-alison-fraunhar","tag-cuba","tag-university-press-of-mississippi"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=56166"}],"version-history":[{"count":1,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56166\/revisions"}],"predecessor-version":[{"id":56167,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56166\/revisions\/56167"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=56166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=56166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=56166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}