{"id":56262,"date":"2018-07-06T04:31:41","date_gmt":"2018-07-06T04:31:41","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=56262"},"modified":"2018-07-06T04:31:58","modified_gmt":"2018-07-06T04:31:58","slug":"voice-business-presents-wirework","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=56262","title":{"rendered":"Voice Business presents Wirework"},"content":{"rendered":"<p><a href=\"https:\/\/www.tristanbatestheatre.co.uk\/whats-on\/wirework\" target=\"_blank\" rel=\"noopener\"><em><strong>Voice Business presents Wirework<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.tristanbatestheatre.co.uk\" target=\"_blank\" rel=\"noopener\">Tristan Bates Theatre<\/a><br \/>\n1A Tower St, Covent Garden<br \/>\nLondon, United Kingdom WC2H 9NP<br \/>\n<strong>Tuesday, 2018-07-03 through Saturday, 2018-07-07, 19:30 (Thurs &amp; Sat Matinees 14:30)<\/strong><\/p>\n<p><a href=\"https:\/\/www.tristanbatestheatre.co.uk\/whats-on\/wirework\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.tristanbatestheatre.co.uk\/media\/images\/wirework.jpg\" width=\"400\" border=\"0\" \/><\/a><\/p>\n<p>A play about the unexpected relationship between <a href=\"http:\/\/owlhouse.org.za\/helen.html\" target=\"_blank\" rel=\"noopener\">Koos Malgas<\/a>, a <a href=\"https:\/\/en.wikipedia.org\/wiki\/Cape_Coloureds\" target=\"_blank\" rel=\"noopener\">Cape Coloured<\/a> shepherd and <a href=\"http:\/\/owlhouse.org.za\/helen.html\" target=\"_blank\" rel=\"noopener\">Helen Martins<\/a>, a one-time actor and teacher, in the creation of the <a href=\"http:\/\/owlhouse.org.za\/owlhouse.html\" target=\"_blank\" rel=\"noopener\">Owl House<\/a> \u2013 an extraordinary environmental piece full of animated sculptures and pulsating light montages.<\/p>\n<p>Set in the isolated landscape of the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Karoo\" target=\"_blank\" rel=\"noopener\">South African Karoo<\/a> and inspired by images from pictures and postcards, their world becomes dominated by form and colour. In her struggle to find the \u2018light\u2019, Helen looks towards <a href=\"https:\/\/en.wikipedia.org\/wiki\/Mecca\" target=\"_blank\" rel=\"noopener\">Mecca<\/a> as Koos faces the reality of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Apartheid\" target=\"_blank\" rel=\"noopener\">apartheid<\/a> prejudice and survival.<\/p>\n<p>BRITISH PREMIERE, first performed in <a href=\"https:\/\/en.wikipedia.org\/wiki\/South_Africa\" target=\"_blank\" rel=\"noopener\">South Africa<\/a>, 2009<\/p>\n<p>Supported by Arts Council England<\/p>\n<p><strong>CAST<\/strong><br \/>\nHelen Elaine Wallace<br \/>\nKoos Kurt Kansley<\/p>\n<p><strong>CREATIVE<\/strong><br \/>\nDirector Jessica Higgs<br \/>\nScenographer Declan Randall<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/TMHV1HD-Z38?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A play about the unexpected relationship between Koos Malgas, a Cape Coloured shepherd and Helen Martins, a one-time actor and teacher, in the creation of the Owl House \u2013 an extraordinary environmental piece full of animated sculptures and pulsating light montages.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1295,24,8,520,10],"tags":[28238,28512,28511,28507,28506,28513,28510,28508,28505,28514,28509],"class_list":["post-56262","post","type-post","status-publish","format-standard","hentry","category-africa","category-arts","category-media-archive","category-south-africa","category-uk","tag-arts-council-england","tag-daleen-kruger","tag-declan-randall","tag-helen-elaine-wallace","tag-helen-martins","tag-idil-sheard","tag-jessica-higgs","tag-koos-kurt-kansley","tag-koos-malgas","tag-owl-house","tag-tristan-bates-theatre"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=56262"}],"version-history":[{"count":1,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56262\/revisions"}],"predecessor-version":[{"id":56263,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56262\/revisions\/56263"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=56262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=56262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=56262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}