{"id":56562,"date":"2018-11-09T03:39:20","date_gmt":"2018-11-09T03:39:20","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=56562"},"modified":"2018-11-09T03:40:21","modified_gmt":"2018-11-09T03:40:21","slug":"race-and-cultural-practice-in-popular-culture","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=56562","title":{"rendered":"Race and Cultural Practice in Popular Culture"},"content":{"rendered":"<p><a href=\"https:\/\/www.rutgersuniversitypress.org\/race-and-cultural-practice-in-popular-culture\/9781978801301\" target=\"_blank\" rel=\"noopener\"><em><strong>Race and Cultural Practice in Popular Culture<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.rutgersuniversitypress.org\" target=\"_blank\" rel=\"noopener\">Rutgers University Press<\/a><br \/>\n2018-10-17<br \/>\n296 pages<br \/>\n6 x 9<br \/>\nPaperback ISBN: 978-1-9788-0130-1<br \/>\nCloth ISBN: 978-1-9788-0131-8<br \/>\nPDF ISBN: 978-1-9788-0134-9<br \/>\nEPUB ISBN: 978-1-9788-0132-5<br \/>\nMobiPocket ISBN: 978-1-9788-0133-2<\/p>\n<p><strong>Edited by:<\/strong><\/p>\n<p><a href=\"https:\/\/liberalarts.utexas.edu\/cmas\/faculty\/perezdr3\" target=\"_blank\" rel=\"noopener\"><strong>Domino Perez<\/strong><\/a>, Associate Professor of English<br \/>\n<em>University of Texas, Austin<\/em><\/p>\n<p><a href=\"https:\/\/liberalarts.utexas.edu\/mals\/faculty\/rvg225\" target=\"_blank\" rel=\"noopener\"><strong>Rachel Gonz\u00e1lez-Martin<\/strong><\/a>, Assistant Professor of Mexican American and Latina\/o Studies<br \/>\n<em>University of Texas, Austin<\/em><\/p>\n<p><a href=\"https:\/\/www.rutgersuniversitypress.org\/race-and-cultural-practice-in-popular-culture\/9781978801301\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/c185516216ae1d817e0c-1b689afc59e41ec94df323580a09674b.ssl.cf2.rackcdn.com\/rutgers_648H\/9781978801301.jpg\" alt=\"Race and Cultural Practice in Popular Culture\" width=\"300\" border=\"0\" \/><\/a><\/p>\n<p><em>Race and Cultural Practice in Popular Culture<\/em> is an innovative work that freshly approaches the concept of race as a social factor made concrete in popular forms, such as film, television, and music. The essays collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. The book also draws together and melds otherwise isolated academic theories and methodologies in order to focus on race as an ideological reality and a process that continues to impact lives despite allegations that we live in a post-racial America. The collection is separated into three parts: Visualizing Race (Representational Media), Sounding Race (Soundscape), and Racialization in Place (Theory), each of which considers visual, audio, and geographic sites of racial representations respectively.<\/p>\n<p><strong>Table of Contents<\/strong><\/p>\n<ul>\n<li><em>List of Illustrations<\/em><\/li>\n<li>\u201cAssembling an Intersectional Pop Cultura Analytical Lens: A Foreword\u201d<\/li>\n<li>Introduction: Re-imagining Critical Approaches to Folklore and Popular Culture \/ Domino Renee Perez and Rachel Gonz\u00e1lez-Martin<\/li>\n<li><strong>Part I: Visualizing Race<\/strong>\n<ul>\n<li>\u201cA Thousand \u2018Lines of Flight\u2019: Collective Individuation and Racial Identity in Netflix\u2019s Orange Is the New Black and Sense8\u201d \/ Ruth Y. Hsu<\/li>\n<li>\u201cPerforming Cherokee Masculinity in The Doe Boy\u201d \/ Channette Romero<\/li>\n<li>\u201cTruth, Justice, and the Mexican Way: Lucha Libre, Film, and Nationalism in Mexico\u201d \/ James Wilkey<\/li>\n<li>\u201cNative American Irony: Survivance and the Subversion of Ethnography\u201d \/ Gerald Vizenor<\/li>\n<\/ul>\n<\/li>\n<li><strong>Part II: Sounding Race<\/strong>\n<ul>\n<li>\u201c(Re)imagining Indigenous Popular Culture\u201d \/ Mintzi Auanda Mart\u00ednez-Rivera<\/li>\n<li>\u201cMy Tongue is Divided into Two\u201d \/ Olivia Cadaval<\/li>\n<li>\u201cPerforming Nation Diva Style in Lila Downs and Astrid Hadad\u2019s La Tequilera\u201d \/ K. Angelique Dwyer<\/li>\n<li>\u201c(Dis)identifying with Shakira\u2019s \u2018Global Body\u2019: A Path Towards Rhythmic Affiliations Beyond the Dichotomous Nation\/Diaspora\u201d \/ Daniela Guti\u00e9rrez L\u00f3pez<\/li>\n<li>\u201cVoicing the Occult in Chicana\/o Culture and Hybridity: Prayers and the Cholo-Goth Aesthetic\u201d \/ Jos\u00e9 G. Anguiano<\/li>\n<\/ul>\n<\/li>\n<li><strong>Part III: Racialization in Place<\/strong>\n<ul>\n<li>\u201cUgly Brown Bodies: Queering Desire in Machete\u201d \/ Nicole Guidotti-Hern\u00e1ndez<\/li>\n<li>\u201cBitch, how\u2019d you make it this far?\u201d: Strategic Enactments of White Femininity in The Walking Dead\u201d \/ Jaime Guzm\u00e1n and Raisa Alvarado Uchima<\/li>\n<li>\u201cBridge and Tunnel: Transcultural Border Crossings in The Bridge and Sicario\u201d \/ Marcel Brousseau<\/li>\n<li>\u201cRed Land, White Power, Blue Sky: Settler Colonialism and Indigeneity in Breaking Bad\u201d \/ James H. Cox<\/li>\n<\/ul>\n<\/li>\n<li><em>Acknowledgments<\/em><\/li>\n<li><em>Notes on Contributors<\/em><\/li>\n<li><em>Index<\/em><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Race and Cultural Practice in Popular Culture Rutgers University Press 2018-10-17 296 pages 6 x 9 Paperback ISBN: 978-1-9788-0130-1 Cloth ISBN: 978-1-9788-0131-8 PDF ISBN: 978-1-9788-0134-9 EPUB ISBN: 978-1-9788-0132-5 MobiPocket ISBN: 978-1-9788-0133-2 Edited by: Domino Perez, Associate Professor of English University of Texas, Austin Rachel Gonz\u00e1lez-Martin, Assistant Professor of Mexican American and Latina\/o Studies University of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,11,8413,14646,8,3015],"tags":[28773,28769,28775,28776,28780,16539,28771,28778,28774,28764,28767,28765,28772,28768,28766,28777,28770,296,28779],"class_list":["post-56562","post","type-post","status-publish","format-standard","hentry","category-anthologies","category-books","category-communications","category-latino","category-media-archive","category-native-americans","tag-channette-romero","tag-daniela-gutierrez-lopez","tag-domino-perez","tag-domino-r-perez","tag-domino-renee-perez","tag-gerald-vizenor","tag-jaime-guzman","tag-james-h-cox","tag-james-wilkey","tag-jose-anguiano","tag-k-angelique-dwyer","tag-marcel-brousseau","tag-mintzi-auanda-martinez-rivera","tag-nicole-guidotti-hernandez","tag-olivia-cadaval","tag-rachel-gonzalez-martin","tag-raisa-alvarado-uchima","tag-rutgers-university-press","tag-ruth-y-hsu"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=56562"}],"version-history":[{"count":1,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56562\/revisions"}],"predecessor-version":[{"id":56563,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56562\/revisions\/56563"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=56562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=56562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=56562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}