{"id":56879,"date":"2019-05-03T13:30:17","date_gmt":"2019-05-03T13:30:17","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=56879"},"modified":"2019-05-03T13:32:04","modified_gmt":"2019-05-03T13:32:04","slug":"dont-touch-my-hair","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=56879","title":{"rendered":"Don&#8217;t Touch My Hair"},"content":{"rendered":"<p><a href=\"https:\/\/www.penguin.co.uk\/books\/305706\/don-t-touch-my-hair\/9780241308349.html\" target=\"_blank\" rel=\"noopener\"><em><strong>Don&#8217;t Touch My Hair<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.penguin.co.uk\/company\/publishers\/penguin-press\/allen-lane.html\" target=\"_blank\" rel=\"noopener\">Allen Lane<\/a> (an imprint of Penguin)<br \/>\n2019-02-05<br \/>\n240 pages<br \/>\nHardback ISBN: 9780241308349<br \/>\nEbook ISBN: 9780141986296<\/p>\n<p><a href=\"https:\/\/twitter.com\/emmadabiri\" target=\"_blank\" rel=\"noopener\"><strong>Emma Dabiri<\/strong><\/a>, Teaching Fellow <em>SOAS<\/em>; Visual Sociology Ph.D. Researcher, <em>Goldsmiths<\/em><\/p>\n<p><a href=\"https:\/\/www.penguin.co.uk\/books\/305706\/don-t-touch-my-hair\/9780241308349.html\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.penguin.co.uk\/content\/dam\/prh\/books\/305\/305706\/9780241308349.jpg.transform\/PRHDesktopWide_small\/image.jpg\" width=\"300\" border=\"0\" \/><\/a><\/p>\n<p><strong>Despite our more liberal world views, black hair continues to be erased, appropriated and stigmatised to the point of taboo. Why is that?<\/strong><\/p>\n<p>Recent years have seen the conversation around black hair reach tipping point, yet detractors still proclaim &#8216;it&#8217;s only hair!&#8217; when it never is. This book seeks to re-establish the cultural significance of African hairstyles, using them as a blueprint for <a href=\"https:\/\/en.wikipedia.org\/wiki\/Decolonization\" target=\"_blank\" rel=\"noopener\">decolonisation<\/a>. Over a series of wry, informed essays, the author takes us from pre-<a href=\"https:\/\/en.wikipedia.ohttps:\/\/en.wikipedia.org\/wiki\/Colonisation_of_Africarg\/wiki\/Colonisation_of_Africa\" target=\"_blank\" rel=\"noopener\">colonial Africa<\/a>, through the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Harlem_Renaissance\" target=\"_blank\" rel=\"noopener\">Harlem Renaissance<\/a>, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Black_Power\" target=\"_blank\" rel=\"noopener\">Black Power<\/a> and into today&#8217;s <a href=\"https:\/\/en.wikipedia.org\/wiki\/Natural_hair_movement\" target=\"_blank\" rel=\"noopener\">Natural Hair Movement<\/a>, the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Cultural_appropriation\" target=\"_blank\" rel=\"noopener\">Cultural Appropriation<\/a> Wars and beyond. We look at the trajectory from hair capitalists like <a href=\"https:\/\/en.wikipedia.org\/wiki\/Madam_C._J._Walker\" target=\"_blank\" rel=\"noopener\">Madam CJ Walker<\/a> in the early 1900s to the rise of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Shea_Moisture\" target=\"_blank\" rel=\"noopener\">Shea Moisture<\/a> today, touching on everything from women&#8217;s solidarity and friendship, to forgotten African scholars, to the dubious provenance of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Kim_Kardashian\" target=\"_blank\" rel=\"noopener\">Kim Kardashian&#8217;s<\/a> braids.<\/p>\n<p>The scope of black hairstyling ranges from pop culture to cosmology, from prehistoric times to the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Afrofuturism\" target=\"_blank\" rel=\"noopener\">(afro)futuristic<\/a>. Uncovering sophisticated indigenous mathematical systems &#8211; the bedrock of modern computing &#8211; in black hair styles, alongside styles that served as secret intelligence networks leading enslaved Africans to freedom, <em>Don&#8217;t Touch My Hair<\/em> proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Despite our more liberal world views, black hair continues to be erased, appropriated and stigmatised to the point of taboo. Why is that?<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1295,1649,11,8,17],"tags":[28979,573,13842,28980],"class_list":["post-56879","post","type-post","status-publish","format-standard","hentry","category-africa","category-anthropology","category-books","category-media-archive","category-monographs","tag-allen-lane","tag-bob-marley","tag-emma-dabiri","tag-hairstyles"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=56879"}],"version-history":[{"count":2,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56879\/revisions"}],"predecessor-version":[{"id":57497,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/56879\/revisions\/57497"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=56879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=56879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=56879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}