{"id":58459,"date":"2019-07-11T17:46:26","date_gmt":"2019-07-11T17:46:26","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=58459"},"modified":"2021-01-21T16:11:14","modified_gmt":"2021-01-21T16:11:14","slug":"sensual-not-beautiful-the-mulata-as-erotic-spectacle","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=58459","title":{"rendered":"Sensual Not Beautiful: The Mulata as Erotic Spectacle"},"content":{"rendered":"<p><a href=\"https:\/\/revista.drclas.harvard.edu\/book\/sensual-not-beautiful\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong>Sensual Not Beautiful: The Mulata as Erotic Spectacle<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/revista.drclas.harvard.edu\/\" target=\"_blank\" rel=\"noopener noreferrer\">ReVista: Harvard Review of Latin America<\/a><br \/>\n<a href=\"https:\/\/revista.drclas.harvard.edu\/book\/beauty-spring-2017\" target=\"_blank\" rel=\"noopener noreferrer\">Spring 2017 (Black is Beautiful)<\/a><\/p>\n<p><a href=\"https:\/\/www.drjasminemitchell.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Jasmine Mitchell<\/strong><\/a>, Assistant Professor of American Studies and Media Studies<br \/>\n<em>State University of New York, Old Westbury<\/em><\/p>\n<table border=\"0\" width=\"550\">\n<tbody>\n<tr>\n<td><a href=\"https:\/\/revista.drclas.harvard.edu\/book\/sensual-not-beautiful\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"media-element file-default file-os-files-large\" title=\"iconic dancer\" src=\"\/\/static.hwpi.harvard.edu\/files\/styles\/os_files_large\/public\/revista\/files\/sensual_not_beautiful_1.jpg?m=1515738031&amp;itok=GTCYTVdT\" alt=\"iconic dancer\" width=\"550\"><\/a><br \/>\n<small>The iconic <a href=\"http:\/\/www.mixedracestudies.org\/?p=451\" target=\"_blank\" rel=\"noopener noreferrer\">mulata<\/a> female body is portrayed in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Brazil\" target=\"_blank\" rel=\"noopener noreferrer\">Brazil<\/a> as glistening brown. <em>Photo courtesy of <a href=\"https:\/\/www.drjasminemitchell.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jasmine Mitchell<\/a>.<\/em><\/small><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>While white actresses and models still dominate beauty and fashion magazines in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Brazil\" target=\"_blank\" rel=\"noopener noreferrer\">Brazil<\/a>, on my last few visits to Brazil, I&#8217;ve noticed that actresses of African descent such as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Camila_Pitanga\" target=\"_blank\" rel=\"noopener noreferrer\">Camila Pitanga<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ta\u00eds_Ara\u00fajo\" target=\"_blank\" rel=\"noopener noreferrer\">Ta\u00eds Ara\u00fajo<\/a> have also graced the covers. Since 2009, both actresses have also starred in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Telenovela\" target=\"_blank\" rel=\"noopener noreferrer\">telenovelas<\/a>. <a href=\"https:\/\/en.wikipedia.org\/wiki\/Miss_Brasil\" target=\"_blank\" rel=\"noopener noreferrer\">Miss Brazil<\/a> 2016 is the first black winner since <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Deise_Nunes\" target=\"_blank\" rel=\"noopener noreferrer\">Deise Nunes\u2019s<\/a> crowning in 1986. The 2016 competition had the largest number of black candidates in its history. The dominant conceptualizations of beauty in Brazil are shifting. <a href=\"https:\/\/www.instagram.com\/eriika_moura\/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Erika Moura<\/a>, the <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Mulata_Globeleza\" target=\"_blank\" rel=\"noopener noreferrer\">Mulata Globeleza<\/a> of 2017, did not appear as a bodypainted nude <a href=\"https:\/\/en.wikipedia.org\/wiki\/Rio_de_Janeiro\" target=\"_blank\" rel=\"noopener noreferrer\">Rio de Janeiro<\/a> <a href=\"https:\/\/en.wikipedia.org\/wiki\/Samba_(Brazilian_dance)\" target=\"_blank\" rel=\"noopener noreferrer\">samba dancer<\/a>, but instead performed in various costumes and dance styles representing a breadth of Brazilian regional cultures.<\/p>\n<p>It&#8217;s certainly not been this way for very long. In 2001, on my first trip to Brazil, I yearned to find a refuge, a place where my background as a mixed-race black woman from the <a href=\"https:\/\/en.wikipedia.org\/wiki\/United_States\" target=\"_blank\" rel=\"noopener noreferrer\">United States<\/a> was neither exotic nor fetishized. Relying on Brazil\u2019s reputed <a href=\"http:\/\/www.mixedracestudies.org\/?p=22166\" target=\"_blank\" rel=\"noopener noreferrer\">celebration of racial mixing<\/a>, I believed that it would become my racial paradise in which brown was beautiful and I would find a resistance to the exclusivity of white U.S. beauty norms.<\/p>\n<p>Instead, I became familiar with a Brazilian saying, &#8220;<em><a href=\"http:\/\/www.mixedracestudies.org\/?p=40007\" target=\"_blank\" rel=\"noopener noreferrer\">Branca para casar, mulata para fornicar, negra para trabalhar<\/a><\/em> (white women for marriage, <a href=\"http:\/\/www.mixedracestudies.org\/?p=451\" target=\"_blank\" rel=\"noopener noreferrer\">mulata<\/a> women for sex, black women for work).\u201d&#8230;<\/p>\n<p>Read the entire article <a href=\"https:\/\/revista.drclas.harvard.edu\/book\/sensual-not-beautiful\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2001, on my first trip to Brazil, I yearned to find a refuge, a place where my background as a mixed-race black woman from the United States was neither exotic nor fetishized. Relying on Brazil\u2019s reputed celebration of racial mixing, I believed that it would become my racial paradise in which brown was beautiful and I would find a resistance to the exclusivity of white U.S. beauty norms.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,83,21,8413,8,25],"tags":[982,31266,29982,29993,29992],"class_list":["post-58459","post","type-post","status-publish","format-standard","hentry","category-articles","category-brazil","category-latincarib","category-communications","category-media-archive","category-women","tag-beauty-pageants","tag-camila-pitanga","tag-jasmine-mitchell","tag-revista","tag-revista-harvard-review-of-latin-america"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/58459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58459"}],"version-history":[{"count":4,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/58459\/revisions"}],"predecessor-version":[{"id":60496,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/58459\/revisions\/60496"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}