{"id":59035,"date":"2019-10-15T20:10:50","date_gmt":"2019-10-15T20:10:50","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=59035"},"modified":"2019-10-15T22:02:51","modified_gmt":"2019-10-15T22:02:51","slug":"the-artistry-of-the-soprano-julia-bullock","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=59035","title":{"rendered":"The Artistry of the Soprano Julia Bullock"},"content":{"rendered":"<p><a href=\"https:\/\/www.newyorker.com\/culture\/culture-desk\/the-artistry-of-the-soprano-julia-bullock\" target=\"_blank\" rel=\"noopener\"><em><strong>The Artistry of the Soprano Julia Bullock<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.newyorker.com\" target=\"_blank\" rel=\"noopener\">The New Yorker<\/a><br \/>\n2019-11-16<\/p>\n<p><a href=\"http:\/\/www.russellplatt.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Russell Platt<\/strong><\/a>, Composer and Adjunct Associate Professor of Music<br \/>\nBlair School of Music<br \/>\n<em>Vanderbilt University, Nashville, Tennessee<\/em><\/p>\n<table border=\"0\" width=\"550\">\n<tbody>\n<tr>\n<td><a href=\"https:\/\/www.newyorker.com\/culture\/culture-desk\/the-artistry-of-the-soprano-julia-bullock\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" title=\"\" src=\"https:\/\/media.newyorker.com\/photos\/590972181c7a8e33fb38eeb0\/master\/w_767,c_limit\/Russell-Soprano-Julia-Bullock.jpg\" alt=\"\" width=\"550\" \/><\/a><br \/>\n<small><a href=\"http:\/\/www.juliabullock.com\/\" target=\"_blank\" rel=\"noopener\">Julia Bullock<\/a> combines a rare onstage aura with a style that is exacting but not fussy, with hardly an unturned phrase. <em>Photograph by Hiroyuki Ito\/Getty<\/em><\/small><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>It is rare to find a classical singer who can truly project an aura onstage. Those who are young must seem to carry the wisdom of age; those who are older must avoid the risk of royal self-regard. And there is no instrument to hide behind, no violin to seduce, no piano to pound\u2014a singer\u2019s body is, or course, her instrument. But <a href=\"http:\/\/www.juliabullock.com\/\" target=\"_blank\" rel=\"noopener\">Julia Bullock<\/a>, a young <a href=\"https:\/\/en.wikipedia.org\/wiki\/Soprano\" target=\"_blank\" rel=\"noopener\">soprano<\/a> who performed her <a href=\"https:\/\/en.wikipedia.org\/wiki\/Walter_W._Naumburg_Foundation\" target=\"_blank\" rel=\"noopener\">Naumburg Foundation<\/a> recital last Tuesday at the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Metropolitan_Museum_of_Art\" target=\"_blank\" rel=\"noopener\">Metropolitan Museum<\/a>, definitely has it, and she is off to a fine career.<\/p>\n<p>Bullock, an African-American singer from <a href=\"https:\/\/en.wikipedia.org\/wiki\/St._Louis\" target=\"_blank\" rel=\"noopener\">St. Louis<\/a> who trained at Eastman Bard, and Juilliard, won first prize last year in the Naumburg International Vocal Competition. Over the years, the Naumburg, through its various awards, has had a penchant for honoring interesting singers who don\u2019t fit easily into the standard operatic categories: trailblazers such as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Regina_Sarfaty\" target=\"_blank\" rel=\"noopener\">Regina Sarfaty<\/a>, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Dawn_Upshaw\" target=\"_blank\" rel=\"noopener\">Dawn Upshaw<\/a>, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Barbara_Hendricks\" target=\"_blank\" rel=\"noopener\">Barbara Hendricks<\/a>, and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Lucy_Shelton\" target=\"_blank\" rel=\"noopener\">Lucy Shelton<\/a>, for example. I can\u2019t yet imagine Bullock walking the boards as Tosca or Violetta, but she has made several strategic forays into opera\u2014such as the title role in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Henry_Purcell\" target=\"_blank\" rel=\"noopener\">Purcell\u2019s<\/a> \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Indian_Queen_(opera)\" target=\"_blank\" rel=\"noopener\">The Indian Queen<\/a>\u201d at <a href=\"https:\/\/en.wikipedia.org\/wiki\/Teatro_Real\" target=\"_blank\" rel=\"noopener\">Madrid\u2019s Teatro Real<\/a> and at the <a href=\"https:\/\/en.wikipedia.org\/wiki\/English_National_Opera\" target=\"_blank\" rel=\"noopener\">English National Opera<\/a>, and, later this month, she will appear in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Kaija_Saariaho\" target=\"_blank\" rel=\"noopener\">Saariaho\u2019s<\/a> \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/La_Passion_de_Simone\" target=\"_blank\" rel=\"noopener\">La Passion de Simone<\/a>,\u201d at the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Deutsche_Oper_Berlin\" target=\"_blank\" rel=\"noopener\">Deutsche Oper Berlin<\/a> (directed by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Peter_Sellars\" target=\"_blank\" rel=\"noopener\">Peter Sellars<\/a>). But her recital had its own kind of drama, not the less effective for being so refined&#8230;<\/p>\n<p>Read the entire article <a href=\"https:\/\/www.newyorker.com\/culture\/culture-desk\/the-artistry-of-the-soprano-julia-bullock\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>But Julia Bullock, a young soprano who performed her Naumburg Foundation recital last Tuesday at the Metropolitan Museum, definitely has it, and she is off to a fine career.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,24,8,20],"tags":[30356,1392,15360,30362,3886],"class_list":["post-59035","post","type-post","status-publish","format-standard","hentry","category-articles","category-arts","category-media-archive","category-usa","tag-julia-bullock","tag-music","tag-opera","tag-russell-platt","tag-the-new-yorker"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59035"}],"version-history":[{"count":3,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59035\/revisions"}],"predecessor-version":[{"id":59038,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59035\/revisions\/59038"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=59035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=59035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}