{"id":59175,"date":"2019-11-03T03:05:14","date_gmt":"2019-11-03T03:05:14","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=59175"},"modified":"2019-11-03T03:05:14","modified_gmt":"2019-11-03T03:05:14","slug":"mexican-costumbrismo-race-society-and-identity-in-nineteenth-century-art","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=59175","title":{"rendered":"Mexican Costumbrismo: Race, Society, and Identity in Nineteenth-Century Art"},"content":{"rendered":"<p><a href=\"https:\/\/www.psupress.org\/books\/titles\/978-0-271-07907-3.html\" target=\"_blank\" rel=\"noopener\"><em><strong>Mexican Costumbrismo: Race, Society, and Identity in Nineteenth-Century Art<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.psupress.org\/\" target=\"_blank\" rel=\"noopener\">Pennsylvania State University Press<\/a><br \/>\n2018<br \/>\n180 pages<br \/>\n8&#8243; \u00d7 10&#8243;<br \/>\n31 color\/29 b&amp;w illustrations<br \/>\nHardcover ISBN: 978-0-271-07907-3<\/p>\n<p><a href=\"https:\/\/www.lasalle.edu\/art-history\/faculty-profile\/?fid=168\" target=\"_blank\" rel=\"noopener\"><strong>Mey-Yen Moriuchi<\/strong><\/a>, Assistant Professor of Art History<br \/>\n<em>LaSalle University, Philadelphia, Pennsylvania<\/em><\/p>\n<p><a href=\"https:\/\/www.psupress.org\/books\/titles\/978-0-271-07907-3.html\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"journal-image\" src=\"https:\/\/www.psupress.org\/images\/covers\/294wide\/978-0-271-07907-3md_294.jpg\" alt=\"Cover image for Mexican Costumbrismo: Race, Society, and Identity in Nineteenth-Century Art By Mey-Yen Moriuchi\" width=\"300\" \/><\/a><\/p>\n<p>The years following <a href=\"https:\/\/en.wikipedia.org\/wiki\/Mexican_War_of_Independence\" target=\"_blank\" rel=\"noopener\">Mexican independence in 1821<\/a> were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. <em>Mexican Costumbrismo<\/em> reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: <a href=\"https:\/\/en.wikipedia.org\/wiki\/Costumbrismo\" target=\"_blank\" rel=\"noopener\">costumbrismo<\/a>.<\/p>\n<p>In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the quotidian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity.<\/p>\n<p>Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi\u2019s study is a provocative art-historical examination of costumbrismo\u2019s lasting impact on Mexican identity and history.<\/p>\n<p><strong>Contents<\/strong><\/p>\n<ul>\n<li><em>List of Illustrations<\/em><\/li>\n<li><em>Acknowledgments<\/em><\/li>\n<li>Introduction<\/li>\n<li>1. Racialized Social Spaces in Casta and Costumbrista Painting<\/li>\n<li>2. Traveler-Artists\u2019 Visions of Mexico<\/li>\n<li>3. Literary Costumbrismo: Celebration and Satire of los tipos populares<\/li>\n<li>4. Local Perspectives: Mexican Costumbrista Artists<\/li>\n<li>5. Costumbrista Photography<\/li>\n<li>Conclusion<\/li>\n<li><em>Notes<\/em><\/li>\n<li><em>Bibliography<\/em><\/li>\n<li><em>Index<\/em><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Mexican Costumbrismo&#8221; reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,21,459,1196,8,103,17],"tags":[30463,14765,8369,13716],"class_list":["post-59175","post","type-post","status-publish","format-standard","hentry","category-books","category-latincarib","category-history","category-literary-criticism","category-media-archive","category-mexico","category-monographs","tag-costumbrismo","tag-mey-yen-moriuchi","tag-penn-state-university-press","tag-pennsylvania-state-university-press"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59175"}],"version-history":[{"count":2,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59175\/revisions"}],"predecessor-version":[{"id":59177,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59175\/revisions\/59177"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=59175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=59175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}