{"id":59311,"date":"2019-12-01T01:45:55","date_gmt":"2019-12-01T01:45:55","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=59311"},"modified":"2019-12-01T01:47:18","modified_gmt":"2019-12-01T01:47:18","slug":"after-misty-comes-marie-breaking-barriers-in-the-nutcracker","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=59311","title":{"rendered":"After Misty Comes Marie: Breaking Barriers in \u2018The Nutcracker\u2019"},"content":{"rendered":"<p><a href=\"https:\/\/www.nytimes.com\/2019\/11\/28\/arts\/dance\/nutcracker-Marie.html\" target=\"_blank\" rel=\"noopener\"><em><strong>After Misty Comes Marie: Breaking Barriers in \u2018The Nutcracker\u2019<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.nytimes.com\" target=\"_blank\" rel=\"noopener\">The New York Times<\/a><br \/>\n2019-11-28<\/p>\n<p><a href=\"https:\/\/twitter.com\/giakourlas\" target=\"_blank\" rel=\"noopener\"><strong>Gia Kourlas<\/strong><\/a>, Dance Critic<\/p>\n<table border=\"0\" width=\"400\">\n<tbody>\n<tr>\n<td><a href=\"https:\/\/www.nytimes.com\/2019\/11\/28\/arts\/dance\/nutcracker-Marie.html\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"css-fer6xq\" src=\"https:\/\/static01.nyt.com\/images\/2019\/11\/29\/arts\/29Nutcracker-preview-lead\/29Nutcracker-Cover-articleLarge.jpg?quality=75&amp;auto=webp&amp;disable=upscale\" sizes=\"100vw\" srcset=\"https:\/\/static01.nyt.com\/images\/2019\/11\/29\/arts\/29Nutcracker-preview-lead\/29Nutcracker-Cover-articleLarge.jpg?quality=90&amp;auto=webp 600w,https:\/\/static01.nyt.com\/images\/2019\/11\/29\/arts\/29Nutcracker-preview-lead\/29Nutcracker-Cover-jumbo.jpg?quality=90&amp;auto=webp 768w,https:\/\/static01.nyt.com\/images\/2019\/11\/29\/arts\/29Nutcracker-preview-lead\/29Nutcracker-Cover-superJumbo.jpg?quality=90&amp;auto=webp 1536w\" alt=\"Charlotte Nebres is the first black Marie, the young heroine of \u201cGeorge Balanchine\u2019s The Nutcracker,\u201d at New York City Ballet.\u00a0\" width=\"400\" \/><\/a><br \/>\n<small>Charlotte Nebres is the first black Marie, the young heroine of \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Nutcracker_(Balanchine)\" target=\"_blank\" rel=\"noopener\">George Balanchine\u2019s The Nutcracker<\/a>,\u201d at <a href=\"https:\/\/en.wikipedia.org\/wiki\/New_York_City_Ballet\" target=\"_blank\" rel=\"noopener\">New York City Ballet<\/a>.<br \/>\n<em>Heather Sten for The New York Times<\/em><\/small><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><em>This year, for the first time, New York City Ballet\u2019s \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Nutcracker_(Balanchine)\" target=\"_blank\" rel=\"noopener\">Nutcracke<\/a>r\u201d has a black Marie, the young heroine whose life is charged with magic.<\/em><\/p>\n<p>She may not remember it, but during the first summer of her life Charlotte Nebres canvassed for <a href=\"https:\/\/en.wikipedia.org\/wiki\/Barack_Obama\" target=\"_blank\" rel=\"noopener\">Barack Obama<\/a> with her mother, Danielle, who carried her in a sling. She attended political rallies. And on a frigid day in January 2009, she accompanied her parents and older sister to <a href=\"https:\/\/en.wikipedia.org\/wiki\/First_inauguration_of_Barack_Obama\" target=\"_blank\" rel=\"noopener\">his inauguration<\/a>.<\/p>\n<p>When Charlotte was 6, <a href=\"https:\/\/mistycopeland.com\/\" target=\"_blank\" rel=\"noopener\">Misty Copeland<\/a> became the first female African-American <a href=\"https:\/\/en.wikipedia.org\/wiki\/Principal_dancer\" target=\"_blank\" rel=\"noopener\">principal<\/a> at <a href=\"https:\/\/en.wikipedia.org\/wiki\/American_Ballet_Theatre\" target=\"_blank\" rel=\"noopener\">American Ballet Theater<\/a>. That, she remembers.<\/p>\n<p>\u201cI saw her perform and she was just so inspiring and so beautiful,\u201d Charlotte, 11, said. \u201cWhen I saw someone who looked like me onstage, I thought, that\u2019s amazing. She was representing me and all the people like me.\u201d<\/p>\n<p>Now Charlotte, a student at the <a href=\"https:\/\/www.sab.org\/\" target=\"_blank\" rel=\"noopener\">School of American Ballet<\/a>, is breaking a barrier herself: She is the first black Marie, the young heroine of \u201cGeorge Balanchine\u2019s The Nutcracker,\u201d at New York City Ballet. It\u2019s a milestone for the production, which dates to 1954.<\/p>\n<p>It isn\u2019t lost on Charlotte that she \u201cgot to grow up in a time when it wasn\u2019t just like, oh yeah I can do this, but not do this,\u201d she said. \u201cThere was nothing holding you back.\u201d<\/p>\n<p>But the cultural shift reaches beyond Charlotte, whose mother\u2019s family is from <a href=\"https:\/\/en.wikipedia.org\/wiki\/Trinidad\" target=\"_blank\" rel=\"noopener\">Trinidad<\/a> (her father\u2019s side is from the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Philippines\" target=\"_blank\" rel=\"noopener\">Philippines<\/a>), as her school works to diversify its student body. In addition to Charlotte, the other young leads this season are Tanner Quirk (her Prince), who is half-Chinese; Sophia Thomopoulos (Marie), who is half-Korean, half-Greek; and Kai Misra-Stone (Sophia\u2019s Prince), who is half-South Asian. (The children are always double cast.)&#8230;<\/p>\n<p>Read the entire article <a href=\"https:\/\/www.nytimes.com\/2019\/11\/28\/arts\/dance\/nutcracker-Marie.html\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This year, for the first time, New York City Ballet\u2019s \u201cNutcracker\u201d has a black Marie, the young heroine whose life is charged with magic.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,24,8,20],"tags":[19921,30557,6725,26975,19922,30556,2640,2327,30558],"class_list":["post-59311","post","type-post","status-publish","format-standard","hentry","category-articles","category-arts","category-media-archive","category-usa","tag-ballet","tag-charlotte-nebres","tag-dance","tag-gia-kourlas","tag-misty-copeland","tag-new-york-city-ballet","tag-new-york-times","tag-the-new-york-times","tag-the-nutcracker"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59311"}],"version-history":[{"count":3,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59311\/revisions"}],"predecessor-version":[{"id":59314,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59311\/revisions\/59314"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=59311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=59311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}