{"id":59527,"date":"2020-02-13T18:57:52","date_gmt":"2020-02-13T18:57:52","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=59527"},"modified":"2020-02-13T19:40:26","modified_gmt":"2020-02-13T19:40:26","slug":"jackie-kay-international-conference","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=59527","title":{"rendered":"Jackie Kay International Conference"},"content":{"rendered":"<p><a href=\"https:\/\/www.gylphi.co.uk\/events\/JackieKay\" target=\"_blank\" rel=\"noopener\"><em><strong>Jackie Kay International Conference<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.gylphi.co.uk\" target=\"_blank\" rel=\"noopener\">Gylphi Contemporary Writers<\/a><br \/>\nFebruary 2020<\/p>\n<p><a href=\"https:\/\/www.gylphi.co.uk\/events\/JackieKay\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.gylphi.co.uk\/conferenceresources\/images\/15.jpg\" width=\"300\" border=\"0\" \/><\/a><\/p>\n<p>Liverpool, England, United Kingdom<br \/>\n2020-05-06<br \/>\nContact: <a href=\"mailto:kay.conference@gylphi.co.uk\" target=\"_blank\" rel=\"noopener\"><em>kay.conference@gylphi.co.uk<\/em><\/a><\/p>\n<p>Organisers:<\/p>\n<p><a href=\"https:\/\/www.aber.ac.uk\/en\/english\/staff-profiles\/listing\/profile\/nla\/\" target=\"_blank\" rel=\"noopener\"><strong>Natasha Alden<\/strong><\/a>, Senior Lecturer in Contemporary British Fiction<br \/>\n<em>University of Aberystwyth, Aberystwyth, Wales, United Kingdom<\/em><\/p>\n<p><a href=\"https:\/\/www.ljmu.ac.uk\/about-us\/staff-profiles\/faculty-of-arts-professional-and-social-studies\/humanities-and-social-science\/fiona-tolan\" target=\"_blank\" rel=\"noopener\"><strong>Fiona Tolan<\/strong><\/a>, Senior Lecturer in English<br \/>\n<em>Liverpool John Moores University, Liverpool, United Kingdom<\/em><\/p>\n<p>Keynote speaker:<\/p>\n<p><a href=\"https:\/\/www.gold.ac.uk\/theatre-performance\/staff\/d-osborne\/\" target=\"_blank\" rel=\"noopener\"><strong>Deidre Osborne<\/strong><\/a>, Reader in English Literature and Drama<br \/>\n<em>Goldsmiths, University of London<\/em><\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Jackie_Kay\" target=\"_blank\" rel=\"noopener\">Jackie Kay<\/a> is the author of some 30 works, including plays, poetry, prose (fiction and non-fiction), children\u2019s literature, short stories and a ground-breaking novel. She has won or been shortlisted for over 20 literary awards and prizes, including the Guardian Fiction Prize, the inaugural Forward Prize for Poetry for a single poem, the Somerset Maugham Award and the Costa Poetry Award. She is the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Makar\" target=\"_blank\" rel=\"noopener\">Scots Makar<\/a>, professor of Creative Writing at Newcastle University, Chancellor of the University of Salford and a CBE.<\/p>\n<p>Kay\u2019s work is remarkable for its range of genres, its consistent reinvention of forms, and its marriage of intimate, domestic depictions of individual lives with broad political and philosophical themes. In works such as her breakthrough poetry collection, <a href=\"http:\/\/www.mixedracestudies.org\/?p=41810\" target=\"_blank\" rel=\"noopener\"><em>The Adoption Papers<\/em><\/a> (1991), the novel <em>Trumpet<\/em> (1998) \u2013 a path-breaking depiction of trans identity \u2013 and the autobiographical <a href=\"http:\/\/www.mixedracestudies.org\/?p=7023\" target=\"_blank\" rel=\"noopener\"><em>Red Dust Road<\/em><\/a> (2010), her publications explore identity, individuality and belonging, and love between family members, lovers and friends. Amongst many other questions, her works asks what Britishness is, what race means, what it is to love, and what gender is, and can be.<\/p>\n<p>This international conference, the first on Kay\u2019s work, brings together scholars from a wide range of literary and cultural studies. <a href=\"https:\/\/www.britishcouncil.org\/\" target=\"_blank\" rel=\"noopener\">The British Council<\/a> describe Kay as having, over the past two decades, \u2018moved from marginal voice to national treasure.\u2019 This conference will examine the work that has marked Kay\u2019s shift from the margins to the centre, addressing a writer whose work has expanded the scope of British literature. We welcome papers on any topic related to Kay\u2019s writing, including, but not limited to:<\/p>\n<ul>\n<li>Scottish national identity<\/li>\n<li>Autobiography and life writing<\/li>\n<li>Black British writing<\/li>\n<li>Trans identities<\/li>\n<li>Lesbian writing<\/li>\n<li>The family<\/li>\n<li>Adoption<\/li>\n<li>Scottish Women\u2019s writing<\/li>\n<li>Black Scottish Writing<\/li>\n<li>The impact \/ legacy of <em>Trumpet<\/em><\/li>\n<li>Intersections of form (such as music, poetry, fiction, music, dramatic voice)<\/li>\n<li>Landscape and place<\/li>\n<li>Love<\/li>\n<li>Humour<\/li>\n<li>The line between life and art<\/li>\n<\/ul>\n<p>We welcome papers from any disciplines and theoretical perspectives, and from scholars at all career stages, especially ECRs. Please send a title and 300 word abstract for a 20-minute paper, as well as your name, any affiliation, and a 100-word professional biography, to<a href=\"mailto:kay.conference@gylphi.co.uk\" target=\"_blank\" rel=\"noopener\"> kay.conference@gylphi.co.uk<\/a> by <strong>6 March 2020<\/strong>.<\/p>\n<p>The conference is sponsored by Gylphi. Selected papers from the conference will be published as <em>Jackie Kay: Critical Essays<\/em>, with a foreword by Kay, as part of <em>Gylphi\u2019s Contemporary Writers: Critical Essays<\/em> series (Series Editor: Dr Sarah Dillon).<\/p>\n<p>For more information, click <a href=\"https:\/\/www.gylphi.co.uk\/events\/JackieKay\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This international conference, the first on Kay\u2019s work, brings together scholars from a wide range of literary and cultural studies.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[414,4,666,125,1196,13,10,27,25],"tags":[30766,30764,30763,30762,1587,30765,153],"class_list":["post-59527","post","type-post","status-publish","format-standard","hentry","category-family","category-upcoming-media","category-gaylesbian","category-identitydevelopment","category-literary-criticism","category-liveevents","category-uk","category-wanted","category-women","tag-deidre-osborne","tag-fiona-tolan","tag-gylphi","tag-gylphi-contemporary-writers","tag-jackie-kay","tag-natasha-alden","tag-scotland"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59527"}],"version-history":[{"count":4,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59527\/revisions"}],"predecessor-version":[{"id":59531,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59527\/revisions\/59531"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=59527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=59527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}