{"id":59828,"date":"2020-06-26T03:17:02","date_gmt":"2020-06-26T03:17:02","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=59828"},"modified":"2020-07-27T00:41:25","modified_gmt":"2020-07-27T00:41:25","slug":"brit-bennetts-new-novel-explores-the-power-and-performance-of-race","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=59828","title":{"rendered":"Brit Bennett\u2019s New Novel Explores the Power and Performance of Race"},"content":{"rendered":"<p><a href=\"https:\/\/www.nytimes.com\/2020\/05\/26\/books\/review-vanishing-half-brit-bennett.html\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong>Brit Bennett\u2019s New Novel Explores the Power and Performance of Race<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.nytimes.com\" target=\"_blank\" rel=\"noopener noreferrer\">The New York Times<\/a><br \/>\n2020-05-26<\/p>\n<p><a href=\"https:\/\/twitter.com\/parul_sehgal\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Parul Sehgal<\/strong><\/a>, Book Critic<\/p>\n<p><a href=\"https:\/\/www.nytimes.com\/2020\/05\/26\/books\/review-vanishing-half-brit-bennett.html\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" src=\"https:\/\/static01.nyt.com\/images\/2020\/05\/27\/books\/26BOOKBENNETT1\/26BOOKBENNETT1-superJumbo.jpg?quality=90&amp;auto=webp\" width=\"300\" \/><\/a><\/p>\n<p><strong>Brit Bennett, <a href=\"http:\/\/www.mixedracestudies.org\/?p=59715\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Vanishing Half, A Novel<\/em><\/a> (New York: Riverhead Books, 2020)<\/strong><\/p>\n<p>No nation can lay lasting claim to a genre, save perhaps one. The story of <a href=\"http:\/\/www.mixedracestudies.org\/?p=5864\" target=\"_blank\" rel=\"noopener noreferrer\">racial passing<\/a> is a uniquely and intensely American form. From its earliest avatars, the 19th-century novel \u201c<a href=\"http:\/\/www.mixedracestudies.org\/?p=37522\" target=\"_blank\" rel=\"noopener noreferrer\">Clotel<\/a>,\u201d for example, to <a href=\"https:\/\/en.wikipedia.org\/wiki\/Langston_Hughes\" target=\"_blank\" rel=\"noopener noreferrer\">Langston Hughes\u2019s<\/a> short stories and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Nella_Larsen\" target=\"_blank\" rel=\"noopener noreferrer\">Nella Larsen\u2019s<\/a> 1929 masterpiece, \u201c<a href=\"http:\/\/www.mixedracestudies.org\/?p=2508\" target=\"_blank\" rel=\"noopener noreferrer\">Passing<\/a>,\u201d to the melodrama films of the 1950s, like \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/Pinky_(film)\" target=\"_blank\" rel=\"noopener noreferrer\">Pinky<\/a>\u201d and \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/Imitation_of_Life_(1959_film)\" target=\"_blank\" rel=\"noopener noreferrer\">Imitation of Life<\/a>,\u201d it is a story central to the American imagination, re-examined and retold so regularly it seems to enjoy a perpetual heyday.<\/p>\n<p>In recent years, passing narratives have shed their sentimentality and turned surreal (<a href=\"https:\/\/en.wikipedia.org\/wiki\/Boots_Riley\" target=\"_blank\" rel=\"noopener noreferrer\">Boots Riley\u2019s<\/a> film \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/Sorry_to_Bother_You_(album)\" target=\"_blank\" rel=\"noopener noreferrer\">Sorry to Bother You<\/a>\u201d), comic (<a href=\"https:\/\/en.wikipedia.org\/wiki\/Spike_Lee\" target=\"_blank\" rel=\"noopener noreferrer\">Spike Lee\u2019s<\/a> \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/BlacKkKlansman\" target=\"_blank\" rel=\"noopener noreferrer\">BlacKkKlansman<\/a>\u201d) and playful <a href=\"http:\/\/www.matjohnson.info\/\" target=\"_blank\" rel=\"noopener noreferrer\">(Mat Johnson\u2019s<\/a> novel \u201c<a href=\"http:\/\/www.mixedracestudies.org\/?p=41167\" target=\"_blank\" rel=\"noopener noreferrer\">Loving Day<\/a>\u201d). Others have flipped the formula so that it is black identity that is coveted by characters who are racially ambiguous (in the fiction of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Danzy_Senna\" target=\"_blank\" rel=\"noopener noreferrer\">Danzy Senna<\/a>, for example) or plainly white (as in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Nell_Zink\" target=\"_blank\" rel=\"noopener noreferrer\">Nell Zink\u2019s<\/a> novel \u201c<a href=\"http:\/\/www.mixedracestudies.org\/?p=41365\" target=\"_blank\" rel=\"noopener noreferrer\">Mislaid<\/a>\u201d).<\/p>\n<p>Through all the ways the genre has been rewritten, its potency has remained \u2014 its singular ability to enact the notion of race as arbitrary, as a performance, as something seen through, all the while inscribing its power as a source of kinship, pain and pride. Certainly few transgressions are punished so severely in literature. To pass is to court moral ruin; it is an elective orphanhood (in \u201cImitation of Life,\u201d passing results in actual <a href=\"https:\/\/en.wikipedia.org\/wiki\/Matricide\" target=\"_blank\" rel=\"noopener noreferrer\">matricide<\/a>), depicted as a kind of amputation or suicide.<\/p>\n<p>In her new novel, \u201c<a href=\"http:\/\/www.mixedracestudies.org\/?p=59715\" target=\"_blank\" rel=\"noopener noreferrer\">The Vanishing Half<\/a>,\u201d <a href=\"https:\/\/britbennett.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Brit Bennett<\/a> brings to the form a new set of provocative questions: What if passing goes unpunished? What if the character is never truly found out? What if she doesn\u2019t die or repent? What then?&#8230;<\/p>\n<p>Read the entire book review <a href=\"https:\/\/www.nytimes.com\/2020\/05\/26\/books\/review-vanishing-half-brit-bennett.html\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In her new novel, \u201cThe Vanishing Half,\u201d Brit Bennett brings to the form a new set of provocative questions: What if passing goes unpunished? What if the character is never truly found out? What if she doesn\u2019t die or repent? What then?<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,5,369,8,6462,20],"tags":[30881,2640,29218,2327],"class_list":["post-59828","post","type-post","status-publish","format-standard","hentry","category-articles","category-book-reviews","category-louisiana","category-media-archive","category-passing-2","category-usa","tag-brit-bennett","tag-new-york-times","tag-parul-sehgal","tag-the-new-york-times"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59828"}],"version-history":[{"count":4,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59828\/revisions"}],"predecessor-version":[{"id":60017,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59828\/revisions\/60017"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=59828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=59828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}