{"id":59981,"date":"2020-07-17T21:06:38","date_gmt":"2020-07-17T21:06:38","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=59981"},"modified":"2020-07-17T21:06:41","modified_gmt":"2020-07-17T21:06:41","slug":"born-into-slavery-joshua-johnson-became-the-first-black-professional-artist-in-the-united-states","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=59981","title":{"rendered":"Born into Slavery, Joshua Johnson Became the First Black Professional Artist in the United States"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-born-slavery-joshua-johnson-first-black-professional-artist-united-states\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong>Born into Slavery, Joshua Johnson Became the First Black Professional Artist in the United States<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.artsy.net\" target=\"_blank\" rel=\"noopener noreferrer\">Artsy<\/a><br \/>\n2020-07-16<\/p>\n<p><a href=\"https:\/\/www.linkedin.com\/in\/jaelynn-walls-931504155\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Jaelynn Walls<\/strong><\/a>, Curator and Writer<br \/>\n<em>Houston, Texas<\/em><\/p>\n<table border=\"0\" width=\"550&quot;\">\n<tbody>\n<tr>\n<td><a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-born-slavery-joshua-johnson-first-black-professional-artist-united-states\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" src=\"https:\/\/d7hftxdivxxvm.cloudfront.net\/?resize_to=width&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FcnQMZcgxEPsErvpLHWWUTg%2Flarger.jpg&amp;width=1200&amp;quality=80\" width=\"550\" border=\"0\" \/><\/a><br \/>\n<small><a href=\"https:\/\/en.wikipedia.org\/wiki\/Joshua_Johnson_(painter)\" target=\"_blank\" rel=\"noopener noreferrer\">Joshua Johnson<\/a><br \/>\n<em>Family Group<\/em>, ca. 1800<br \/>\nNational Gallery of Art, Washington D.C.<\/small><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Historians know woefully little about <a href=\"https:\/\/en.wikipedia.org\/wiki\/Joshua_Johnson_(painter)\" target=\"_blank\" rel=\"noopener noreferrer\">Joshua Johnson<\/a>, the first professional African American artist to work in the <a href=\"https:\/\/en.wikipedia.org\/wiki\/United_States\" target=\"_blank\" rel=\"noopener noreferrer\">United States<\/a>. An active painter in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Maryland\" target=\"_blank\" rel=\"noopener noreferrer\">Maryland<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Virginia\" target=\"_blank\" rel=\"noopener noreferrer\">Virginia<\/a> from roughly the 1790s to 1825, Johnson was all but forgotten until the middle of the 20th century. In 1939, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Baltimore\" target=\"_blank\" rel=\"noopener noreferrer\">Baltimore<\/a> genealogist and art historian <a href=\"https:\/\/en.wikipedia.org\/wiki\/J._Hall_Pleasants\" target=\"_blank\" rel=\"noopener noreferrer\">J. Hall Pleasants<\/a> attributed 13 paintings to Johnson and began the long journey of reconstructing his career through scraps of often contradictory information. Even the artist\u2019s last name is uncertain, and many art historians are still debating whether it was spelled \u201cJohnson\u201d or \u201cJohnston.\u201d<\/p>\n<p>Johnson was born into slavery in mid-18th-century Maryland to a white man and a Black slave woman owned by William Wheeler Sr. Chattel records note his race as <a href=\"http:\/\/www.mixedracestudies.org\/?p=451\" target=\"_blank\" rel=\"noopener noreferrer\"><em>mulatto<\/em><\/a>, though Maryland had no legal definition for what constituted \u201cBlack\u201d versus \u201cmixed race\u201d at the time. Pleasants located documents variously describing Johnson as a slave, a slave trained as a <a href=\"https:\/\/en.wikipedia.org\/wiki\/Blacksmith\" target=\"_blank\" rel=\"noopener noreferrer\">blacksmith<\/a>, a Black servant afflicted with consumption, and an immigrant from the <a href=\"https:\/\/en.wikipedia.org\/wiki\/West_Indies\" target=\"_blank\" rel=\"noopener noreferrer\">West Indies<\/a>.<\/p>\n<p>While much of Johnson\u2019s history remains mysterious, his special place in art history is assured. The next renowned African American artists to emerge in the United States, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Robert_S._Duncanson\" target=\"_blank\" rel=\"noopener noreferrer\">Robert S. Duncanson<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Henry_Ossawa_Tanner\" target=\"_blank\" rel=\"noopener noreferrer\">Henry Ossawa Tanner<\/a>, followed Johnson by decades&#8230;<\/p>\n<p>Read the entire article <a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-born-slavery-joshua-johnson-first-black-professional-artist-united-states\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While much of Johnson\u2019s history remains mysterious, his special place in art history is assured. The next renowned African American artists to emerge in the United States, Robert S. Duncanson and Henry Ossawa Tanner, followed Johnson by decades.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,24,1245,459,8,6940,20,693],"tags":[31044,31040,5973,31043,31041,31042,31039,5970,5972,31045,16730,31046],"class_list":["post-59981","post","type-post","status-publish","format-standard","hentry","category-articles","category-arts","category-biography","category-history","category-media-archive","category-slavery","category-usa","category-virginia","tag-annelise-k-madsen","tag-artsy","tag-baltimore","tag-baltimore-museum-of-art","tag-j-hall-pleasants","tag-jacob-hall-pleasants","tag-jaelynn-walls","tag-joshua-johnson","tag-maryland","tag-metropolitan-museum-of-art","tag-national-gallery-of-art","tag-toby-maria-chieffo-reidway"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59981"}],"version-history":[{"count":2,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59981\/revisions"}],"predecessor-version":[{"id":59983,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/59981\/revisions\/59983"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=59981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=59981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}