{"id":61689,"date":"2021-10-01T15:45:28","date_gmt":"2021-10-01T15:45:28","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=61689"},"modified":"2021-10-03T00:17:45","modified_gmt":"2021-10-03T00:17:45","slug":"beyonce-in-the-world-making-meaning-with-queen-bey-in-troubled-times","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=61689","title":{"rendered":"Beyonc\u00e9 in the World: Making Meaning with Queen Bey in Troubled Times"},"content":{"rendered":"<p><a href=\"https:\/\/www.hfsbooks.com\/books\/beyonce-in-the-world-baade-mcgee\/\" target=\"_blank\" rel=\"noopener\"><em><strong>Beyonc\u00e9 in the World: Making Meaning with Queen Bey in Troubled Times<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.wesleyan.edu\/wespress\/\" target=\"_blank\" rel=\"noopener\">Wesleyan University Press<\/a><br \/>\n2021-06-08<br \/>\n392 pages<br \/>\n31 color photos<br \/>\nHardback ISBN: 9780819579911<br \/>\nPaperback ISBN: 9780819579928<br \/>\neBook ISBN: 9780819579935<\/p>\n<p><strong>Edited by:<\/strong><\/p>\n<p><a href=\"https:\/\/experts.mcmaster.ca\/display\/baadec\" target=\"_blank\" rel=\"noopener\"><strong>Christina Baade<\/strong><\/a>, Professor, Communication Studies &amp; Media Arts<br \/>\n<em>McMaster University, Hamilton, Ontario, Canada<\/em><\/p>\n<p><a href=\"https:\/\/www.kristinmcgee.net\/\" target=\"_blank\" rel=\"noopener\"><strong>Kristin A. McGee<\/strong><\/a>, Associate Professor of Popular Music<br \/>\n<em>University of Groningen, Groningen, Netherlands<\/em><\/p>\n<p><a href=\"https:\/\/www.hfsbooks.com\/books\/beyonce-in-the-world-baade-mcgee\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/hfs2.tenandtwo.io\/api\/image\/products\/?width=300&amp;name=beyonce-in-the-world-baade-mcgee\" width=\"300\" border=\"0\" \/><\/a><\/p>\n<p><em>Essays investigate <a href=\"https:\/\/en.wikipedia.org\/wiki\/Beyonc%C3%A9\" target=\"_blank\" rel=\"noopener\">Beyonc\u00e9&#8217;s<\/a> global impact<\/em><\/p>\n<p>From <a href=\"https:\/\/en.wikipedia.org\/wiki\/Destiny%27s_Child\" target=\"_blank\" rel=\"noopener\">Destiny&#8217;s Child<\/a> to <a href=\"https:\/\/en.wikipedia.org\/wiki\/Lemonade_(Beyonc%C3%A9_album)\" target=\"_blank\" rel=\"noopener\"><em>Lemonade<\/em><\/a>, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Homecoming_(2019_film)\" target=\"_blank\" rel=\"noopener\"><em>Homecoming<\/em><\/a>, and <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Lion_King:_The_Gift\" target=\"_blank\" rel=\"noopener\"><em>The Gift<\/em><\/a>, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Beyonc%C3%A9\" target=\"_blank\" rel=\"noopener\">Beyonc\u00e9 Knowles-Carter<\/a> has redefined global stardom, feminism, Black representation, and celebrity activism. This book brings together new work from sixteen international scholars to explore Beyonce&#8217;s impact as an artist and public figure from the perspectives of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Critical_race_theory\" target=\"_blank\" rel=\"noopener\">critical race studies<\/a>, gender and women&#8217;s studies, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Queer_studies\" target=\"_blank\" rel=\"noopener\">queer<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Cultural_studies\" target=\"_blank\" rel=\"noopener\">cultural studies<\/a>, music, and fan studies. The authors explore Beyonc\u00e9&#8217;s musical persona as one that builds upon the lineages of Black female cool, Black southern culture, and Black feminist cultural production. They explore Beyonc\u00e9&#8217;s reception within and beyond <a href=\"https:\/\/en.wikipedia.org\/wiki\/North_America\" target=\"_blank\" rel=\"noopener\">North America<\/a>, including how a range of performers\u2014from <a href=\"https:\/\/en.wikipedia.org\/wiki\/YouTube\" target=\"_blank\" rel=\"noopener\">YouTube<\/a> gospel singers to Brazilian pop artists have drawn inspiration from her performances and image. The authors show how Beyonc\u00e9&#8217;s music is a source of healing and kinship for many fans, particularly Black women and queer communities of color. Combining cutting edge research, vivid examples, and accessible writing, this collection provides multiple lenses onto the significance of Beyonc\u00e9 in the <a href=\"https:\/\/en.wikipedia.org\/wiki\/United_States\" target=\"_blank\" rel=\"noopener\">United States<\/a> and around the world.<\/p>\n<p><strong>Table of Contents<\/strong><\/p>\n<ul>\n<li>Foreword \/ Janell Hobson<\/li>\n<li><em>Acknowledgments<\/em><\/li>\n<li>Introduction: Beyonc\u00e9 Studies \/ Christina Baade, Marquita Smith, and Kristin McGee<\/li>\n<li><strong>Part One \u201cDiva\u201d \/ Black Feminist Genealogies<\/strong>\n<ul>\n<li>1. &#8220;I Came to Slay&#8221;: The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool \/ H. Zahra Caldwell<\/li>\n<li>2. From Colorism to Conjurings: Tracing the Dust in Beyonc\u00e9&#8217;s <em>Lemonade<\/em> \/ Cienna Davis<\/li>\n<\/ul>\n<\/li>\n<li><strong>Part Two \u201cFormation\u201d \/ A Southern Turn<\/strong>\n<ul>\n<li>3. Beyonc\u00e9&#8217;s South and a &#8220;Formation&#8221; Nation \/ Rich\u00e9 Richardson<\/li>\n<li>4. Merging Past and Present in <em>Lemonade&#8217;s<\/em> Black Feminist Utopia \/ J. Brendan Shaw<\/li>\n<\/ul>\n<\/li>\n<li><strong>Part Three \u201cXO\u201d \/ Faith and Fandom<\/strong>\n<ul>\n<li>5. At the Digital Cross(roads) with Beyonc\u00e9: Gospel Covers That Remix the Risqu\u00e9 into the Religious \/ Birgitta J. Johnson<\/li>\n<li>6. &#8220;She Made Me Understand&#8221;: How <em>Lemonade<\/em> Raised the Intersectional Consciousness of Beyonc\u00e9&#8217;s International Fans \/ Rebecca J. Sheehan<\/li>\n<\/ul>\n<\/li>\n<li><strong>Part Four \u201cWorldwide Woman\u201d \/ Beyonc\u00e9\u2019s Reception Beyond the United States<\/strong>\n<ul>\n<li>7. The Performative Negotiations of Beyonc\u00e9 in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla&#8217;s <em>Funk Carioca<\/em> and Gaby Amarantos&#8217;s <em>Tecnobrega<\/em> \/ Simone Pereira de S\u00e1 and Thiago Soares<\/li>\n<li>8. A Critical Analysis of White Ignorance Within Beyonc\u00e9&#8217;s <em>Online Reception<\/em> in the Spanish Context \/ Elena Herrera Quintana<\/li>\n<\/ul>\n<\/li>\n<li><strong>Part Five \u201cHold up\u201d \/ Performing Femme Affinity and Dissent<\/strong>\n<ul>\n<li>9. Six-Inch Heels and Queer Black Femmes: Beyonc\u00e9 and Black Trans Women \/ Jared Mackley-Crump and Kirsten Zemke<\/li>\n<li>10. From &#8220;Say My Name&#8221; to &#8220;Texas Bamma&#8221;: Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyonc\u00e9&#8217;s &#8220;Formation&#8221; \/ Byron B Craig and Stephen E. Rahko<\/li>\n<\/ul>\n<\/li>\n<li><strong>Part Six \u201cFreedom\u201d \/ Sounding Protest, Hearing Politics<\/strong>\n<ul>\n<li>11. Musical Form in Beyonc\u00e9&#8217;s Protest Music \/ Annelot Prins and Taylor Myers<\/li>\n<li>12. Beyonc\u00e9&#8217;s Black Feminist Critique: Multimodal Intertextuality and Intersectionality in &#8220;Sorry&#8221; \/ Rebekah Hutten and Lori Burns<\/li>\n<\/ul>\n<\/li>\n<li><strong>Part Seven \u201cPray You Catch Me\u201d \/ Healing and Community<\/strong>\n<ul>\n<li>13. Beyond &#8220;Becky with the Good Hair&#8221;: Hair and Beauty in Beyonc\u00e9&#8217;s &#8220;Sorry&#8221; \/ Kristin Denise Rowe<\/li>\n<li>14. The Livable, Surviving, and Healing Poetics of <em>Lemonade<\/em>: A Black Feminist Futurity in Action \/ Mary Senyonga<\/li>\n<\/ul>\n<\/li>\n<li><em>About the Contributors<\/em><\/li>\n<li><em>Index<\/em><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Essays investigate Beyonc\u00e9&#8217;s global impact<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,24,11,8413,8,20,25],"tags":[32030,21939,22943,28897,32015,32022,32010,32013,32018,32012,32014,32011,32020,32021,32009,32027,32026,32028,1392,32016,32024,24871,32017,32029,32025,32019,28593],"class_list":["post-61689","post","type-post","status-publish","format-standard","hentry","category-anthologies","category-arts","category-books","category-communications","category-media-archive","category-usa","category-women","tag-annelot-prins","tag-beyonce","tag-beyonce-giselle-knowles-carter","tag-beyonce-knowles-carter","tag-birgitta-j-johnson","tag-byron-b-craig","tag-christina-baade","tag-cienna-davis","tag-elena-herrera-quintana","tag-h-zahra-caldwell","tag-j-brendan-shaw","tag-janell-hobson","tag-jared-mackley-crump","tag-kirsten-zemke","tag-kristin-a-mcgee","tag-kristin-denise-rowe","tag-lori-burns","tag-mary-senyonga","tag-music","tag-rebecca-j-sheehan","tag-rebekah-hutten","tag-riche-richardson","tag-simone-pereira-de-sa","tag-stephen-e-rahko","tag-taylor-myers","tag-thiago-soares","tag-wesleyan-university-press"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=61689"}],"version-history":[{"count":4,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61689\/revisions"}],"predecessor-version":[{"id":61707,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61689\/revisions\/61707"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=61689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=61689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=61689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}