{"id":61904,"date":"2021-10-21T14:20:03","date_gmt":"2021-10-21T14:20:03","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=61904"},"modified":"2021-10-21T14:20:04","modified_gmt":"2021-10-21T14:20:04","slug":"immigration-passing-and-the-racial-other-in-neo-victorian-imperialist-fiction-the-case-of-carnival-row-2019","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=61904","title":{"rendered":"Immigration, Passing, and the Racial Other in Neo-Victorian Imperialist Fiction: The Case of Carnival Row (2019\u2013)"},"content":{"rendered":"<p><a href=\"https:\/\/doi.org\/10.1093\/adaptation\/apab018\" target=\"_blank\" rel=\"noopener\"><em><strong>Immigration, Passing, and the Racial Other in Neo-Victorian Imperialist Fiction: The Case of <\/strong><\/em><strong>Carnival Row (2019\u2013<\/strong>)<\/a><\/p>\n<p><a href=\"https:\/\/academic.oup.com\/adaptation\" target=\"_blank\" rel=\"noopener\">Adaptation<\/a><br \/>\nPublished 2021-10-07<br \/>\nDOI: <a href=\"https:\/\/doi.org\/10.1093\/adaptation\/apab018\" target=\"_blank\" rel=\"noopener\">10.1093\/adaptation\/apab018<\/a><\/p>\n<p><a href=\"https:\/\/dinapedro555964115.wordpress.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Dina Pedro<\/strong><\/a>, Ph.D. candidate<br \/>\nDepartment of English and German, School of Philology, Translation and Communication<br \/>\n<em>Universitat de Valencia, Valencia, Spain<\/em><\/p>\n<p>In this article, I provide a close reading of Season 1 of the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Neo-Victorian\" target=\"_blank\" rel=\"noopener\">neo-Victorian<\/a> TV series <a href=\"https:\/\/en.wikipedia.org\/wiki\/Carnival_Row\" target=\"_blank\" rel=\"noopener\"><em>Carnival Row<\/em><\/a> as both an ambivalent <a href=\"https:\/\/en.wikipedia.org\/wiki\/Postcolonialism\" target=\"_blank\" rel=\"noopener\">postcolonial<\/a> and neo-passing narrative. I first draw on previous criticism on postcolonial neo-Victorianism and turn-of-the-century American <a href=\"http:\/\/www.mixedracestudies.org\/?p=5864\" target=\"_blank\" rel=\"noopener\">passing<\/a> novels in order to analyze <em>Carnival Row\u2019s<\/em> contradictory revision of imperial <a href=\"https:\/\/en.wikipedia.org\/wiki\/London\" target=\"_blank\" rel=\"noopener\">London<\/a> through its re-imagining in a fictional city named The Burgue. I then explore the conflicting ways in which the series tackles (neo-)imperialism and colonialization, as it simultaneously criticizes and reproduces imperial ideologies and stereotypes of the racial Other. Finally, I argue that <em>Carnival Row<\/em> seems to offer a new take on American passing novels by allowing Philo, the mixed-race male protagonist, to embrace his biracial nature without meeting a tragic fate at the end of Season 1. Nonetheless, by choosing a White actor (<a href=\"https:\/\/en.wikipedia.org\/wiki\/Orlando_Bloom\" target=\"_blank\" rel=\"noopener\">Orlando Bloom<\/a>) to play the role of the passer, the series culturally appropriates a form of Black oppression for the entertainment of a White audience. Thus, despite the series\u2019 well-intentioned attempts to criticize (neo-)imperial, racist, and xenophobic practices, it ultimately perpetuates\u2014rather than subverts\u2014those very same ideologies.<\/p>\n<p>Read or purchase the article <a href=\"https:\/\/doi.org\/10.1093\/adaptation\/apab018\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this article, I provide a close reading of Season 1 of the neo-Victorian TV series &#8220;Carnival Row&#8221; as both an ambivalent postcolonial and neo-passing narrative.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,8413,8,6462,10],"tags":[32149,30262,32150,850],"class_list":["post-61904","post","type-post","status-publish","format-standard","hentry","category-articles","category-communications","category-media-archive","category-passing-2","category-uk","tag-adaptation","tag-carnival-row","tag-dina-pedro","tag-london"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61904","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=61904"}],"version-history":[{"count":1,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61904\/revisions"}],"predecessor-version":[{"id":61905,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/61904\/revisions\/61905"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=61904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=61904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=61904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}