{"id":62035,"date":"2021-11-02T19:48:36","date_gmt":"2021-11-02T19:48:36","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=62035"},"modified":"2021-11-02T19:48:37","modified_gmt":"2021-11-02T19:48:37","slug":"passing-review-rebecca-halls-stylish-and-subtle-study-of-racial-identity","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=62035","title":{"rendered":"Passing review \u2013 Rebecca Hall\u2019s stylish and subtle study of racial identity"},"content":{"rendered":"<p><a href=\"https:\/\/www.theguardian.com\/film\/2021\/oct\/28\/passing-review-rebecca-hall-racial-identity-tessa-thompson-ruth-negga\" target=\"_blank\" rel=\"noopener\"><em><strong>Passing review \u2013 Rebecca Hall\u2019s stylish and subtle study of racial identity<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.theguardian.com\" target=\"_blank\" rel=\"noopener\">The Guardian<\/a><br \/>\n2021-10-28<\/p>\n<p><a href=\"https:\/\/twitter.com\/PeterBradshaw1\" target=\"_blank\" rel=\"noopener\"><strong>Peter Bradshaw<\/strong><\/a>, Guardian Film Critic<\/p>\n<figure><a href=\"https:\/\/www.theguardian.com\/film\/2021\/oct\/28\/passing-review-rebecca-hall-racial-identity-tessa-thompson-ruth-negga\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" style=\"width: 100%; border: 0;\" src=\"https:\/\/i.guim.co.uk\/img\/media\/73dff1b0520a765a1d240b489928ab73429b75e3\/151_0_3449_2071\/master\/3449.jpg?width=700&amp;quality=45&amp;auto=format&amp;fit=max&amp;dpr=2&amp;s=88b8abdb558da377bbf85ee1dbd9ad98\" \/><\/a><figcaption><small>Hypnotic \u2026 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Tessa_Thompson\" target=\"_blank\" rel=\"noopener\">Tessa Thompson<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Andr%C3%A9_Holland\" target=\"_blank\" rel=\"noopener\">Andr\u00e9 Holland<\/a> in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Passing_(film)\" target=\"_blank\" rel=\"noopener\"><em>Passing<\/em><\/a>. Photograph: Netflix<\/small><\/figcaption><\/figure>\n<p><em>Hall\u2019s directing debut stars <a href=\"https:\/\/en.wikipedia.org\/wiki\/Tessa_Thompson\" target=\"_blank\" rel=\"noopener\">Tessa Thompson<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ruth_Negga\" target=\"_blank\" rel=\"noopener\">Ruth Negga<\/a> as friends who are both \u2018passing\u2019 for what they are not in an adaptation of <a href=\"http:\/\/www.mixedracestudies.org\/?p=2508\" target=\"_blank\" rel=\"noopener\">Nella Larsen\u2019s 1929 novel<\/a><\/em><\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rebecca_Hall\" target=\"_blank\" rel=\"noopener\">Rebecca Hall<\/a> makes her directing debut with this intimately disturbing movie, adapted by her from the <a href=\"http:\/\/www.mixedracestudies.org\/?p=2508\" target=\"_blank\" rel=\"noopener\">1929 novel<\/a> by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Nella_Larsen\" target=\"_blank\" rel=\"noopener\">Nella Larsen<\/a>. Irene (<a href=\"https:\/\/en.wikipedia.org\/wiki\/Tessa_Thompson\" target=\"_blank\" rel=\"noopener\">Tessa Thompson<\/a>) and Clare (<a href=\"https:\/\/en.wikipedia.org\/wiki\/Ruth_Negga\" target=\"_blank\" rel=\"noopener\">Ruth Negga<\/a>) are two women of colour, former school friends who run into each other by chance in an upscale <a href=\"https:\/\/en.wikipedia.org\/wiki\/Manhattan\" target=\"_blank\" rel=\"noopener\">Manhattan<\/a> hotel in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Prohibition_in_the_United_States\" target=\"_blank\" rel=\"noopener\">prohibition-era America<\/a>. They are both light-skinned, but Irene is stunned to realise that her vivacious and now <a href=\"https:\/\/www.urbandictionary.com\/define.php?term=peroxide%20blonde\" target=\"_blank\" rel=\"noopener\">peroxide blonde<\/a> friend Clare is <a href=\"http:\/\/www.mixedracestudies.org\/?p=5864\" target=\"_blank\" rel=\"noopener\">\u201cpassing\u201d for white<\/a> these days, and that her odious, wealthy white husband John (<a href=\"https:\/\/en.wikipedia.org\/wiki\/Alexander_Skarsg%C3%A5rd\" target=\"_blank\" rel=\"noopener\">Alexander Skarsg\u00e5rd<\/a>) has no idea. As for sober and respectable Irene, she lives with her black doctor husband Brian (<a href=\"https:\/\/en.wikipedia.org\/wiki\/Andr%C3%A9_Holland\" target=\"_blank\" rel=\"noopener\">Andr\u00e9 Holland<\/a>) in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Harlem\" target=\"_blank\" rel=\"noopener\">Harlem<\/a> with their two sons and a black maid that she treats a little high-handedly.<\/p>\n<p>There is an almost supernatural shiver in Irene and Clare\u2019s meeting: as if the two women are the ghosts of each other\u2019s alternative life choices. Irene is herself passing for middle class, passing for successful: she has an entr\u00e9e into modish artistic circles through her friendship with the celebrated white novelist Hugh Wentworth (<a href=\"https:\/\/en.wikipedia.org\/wiki\/Bill_Camp\" target=\"_blank\" rel=\"noopener\">Bill Camp<\/a>) who is passing for straight. But there is something else. Clare is also passing for happily married. The dangerously transgressive Clare, for whom this chance meeting has triggered a desperate homesickness for her black identity, demands access to Irene\u2019s life and simperingly makes Brian\u2019s acquaintance&#8230;<\/p>\n<p>Read the entire review <a href=\"https:\/\/www.theguardian.com\/film\/2021\/oct\/28\/passing-review-rebecca-hall-racial-identity-tessa-thompson-ruth-negga\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hall\u2019s directing debut stars Tessa Thompson and Ruth Negga as friends who are both \u2018passing\u2019 for what they are not in an adaptation of Nella Larsen\u2019s 1929 novel<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,5,8,6462,20],"tags":[32002,31962,32107,87,32259,28879,827,19672,2103],"class_list":["post-62035","post","type-post","status-publish","format-standard","hentry","category-articles","category-book-reviews","category-media-archive","category-passing-2","category-usa","tag-alexander-skarsgard","tag-andre-holland","tag-bill-camp","tag-nella-larsen","tag-peter-bradshaw","tag-rebecca-hall","tag-ruth-negga","tag-tessa-thompson","tag-the-guardian"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=62035"}],"version-history":[{"count":2,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62035\/revisions"}],"predecessor-version":[{"id":62037,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62035\/revisions\/62037"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=62035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=62035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=62035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}