{"id":62049,"date":"2021-11-02T22:02:17","date_gmt":"2021-11-02T22:02:17","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=62049"},"modified":"2021-11-02T22:02:17","modified_gmt":"2021-11-02T22:02:17","slug":"the-fearlessness-of-passing","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=62049","title":{"rendered":"The Fearlessness of Passing"},"content":{"rendered":"<p><a href=\"https:\/\/www.dissentmagazine.org\/online_articles\/the-fearlessness-of-passing\" target=\"_blank\" rel=\"noopener\"><em><strong>The Fearlessness of Passing<\/strong><\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.dissentmagazine.org\" target=\"_blank\" rel=\"noopener\">Dissent<\/a><br \/>\n2021-10-27<\/p>\n<p><strong>Charles Taylor<\/strong><\/p>\n<figure><a href=\"https:\/\/www.dissentmagazine.org\/online_articles\/the-fearlessness-of-passing\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" style=\"width: 100%; border: 0;\" src=\"https:\/\/www.dissentmagazine.org\/wp-content\/files_mf\/1635343969666_Passing_Sc71_ClareRuthNeggaandIreneTessaThompsonontheStoopReverseAngle_CR21copy2.jpeg\" \/><\/a><figcaption><small><a href=\"https:\/\/en.wikipedia.org\/wiki\/Ruth_Negga\" target=\"_blank\" rel=\"noopener\">Ruth Negga&#8217;s<\/a> Clare (left) and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Tessa_Thompson\" target=\"_blank\" rel=\"noopener\">Tessa Thompson&#8217;s<\/a> Irene in a still from <a href=\"https:\/\/en.wikipedia.org\/wiki\/Passing_(film)\" target=\"_blank\" rel=\"noopener\"><em>Passing<\/em><\/a>. (Netflix)<\/small><\/figcaption><\/figure>\n<p><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rebecca_Hall\" target=\"_blank\" rel=\"noopener\">Rebecca Hall\u2019s<\/a> adaptation of <a href=\"http:\/\/www.mixedracestudies.org\/?p=2508\" target=\"_blank\" rel=\"noopener\">Nella Larsen\u2019s 1929 novel<\/a> continues the author\u2019s exploration of the suffocating strictures of the color line.<\/em><\/p>\n<p>Making a movie of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Nella_Larsen\" target=\"_blank\" rel=\"noopener\">Nella Larsen\u2019s<\/a> 1929 novel <a href=\"http:\/\/www.mixedracestudies.org\/?p=2508\" target=\"_blank\" rel=\"noopener\"><em>Passing<\/em><\/a>, one of the great works of the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Harlem_Renaissance\" target=\"_blank\" rel=\"noopener\">Harlem Renaissance<\/a>\u2014and, I\u2019d argue, a great American novel\u2014would be tricky in any era. That the actress <a href=\"https:\/\/en.wikipedia.org\/wiki\/Rebecca_Hall\" target=\"_blank\" rel=\"noopener\">Rebecca Hall<\/a>, making her directing debut, has done a close-to-devastating job of it in this era is a remarkable achievement.<\/p>\n<p>The novel is the story of two girlhood friends who reencounter each other as young, married women, one <a href=\"http:\/\/www.mixedracestudies.org\/?p=5864\" target=\"_blank\" rel=\"noopener\">passing for white<\/a> and the other firmly settled into the life of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Harlem\" target=\"_blank\" rel=\"noopener\">Harlem\u2019s<\/a> black bourgeoisie. Larsen practically invites the careless reader to fall into well-intentioned sociological clich\u00e9s\u2014in other words, to believe that this is a novel about the tragedy that befalls those who, driven by racist persecution, cross the color line and betray their own.<\/p>\n<p>Actually, the novel is about the absurdity of the color line as a concept, about race as \u201cthe thing that bound and suffocated.\u201d For Larsen, the idea that you could betray your race was another way of saying that people should stick to their own kind. It\u2019s the passing Clare, a slim, pale-skinned, heedless beauty, who is Larsen\u2019s heroine. Clare, taken in as a maid by her poor white aunts when her alcoholic father dies, doesn\u2019t decide to pass because she\u2019s oppressed but because she\u2019s shunned by the well-heeled black people among whom she grew up. (In one stinging scene, Clare, already passing, approaches an old school friend whom she recognizes while shopping in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Marshall_Field%27s\" target=\"_blank\" rel=\"noopener\">Marshall Field\u2019s<\/a>, only to have the woman cut her dead.) Clare is hungry for life and for pleasure, which she takes as it comes to her. The way in which she crosses back and forth between black and white, between the thrill of a Negro Welfare League dance and white upper-middle-class society, makes a hash of the polite segregation\u2014of both race and class\u2014to which the novel\u2019s other protagonist, Irene, pays obeisance&#8230;<\/p>\n<p>Read the entire article <a href=\"https:\/\/www.dissentmagazine.org\/online_articles\/the-fearlessness-of-passing\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rebecca Hall\u2019s adaptation of Nella Larsen\u2019s 1929 novel continues the author\u2019s exploration of the suffocating strictures of the color line.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,5,1196,8,6462,20],"tags":[32261,18711,18712,87,29469,28879,827,19672],"class_list":["post-62049","post","type-post","status-publish","format-standard","hentry","category-articles","category-book-reviews","category-literary-criticism","category-media-archive","category-passing-2","category-usa","tag-charles-taylor","tag-dissent","tag-dissent-magazine","tag-nella-larsen","tag-netflix","tag-rebecca-hall","tag-ruth-negga","tag-tessa-thompson"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=62049"}],"version-history":[{"count":1,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62049\/revisions"}],"predecessor-version":[{"id":62051,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/62049\/revisions\/62051"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=62049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=62049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=62049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}