{"id":63205,"date":"2022-02-22T21:07:42","date_gmt":"2022-02-22T21:07:42","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/?p=63205"},"modified":"2022-02-22T22:06:47","modified_gmt":"2022-02-22T22:06:47","slug":"21-fredis-migration-washingtons-forgotten-war-on-hollywood","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=63205","title":{"rendered":"21. Fredi\u2019s Migration: Washington\u2019s Forgotten War on Hollywood"},"content":{"rendered":"<p><a href=\"https:\/\/books.openedition.org\/obp\/8056?lang=en\" target=\"_blank\" rel=\"noopener\"><em><strong>21. Fredi\u2019s Migration: Washington\u2019s Forgotten War on Hollywood<\/strong><\/em><\/a><\/p>\n<p>Chapter in the anthology: <a href=\"https:\/\/books.openedition.org\/obp\/7876\"><em>Women and Migration: Responses in Art and History<\/em><\/a><br \/>\nDeborah Willis, Ellyn Toscano and Kalia Brooks Nelson (ed.)<br \/>\n(2019-09-12, Open Book Publishers)<br \/>\nPrinted ISBN: 9781783745654<br \/>\neBook ISBN: 9791036538070<\/p>\n<p><a href=\"https:\/\/twitter.com\/ptnewkirk\" target=\"_blank\" rel=\"noopener\"><strong>Pamela Newkirk<\/strong><\/a>, Professor of Journalism<br \/>\n<em>New York University<\/em><\/p>\n<figure><a href=\"https:\/\/books.openedition.org\/obp\/8056?lang=en\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" style=\"width: 50%; border: 0px;\" src=\"https:\/\/books.openedition.org\/obp\/docannexe\/image\/8056\/img-1.jpg\"><\/a><figcaption style=\"width: 50%; font-size: x-small;\">Fig. 21.1. Portrait of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fredi_Washington\" target=\"_blank\" rel=\"noopener\">Fredi Washington<\/a>. Courtesy of <a href=\"https:\/\/www.nypl.org\/locations\/schomburg\" target=\"_blank\" rel=\"noopener\"><em>Schomburg Center, New York Public Library<\/em><\/a>.<\/figcaption><\/figure>\n<p>Nearly eight decades before <a href=\"https:\/\/en.wikipedia.org\/wiki\/87th_Academy_Awards#Racial_controversy_and_criticism_regarding_lack_of_diversity\" target=\"_blank\" rel=\"noopener\">#OscarsSoWhite<\/a> focused attention on the dearth of roles for Blacks and other people of color in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Cinema_of_the_United_States\" target=\"_blank\" rel=\"noopener\">Hollywood<\/a>, actress <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fredi_Washington\" target=\"_blank\" rel=\"noopener\">Fredi Washington<\/a> became one of the most vocal critics of the industry\u2019s racial bias. But despite her trailblazing work on stage and screen beginning in the 1920s, Washington has largely been forgotten as one of the pioneering African-American leading ladies, and for her noteworthy civil rights activism.<\/p>\n<p>The eldest of five children, Washington was born in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Savannah,_Georgia\" target=\"_blank\" rel=\"noopener\">Savannah, Georgia<\/a> in 1903 and relocated to <a href=\"https:\/\/en.wikipedia.org\/wiki\/Philadelphia\" target=\"_blank\" rel=\"noopener\">Philadelphia<\/a> aged eleven following the death of her mother, a former dancer. In 1919 Washington launched her own career as a chorus girl in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Harlem\" target=\"_blank\" rel=\"noopener\">Harlem\u2019s<\/a> Alabam Club, and, in 1926, landed a coveted role in the landmark <a href=\"https:\/\/en.wikipedia.org\/wiki\/Broadway_theatre\" target=\"_blank\" rel=\"noopener\">Broadway<\/a> play <em>Shuffle Along<\/em>. When the show closed she sailed to <a href=\"https:\/\/en.wikipedia.org\/wiki\/Europe\" target=\"_blank\" rel=\"noopener\">Europe<\/a> to tour with her dance partner Al Moiret. Two years later she returned to the <a href=\"https:\/\/en.wikipedia.org\/wiki\/United_States\" target=\"_blank\" rel=\"noopener\">United States<\/a> and starred in a string of successful films and plays including the short film <a href=\"https:\/\/www.imdb.com\/title\/tt0019701\/\" target=\"_blank\" rel=\"noopener\"><em>Black and Tan Fantasy<\/em><\/a> with <a href=\"https:\/\/en.wikipedia.org\/wiki\/Duke_Ellington\" target=\"_blank\" rel=\"noopener\">Duke Ellington<\/a> (1929); <a href=\"https:\/\/en.wikipedia.org\/wiki\/Black_Boy\" target=\"_blank\" rel=\"noopener\"><em>Black Boy<\/em><\/a> starring <a href=\"https:\/\/en.wikipedia.org\/wiki\/Paul_Robeson\" target=\"_blank\" rel=\"noopener\">Paul Robeson<\/a> (1930); <em>Emperor Jones<\/em> with Robeson again (1933); and <em>Drum in the Night<\/em> (1933); with an equal number of plays, including <em>Singing the Blues<\/em> (1930), <em>Sweet Chariot<\/em> (1930) and <em>Run Lil\u2019 Chillun<\/em> (1933).<\/p>\n<p>Washington\u2019s stardom was secured with her performance as Peola, the tortured bi-racial daughter who <a href=\"http:\/\/www.mixedracestudies.org\/?p=5864\" target=\"_blank\" rel=\"noopener\">passes for white<\/a> in <em>I<a href=\"https:\/\/en.wikipedia.org\/wiki\/Imitation_of_Life_(1934_film)\" target=\"_blank\" rel=\"noopener\">mitation of Life<\/a><\/em>, the 1934 feature film starring <a href=\"https:\/\/en.wikipedia.org\/wiki\/Claudette_Colbert\" target=\"_blank\" rel=\"noopener\">Claudette Corbert<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Louise_Beavers\" target=\"_blank\" rel=\"noopener\">Louise Beavers<\/a>. However, after achieving critical acclaim for her performance Washington was routinely passed over for lead roles. This was in part due to <a href=\"https:\/\/en.wikipedia.org\/wiki\/Motion_Picture_Production_Code\" target=\"_blank\" rel=\"noopener\">Hollywood\u2019s Hays Codes<\/a>, which, beginning that year, explicitly prohibited the depiction of <a href=\"http:\/\/www.mixedracestudies.org\/?p=450\" target=\"_blank\" rel=\"noopener\">miscegenation<\/a> in film. The Hays Codes made life especially challenging for Washington, whose green eyes and pale complexion rendered her too light to be cast in films with all-Black casts. In 1937 her skin was darkened for her co-starring role in <a href=\"https:\/\/en.wikipedia.org\/wiki\/One_Mile_from_Heaven\" target=\"_blank\" rel=\"noopener\"><em>One Mile from Heaven<\/em><\/a> with <a href=\"https:\/\/en.wikipedia.org\/wiki\/Bill_Robinson\" target=\"_blank\" rel=\"noopener\">Bill Robinson<\/a>&#8230;<\/p>\n<p>Read the entire chapter <a href=\"https:\/\/books.openedition.org\/obp\/8056?lang=en\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>21. Fredi\u2019s Migration: Washington\u2019s Forgotten War on Hollywood Chapter in the anthology: Women and Migration: Responses in Art and History Deborah Willis, Ellyn Toscano and Kalia Brooks Nelson (ed.) (2019-09-12, Open Book Publishers) Printed ISBN: 9781783745654 eBook ISBN: 9791036538070 Pamela Newkirk, Professor of Journalism New York University Fig. 21.1. Portrait of Fredi Washington. Courtesy of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,1245,11,1933,8413,459,8,23674,20,25],"tags":[33115,33116,27925,9754,3192,33117,15109,21351],"class_list":["post-63205","post","type-post","status-publish","format-standard","hentry","category-articles","category-biography","category-books","category-bookchapter","category-communications","category-history","category-media-archive","category-social-justice","category-usa","category-women","tag-deborah-willis","tag-ellyn-toscano","tag-fredericka-carolyn-washington","tag-fredi-washington","tag-georgia","tag-kalia-brooks-nelson","tag-pamela-newkirk","tag-savannah"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/63205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=63205"}],"version-history":[{"count":4,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/63205\/revisions"}],"predecessor-version":[{"id":63213,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/63205\/revisions\/63213"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=63205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=63205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=63205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}