{"id":8983,"date":"2010-09-17T15:29:40","date_gmt":"2010-09-17T15:29:40","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/wordpress\/?p=8983"},"modified":"2013-07-02T17:25:14","modified_gmt":"2013-07-02T17:25:14","slug":"the-mulatto-cyborg-imagining-a-multiracial-future","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=8983","title":{"rendered":"The Mulatto Cyborg: Imagining a Multiracial Future"},"content":{"rendered":"<p><strong><em><a href=\"http:\/\/www.utexas.edu\/utpress\/journals\/archive\/cj\/00097101_ap060004.html\" target=\"_blank\">The Mulatto Cyborg: Imagining a Multiracial Future<\/a><\/em><\/strong><\/p>\n<p><a href=\"http:\/\/muse.jhu.edu\/journals\/cj\/\" target=\"_blank\">Cinema Journal<\/a><br \/>\n<a href=\"http:\/\/muse.jhu.edu\/journals\/cinema_journal\/toc\/cj44.2.html\" target=\"_blank\">Volume 44, Number 2<\/a> (Winter, 2005)<br \/>\npages 34-49<\/p>\n<p><strong><a href=\"http:\/\/www.com.washington.edu\/nishime\/\" target=\"_blank\">Leilani Nishime<\/a><\/strong>, Assistant Professor of Communications<br \/>\n<em>University of Washington<\/em><\/p>\n<p>Applying the literature of <a href=\"http:\/\/www.mixedracestudies.org\/?p=5864\" target=\"_blank\">passing<\/a> to cyborg cinema makes visible the politics of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Cyborg\" target=\"_blank\">cyborg<\/a> representations and illuminates contemporary conceptions of mixed-race subjectivity and interpolations of mixed-race bodies. The passing narrative also reveals the constitutive role of melancholy and nostalgia both in creating cyborg cinema and in undermining its subversive potential.<\/p>\n<p>Read the entire article <a href=\"http:\/\/www.jstor.org\/stable\/3661093\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Mulatto Cyborg: Imagining a Multiracial Future Cinema Journal Volume 44, Number 2 (Winter, 2005) pages 34-49 Leilani Nishime, Assistant Professor of Communications University of Washington Applying the literature of passing to cyborg cinema makes visible the politics of cyborg representations and illuminates contemporary conceptions of mixed-race subjectivity and interpolations of mixed-race bodies. The passing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,8413,1196,8],"tags":[3596,1985],"class_list":["post-8983","post","type-post","status-publish","format-standard","hentry","category-articles","category-communications","category-literary-criticism","category-media-archive","tag-cinema-journal","tag-leilani-nishime"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/8983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8983"}],"version-history":[{"count":0,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/8983\/revisions"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}