{"id":9664,"date":"2011-10-27T03:12:09","date_gmt":"2011-10-27T03:12:09","guid":{"rendered":"http:\/\/www.mixedracestudies.org\/wordpress\/?p=9664"},"modified":"2016-05-23T23:53:33","modified_gmt":"2016-05-23T23:53:33","slug":"black-devils-white-saints-mixed-race-femme-fatales-philippa-schuyler-and-the-soundbites-of-the-sixties","status":"publish","type":"post","link":"https:\/\/mixedracestudies.org\/wp\/?p=9664","title":{"rendered":"Black devils, white saints and mixedrace femme fatales: Philippa Schuyler and the winds of change"},"content":{"rendered":"<p><strong><em><a href=\"http:\/\/dx.doi.org\/10.1080\/02560046.2011.615140\" target=\"_blank\">Black devils, white saints and mixedrace femme fatales: Philippa Schuyler and the winds of change<\/a><\/em><\/strong><\/p>\n<p><a href=\"http:\/\/www.tandfonline.com\/loi\/rcrc20\" target=\"_blank\">Critical Arts<\/a><br \/>\n<a href=\"http:\/\/www.tandfonline.com\/toc\/rcrc20\/25\/3\" target=\"_blank\">Volume 25, Issue 3<\/a>\u00a0(2011)<br \/>\nSpecial Issue: The Afropessimism Phenomenon<br \/>\npages 360-376<br \/>\nDOI: <a href=\"http:\/\/dx.doi.org\/10.1080\/02560046.2011.615140\" target=\"_blank\">10.1080\/02560046.2011.615140<\/a><\/p>\n<p><a href=\"http:\/\/www.ncl.ac.uk\/sacs\/staff\/profile\/daniel.mcneil\" target=\"_blank\"><strong>Daniel R. McNeil<\/strong><\/a>, Lecturer in Media and Cultural Studies<br \/>\n<em>Newcastle University, United Kingdom<\/em><\/p>\n<p>This article sheds new light on abstract definitions of <a href=\"http:\/\/en.wiktionary.org\/wiki\/Afro-pessimism\" target=\"_blank\">Afropessimism<\/a> by analysing the self-fashioning of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Philippa_Schuyler\" target=\"_blank\">Philippa Schuyler<\/a> in southern and central Africa during the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Cold_War\" target=\"_blank\">Cold War<\/a>. Schuyler had achieved prominence as an African-American child prodigy in the 1930s and 40s, and a <a href=\"http:\/\/en.wiktionary.org\/wiki\/peripatetic\" target=\"_blank\">peripatetic<\/a> concert pianist in the 1950s, before becoming an ultra-conservative writer who opposed African decolonisation in the 1960s. Rather than relying on the tired clich\u00e9 of the American <a href=\"http:\/\/www.mixedracestudies.org\/?p=454\" target=\"_blank\">tragic mulatto<\/a> to explain Schuyler&#8217;s existential choices, or limiting the scope of her story to an (Afro)Americocentric frame, this article argues that her virulent anti-black racism threatened purportedly respectable forms of colonial whiteness. In doing so it uses a New Historicist approach to contend that pessimistic positions about resistance can be combined with the study of practices that unveil the ironies and limits of power. In addition, it addresses <a href=\"http:\/\/en.wikipedia.org\/wiki\/Frantz_Fanon\" target=\"_blank\">Frantz Fanon&#8217;s<\/a> diagnosis of \u2018the woman of colour and the white man,\u2019 and argues that Fanon&#8217;s work in the 1950s and 60s can be used to question Schuyler&#8217;s desire to 1) condemn the \u2018force vitale\u2019 of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Negritude\" target=\"_blank\">Negritude<\/a>, 2) praise white colonialists and 3) adopt an \u2018off-white\u2019 identity.<\/p>\n<p>Read or purchase the article <a href=\"http:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/02560046.2011.615140\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Black devils, white saints and mixedrace femme fatales: Philippa Schuyler and the winds of change Critical Arts Volume 25, Issue 3\u00a0(2011) Special Issue: The Afropessimism Phenomenon pages 360-376 DOI: 10.1080\/02560046.2011.615140 Daniel R. McNeil, Lecturer in Media and Cultural Studies Newcastle University, United Kingdom This article sheds new light on abstract definitions of Afropessimism by analysing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1295,12,1245,1196,8,25],"tags":[8076,2967,419,1755],"class_list":["post-9664","post","type-post","status-publish","format-standard","hentry","category-africa","category-articles","category-biography","category-literary-criticism","category-media-archive","category-women","tag-critical-arts","tag-daniel-mcneil","tag-daniel-r-mcneil","tag-philippa-schuyler"],"_links":{"self":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/9664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9664"}],"version-history":[{"count":1,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/9664\/revisions"}],"predecessor-version":[{"id":47095,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=\/wp\/v2\/posts\/9664\/revisions\/47095"}],"wp:attachment":[{"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixedracestudies.org\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}