• Family Money: Property, Race, and Literature in the Nineteenth Century

    Oxford University Press
    November 2012
    224 Pages
    6-1/8 x 9-1/4 inches
    Hardcover ISBN: 9780199897704

    Jeffory A. Clymer, Professor of English
    University of Kentucky

    • Sophisticated interdisciplinary treatment of literature’s interaction with the law
    • Dramatically revises scholarship on racial identity by emphasizing race’s connection to family and property rights
    • Demonstrates that race was entwined with economics well beyond direct issue of slavery in the nineteenth century
    • Nuanced, flexible, non-doctrinaire interpretations of both well-known and less familiar literary works

    Family Money explores the histories of formerly enslaved women who tried to claim inheritances left to them by deceased owners, the household traumas of mixed-race slaves, post-Emancipation calls for reparations, and the economic fallout from anti-miscegenation marriage laws. Authors ranging from Nathaniel Hawthorne, Frank Webb, Harriet Beecher Stowe, Charles Chesnutt, to Lydia Maria Child recognized that intimate interracial relationships took myriad forms, often simultaneously-sexual, marital, coercive, familial, pleasurable, and painful. Their fiction confirms that the consequences of these relationships for nineteenth-century Americans meant thinking about more than the legal structure of racial identity. Who could count as family (and when), who could own property (and when), and how racial difference was imagined (and why) were emphatically bound together. Demonstrating that notions of race were entwined with economics well beyond the direct issue of slavery, Family Money reveals interracial sexuality to be a volatile mixture of emotion, economics, and law that had dramatic, long-term financial consequences.

    Table of Contents

    • Acknowledgments
    • Introduction
    • 1. “This Most Illegal Family”: Sex, Slavery, and the Politics of Inheritance
    • 2. Blood, Truth, and Consequences: Partus Sequitur Ventrem and the Problem of Legal Title
    • 3. Plantation Heiress Fiction, Slavery, and the Properties of White Marriage
    • 4. Reparations for Slavery and Lydia Maria Child’s Reconstruction of the Family
    • 5. The Properties of Marriage in Chesnutt and Hopkins
    • Coda “Race Feeling”
    • Notes
    • Index
  • Seeing Beauty, Sensing Race in Transnational Indonesia

    University of Hawai‘i Press
    March 2013
    192 pages
    Cloth ISBN: 978-0-8248-3664-1
    Paper ISBN: 978-0-8248-3736-5

    L. Ayu Saraswati, Assistant Professor of Women’s Studies
    University of Hawai‘i

    In Indonesia, light skin color has been desirable throughout recorded history. Seeing Beauty, Sensing Race explores Indonesia’s changing beauty ideals and traces them to a number of influences: first to ninth-century India and some of the oldest surviving Indonesian literary works; then, a thousand years later, to the impact of Dutch colonialism and the wartime occupation of Japan; and finally, in the post-colonial period, to the popularity of American culture. The book shows how the transnational circulation of people, images, and ideas have shaped and shifted discourses and hierarchies of race, gender, skin color, and beauty in Indonesia. The author employs “affect” theories and feminist cultural studies as a lens through which to analyze a vast range of materials, including the Old Javanese epic poem Ramayana, archival materials, magazine advertisements, commercial products, and numerous interviews with Indonesian women.

    The book offers a rich repertoire of analytical and theoretical tools that allow readers to rethink issues of race and gender in a global context and understand how feelings and emotions—Western constructs as well as Indian, Javanese, and Indonesian notions such as rasa and malu—contribute to and are constitutive of transnational and gendered processes of racialization. Saraswati argues that it is how emotions come to be attached to certain objects and how they circulate that shape the “emotionscape” of white beauty in Indonesia. Her ground-breaking work is a nuanced theoretical exploration of the ways in which representations of beauty and the emotions they embody travel geographically and help shape attitudes and beliefs toward race and gender in a transnational world.

  • From Medical Innovation to Sociopolitical Crisis: How Racialized Medicine Has Shifted the Scope of Racial Discourse and its Social Consequences

    Wesleyan University, Middletown, Connecticut
    May 2013
    51 pages

    Danielle Antonia Craig

    An essay submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Sociology

    Using a case study of a congestive heart failure, BiDil, patented in 2005 for use only in African Americans, I attempt to understand and analyze how the movement of racialized medicine has informed and effected American understandings of race, racial identity, and health.

    Read the entire essay here.

  • love, desire, and impossible measures

    The State
    2013-06-08

    Tiana Reid
    Columbia University

    Children rule. No, certain children rule the ways in which we measure fantasies of progress. I read Meagan Hatcher-Mays’ Jezebel piece, “I’m Biracial, and That Ad Is a Big Fucking Deal. Trust Me.,” before I saw the Cheerios commercial itself. The commercial, like most ads, is simple and taps into the unsupervised kiddie trope: it presents a chubby-cheeked maybe-blonde making a mess. Distressingly enough, my first reaction was to claim a resolutely anti stance to not watch the video but respond to the Jezebel post and say, “I’m Biracial, and That Ad Is the Worst Thing Ever. Trust Me.” Quickly, however, I felt it and thought, “Oh, fuck no. I’m black.” And it’s not the ad, but the liberal reactions to it, the way it becomes a siphon for deliciously delirious national imaginaries of cosmopolitan ideas of race that cracks my core. (For instance: how could they say those things about that cute little girl?!) But here I am, writing…

    …It’s hard enough, I would think, to hate on a beautiful little “mixie” and wonder what or how her presence, no, the way in which she is presented, eclipses other lives. Hatcher-Mays, whose hyphenated name perhaps tells us what we need to know of her wholeness, went as far to say that the commercial “validates the existence of biracial and multiracial people.” (Her emphasis.) The way we think about “mixed-race,” however, is grounded in a neoliberal narrative that is narrowly individualized (again, “Mixie Me”). What does it mean for children of color to bring into “existence” this “biracial” child who is not one or the other or even both but maybe, here, a symbol of what’s to come? Who has access to this claim? What does it even mean to grope for a way to ask such questions? When visibility becomes the proxy for “the state of things”—when it becomes a measure of who we are and that we exist, what we lose is vitality….

    …If the goal is to normalize mixed-race families, as Hatcher-Mays applauds Cheerios for, then we should all be scared for our lives. Normalization is a bit like reform—as simultaneously boring and dangerous—and, as American sociologist and race theorist Howard Winant wrote in a nod to Gramsci’s theory of hegemony, “reformism is better understood as incorporation and absorption of conflict than as conflict resolution.” Multiculturalism, multiracialism, pluralism, diversity, and the endless etc. of 21st century neologisms fit into this schema of subsumption rather than disruption. What isn’t embraced in the script is that Blackness isn’t that normal at all

    Read the entire article here.

  • In spite of the unique histories of slavery and persons of African descent in each of the six countries discussed in this book, certain themes recur. In a sense, this book is a study of the growth and demise of the sugar economy in many of these countries, along with that of coffee and tobacco. In most of these societies, a great deal of miscegenation and genetic admixture occurred between masters and their slaves, very early on in the history of slavery there. Several of these countries sponsored official immigration policies of “whitening,” aiming to dilute the numbers of its citizens who were black or darker shades of brown by encouraging Europeans to migrate there.

    And speaking of skin color, each of these countries had (and continues to have) many categories of color and skin tone, ranging from as few as 12 in the Dominican Republic and 16 in Mexico to 134 in Brazil, making our use of octoroon and quadroon and mulatto pale by comparison. Latin American color categories can seem to an American as if they are on steroids. I realized as I encountered people who still employ these categories in everyday discussions about race in their society that it is extremely difficult for those of us in the United States to see the use of these categories as what they are, the social deconstruction of the binary opposition between “black” and “white,” outside of the filter of the “one-drop rule,” which we Americans have inherited from racist laws designed to retain the offspring of a white man and a black female slave as property of the slave’s owner. Far too many of us as African Americans see the use of these terms as an attempt to “pass” for anything other than “black,” rather than as historically and socially specific terms that people of color have invented and continue to employ to describe a complex reality larger than the terms black, white, and mulatto allow for.

    After extended periods of “whitening,” many of these same societies then began periods of “browning,” as I think of them, celebrating and embracing their transcultural or multicultural roots, declaring themselves unique precisely because of the extent of racial admixture among their citizens. (The abolition of “race” as an official category in the federal censuses of some of the countries I visited has made it extremely difficult for black minorities to demand their rights, as in Mexico and Peru.) The work of José Vasconcelos in Mexico, Jean Price-Mars in Haiti, Gilberto Freyre in Brazil, and Fernando Ortiz in Cuba compose a sort of multicultural quartet, though each approached the subject from different, if related, vantage points. The theories of “browning” espoused by Vasconcelos, Freyre, and Ortiz, however, could be double-edged swords, both valorizing the black roots of their societies yet sometimes implicitly seeming to denigrate the status of black cultural artifacts and practices outside of an ideology of mestizaje, or hybridity.

    Henry Louis Gates Jr., Black in Latin America, (New York: New York University Press, 2011), 10-11.

  • Photo of the Week: An Interracial Family in 1962

    The Brooklyn Historical Society Blog
    The Brooklyn Historical Society
    2013-06-05

    Sady Sullivan, Director of Oral History

    The Bibuld Family, ca. 1962, V1989.22.14; Bob Adelman photographs of Brooklyn Congress of Racial Equality (CORE) demonstrations collection, V1989.002; Brooklyn Historical Society.

    This photograph from the Brooklyn Congress of Racial Equality (CORE) collection shows the Bibuld family: parents Elaine and Jerome, and their three children Melanie, Carrington, and Douglass (L to R).

    The Bibulds, an interracial family, lived in Crown Heights in the early 1960s and the children attended a neighborhood school that had a Gifted and Talented program and enrichments like art, music, and field trips.  After their home caught fire in the fall of 1962, the Bibulds moved to Park Slope, and the children’s new neighborhood school had substandard academics and few enrichments — and the student body was more than 70% African American and Puerto Rican.

    Elaine and Jerry Bibuld, both members of the Brooklyn chapter of CORE, were angered by this educational inequity and concerned for their children who were very bored at their new school. So, they pulled their children out of this racially segregated public school and sat them in an all-white school in the Bath Beach section of Brooklyn. Technically, the children were not enrolled in school and the City considered them truants, which opened the parents up to imprisonment for parental neglect. For roughly three months, the Bibuld protest was the most important desegregation case in the city…

    Read the entire article here.

  • Negro-White Marriages Here Show Rise Despite Problems of Prejudice

    The New York Times
    1963-10-18

    Fred Powledge

    Marriages between Negroes and whites have been increasing in New York and have become a poignant part of the life of the city.

    The precise number of such marriages may never be known. Documents on file at the City License Bureau do not reveal clear figures because many couples refuse to state their color in the applications. But City Clerk Herman Katz, who issues licenses and performs marriages at the Municipal Building, said that on the basis of observations the number of mixed marriages had definitely risen in the last two years.

    Civil rights organizations, other interested observers and interracial couples themselves said they were aware of an obvious increase in the number of marriages between Negroes and whites.

    Some of them interpreted the increase as a logical extension of the desegregation movement, which has captured the emotions and attention of the country. “There’s more interracial everything these days,” said one observer.

    The Negro-white couples lead special lives in New York—lifetimes of curious stares, of subtle expressions of prejudice, of occasional signs of outright hostility, and of the constant awareness that as couples they are set apart in the eyes of the city…

    …”It is very often evidence of a sick revolt against society,” said a psychiatrist who studies the emotions of race relations.

    But a clergyman who has married interracial couples said:

    “Fundamentally, the mixed marriage is a demonstration of the tightness and justice of it all, the feeling that human: beings may marry whomever; they please.”…

    …Staring Not Unusual

    The experience in the Village was not unusual. Dr. Charles E. Smith, a New York psychotherapist who wrote a doctoral dissertation in 1960 on the subject of interracial marriage, found that being stared at was a part of the lives of 22 New York couples he interviewed. Dr. Smith is a Negro.

    He wrote in his thesis that the couples “considered staring by far to be the most difficult reaction from others to which interracial couples must become accustomed. This was described as a tremendous phenomenon to which to adjust…

    …There are two problems of interracial marriages that are not generally shared by Negro couples. The men and women who were interviewed agreed that these two problems—children and acceptance by friends, family and society—were perhaps their greatest concerns.

    In his study of 22 interracial couples, Dr. Smith found that none had decided against having children. His respondents were aware that their children would be considered Negroes by society, and that society would show some hostility toward the offspring.

    “Yet,” he wrote, “these factors did not act as deterrents, as the couples felt not to have children would be acquiescing to societal restrictions and would also represent an unfulfilled marriage. In some way a childless marriage would be seen as an actual threat to the marriage.” He added:

    “The parents were actually getting the main brunt of societal reactions. Generally the couples felt that the true test for the children could be expected to come as they reached pubescence and adolescence and begin to expand their area of socialization.

    “It is then that the restrictions from society are expected to be strongest and will probably have the greatest effect upon the children. For the most part,  the  experiences of the children are expected to be very much similar to those of other Negro  children  in the United States.” …

    …Married 35 Years

    George S. Schuyler, 68-year-old associate editor of The Pittsburgh Courier, a Negro newspaper with offices in New York, has been married to a white Texan since 1928.

    He observed that other couples were “not worried about the children,” and explained: “They know that’s inevitable. They’re concerned, sure. They’re concerned about what effect it will have on the children’s future, and what degree of discrimination they’ll meet. But that doesn’t keep anybody from having children.”…

    Andrew D. Weinberger, New York attorney who has made studies of miscegenation statutes, used a projection to arrive at an estimate of one million couples in the nation, 70.000 of them in the New York metropolitan area.

    His figures include a large number of light-skinned Negroes who pass for white. Mr. Weinberger used previously published scientific tables to calculate that one million American Negroes of marriage age are “passing.” He reduced the figure to 810,000 to allow for persons not married or not interracially married…

    …High Jewish Percentage

    Researchers, including Dr. Smith, have found in most cases that the Negro partner was the husband. They also re port that in New York the percentage of whites who also are Jews is high enough to attract notice…

    Read or purchase the article here.

  • Black in Latin America

    New York University Press
    July 2011
    270 pages
    50 illustrations
    Hardback ISBN: 9780814732984
    Paperback ISBN: 9780814738184
    eBook ISBN:

    Henry Louis Gates Jr., Alphonse Fletcher University Professor of History
    Harvard University

    12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest—over ten and a half million—were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences.

    Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view.

    In Brazil, he delves behind the façade of Carnaval to discover how this ‘rainbow nation’ is waking up to its legacy as the world’s largest slave economy.

    In Cuba, he finds out how the culture, religion, politics and music of this island is inextricably linked to the huge amount of slave labor imported to produce its enormously profitable 19th century sugar industry, and how race and racism have fared since Fidel Castro’s Communist revolution in 1959.

    In Haiti, he tells the story of the birth of the first-ever black republic, and finds out how the slaves’s hard fought liberation over Napoleon Bonaparte’s French Empire became a double-edged sword.

    In Mexico and Peru, he explores the almost unknown history of the significant numbers of black people—far greater than the number brought to the United States—brought to these countries as early as the sixteenth and seventeenth centuries, and the worlds of culture that their descendants have created in Vera Cruz on the Gulf of Mexico, the Costa Chica region on the Pacific, and in and around Lima, Peru.

    Professor Gates’ journey becomes ours as we are introduced to the faces and voices of the descendants of the Africans who created these worlds. He shows both the similarities and distinctions between these cultures, and how the New World manifestations are rooted in, but distinct from, their African antecedents. “Black in Latin America” is the third installment of Gates’s documentary trilogy on the Black Experience in Africa, the United States, and in Latin America. In America Behind the Color Line, Professor Gates examined the fortunes of the black population of modern-day America. In Wonders of the African World, he embarked upon a series of journeys to reveal the history of African culture. Now, he brings that quest full-circle in an effort to discover how Africa and Europe combined to create the vibrant cultures of Latin America, with a rich legacy of thoughtful, articulate subjects whose stories are astonishingly moving and irresistibly compelling.

    Table of Contents

    • Acknowledgments
    • Introduction
    • 1. Brazil: “May Exú Give Me the Power of Speech”
    • 2. Mexico: “The Black Grandma in the Closet”
    • 3. Peru: “The Blood of the Incas, the Blood of the Mandingas”
    • 4. The Dominican Republic: “Black behind the Ears”
    • 5. Haiti: “From My Ashes I Rise; God Is My Cause and My Sword”
    • 6. Cuba: The Next Cuban Revolution
    • Appendix: Color Categories in Latin America
    • Bibliography
    • Index
    • About the Author
  • SoCal multiracial families create their own Cheerios ‘ads’

    Multi-American: How immigrants are redefining ‘American’ in Southern California
    89.3 KPCC: Southern California Public Radio
    2013-06-06

    Leslie Berestein Rojas, Immigration and Emerging Communities Reporter

    Call it a reaction to a reaction.

    A group of multiracial Southern Californians, happy to see a new Cheerios commercial featuring a mixed-race family—but upset over the flood of hateful comments it generated online—has come up with “ads” of its own.

    The Cheerios ad went up on YouTube last week. In it, a little girl with brown skin asks her mother, who is white, if it’s true that the cereal is “good for your heart.” After her mother answers, the little girl runs off. The camera then cuts to her father, who is black, waking from a nap to find a pile of Cheerios on his chest.

    Online, the ad drew praise for addressing shifting demographics when the number of multiracial American families is on the rise. But it also triggered a flood of hate-speech comments so vitriolic that Cheerios disabled the comments section under the video.

    “We knew there would be some kind of backlash, but we did not expect it to be such hatred,” said Sonia Kang, a board member of Multiracial Americans of Southern California, a group formed in 1986 that celebrates and advocates for multiracial families and children.

    Read the entire article here.

  • Coming Out As Black, When You Were Hispanic

    Tell Me More
    National Public Radio
    2013-06-06

    Celeste Headlee, Guest Host


    High school senior Elaine Vilorio wrote that she started seriously contemplating her blackness when she stopped straightening her hair.
    Elaine Vilorio

    Teen Elaine Vilorio spent years trying to make sense of her racial identity. She describes herself as Hispanic, but other people see her as black. Vilorio speaks to guest host Celeste Headlee about her recent HuffPost Teen blog, ‘Coming Out As Black.’

    This is Tell Me More from NPR News. I’m Celeste Headlee. Michel Martin is away. Coming up, a celebrity chef shares some tasty summertime recipes and juicy stories about his clients. But first, we’ll turn to the issue of race and identity. The question of, what am I, is one that a lot of teens ask themselves and the answer can be quite complicated for multiracial kids.

    It’s something that Elaine Vilorio has thought a lot about. She’s a high school senior, originally from the Dominican Republic. Over the course of her life, people assumed she was black and that bothered her. But two years ago, after she stopped chemically straightening her hair, the change in her appearance made her rethink her roots. She wrote about that in a Huffington Post piece titled “Coming Out as Black,” and Elaine Vilorio is now here to tell us more. Welcome to the program, first of all.

    ELAINE VILORIO: Thank you, I’m happy to be here.

    HEADLEE: First of all, let me ask you, why did you phrase it that way, coming out as black?

    VILORIO: Well, people have always asked me, you know, like you said, you know, if I was black consistently, and I’ve always denied that. So I thought that was a very fitting way, a very dramatic way to say that I finally have admitted, you know, this Afro identity, so to speak, when it’s always been there. Coming out, I finally can say it out loud, and I can finally explain to people, yes, I have African roots in me and that’s okay.

    HEADLEE: Well, when you talk about racial identity, it’s something you’ve written about quite a bit as well.

    VILORIO: Yes.

    HEADLEE: What is racial identity for you? Is it about the way you see yourself or how others see you?

    VILORIO: I mean, it’s a combination of both. I think people perceive me and they separate Afro-descendancy from, you know, the Hispanic identity. Hispanic identity doesn’t really take into account that African racial root. You know, I see myself as a predominantly black Hispanic. And then other people, you know, they just see a mixed person, just mixed. Blackness isn’t really, you know, acknowledged…

    Read the transcript here.  Listen to the interview here.  Download the interview here.