Mixed Race Studies

‘I’m mixed-race, is Cambridge University right for me?’

BBC News
2019-01-22

Anoushka Mutanda Dougherty has been offered a place at Cambridge University, but she’s mixed-race and from a state school – and only 3% of students who started at Cambridge in 2017 were black, or mixed-race with black heritage. So is it the best place for her? At this point, she’s not sure.

Cambridge is the second-oldest university in the English-speaking world. Cambridge is the fourth-oldest surviving university in the world. Cambridge has produced, so far, 90 Nobel prize winners – and Cambridge, this educational powerhouse, just might not be where I want to go. At least, that’s how I feel right now, a week after finding out that I got a place…

Read the entire article here.

Why do so many others want to claim Blackness if it means oppression?

The Black Youth Project
2018-12-27

Inigo Laguda

Anthony Lennon via Facebook | Rachel Dolezal via Wikimedia Commons

It is the most enthralling and excruciating time to be Black. Recently, it seems, some have managed access to glide through avenues that were previously concealed from us—to break down walls that were once erected to ostracize us. We are in the belly of a Black artistic renaissance and some of these shifting tides are joyous to watch. We are flooding onto magazine covers. The silver screen has a vivid range of our stories being told. The littler screen is forming and fleshing out more of our narratives than ever before. Slowly, we are being more and more seen.

But just as the draping trees and tranquil swamp-waters of the southern Bayou once served as an eerily mesmerizing backdrop for the unrelenting violence that enslaved peoples faced as they toiled tirelessly nearby—the painful reality of being Black is one of a dual existence. Victory is juxtaposed with defeat, and joy is never further than a stones throw from pain…

Read the entire article here.

E is for Evelyn

Adulting Whilst…
2019-01-05

Fiona Timba

E is for Evelyn, Evelyn Dove.

Evelyn Dove was born in London on 11 January 1902 and was the first black woman to sing on BBC radio. Although often referred to as the British Josephine Baker, Evelyn Dove replaced Josephine Baker in 1932 as the star attraction at the Casino de Paris and in a career that spanned over five decades she was a star of jazz and cabaret, embraced by the world.

Evelyn had West African and English heritage, her father being a barrister originally from Sierra Leone. It is reported that she had a privileged upbringing, attending private school before going on to study at the Royal Academy of Music and in 1925 she became the first black woman to sing on BBC radio in 1925 at the age of just 24! Evelyn toured Europe performing with many of the great American jazz performers of the time before replacing Josephine Baker at the Casino de Paris. Coming from a privileged middle-class family, and with a parent of African heritage, you can only imagine the reaction her parents had to Evelyn donning Josephine’s revealing costume…

Read the entire article here.

British woman whose Nigerian father was killed by an IRA bomb has been driven from her Northern Ireland home by racists, she says, as she finally finds ‘sanctuary’ in England

The Daily Mail
2018-02-20

Richard Spillett

Jayne Olorunda, the daughter of a man killed by the IRA, has told how she was forced out of Northern Ireland by racism

• Jayne Olorunda grew up in Belfast after her father was killed by an IRA bomb
• She says her family have been forced out of Northern Ireland by racism
• Now in her thirties, she was surrounded by racist thugs outside party in 2016
• She says her family are much happier in Leeds, where ‘attitudes are different’

The daughter of a man killed in an IRA bombing has told how she was later forced from Northern Ireland by racism.

Jayne Olorunda is the daughter of Nigerian-born Max Olorunda, who was killed by an IRA incendiary bomb which detonated aboard a train in Dunmurry in 1980.

She grew up in Belfast but recently moved to England due to racism in Northern Ireland…

…Miss Olorunda has written Legacy, the story of her family and how they have coped with her father’s tragic death and the aftermath of it.

The book covers Miss Olorunda’s mother’s deteriorating health and how the pair eventually met the man involved in the bombing which killed her father as well as her own struggles growing up.

Read the entire article here.

The Ice Migration

Peepal Press
2018-05-31
224 pages
Paperback ISBN: 9781845233587

Jacqueline Crooks

The stories in this ambitious collection move around in time and place, linked by the experiences of the descendants of a Jamaican family of mixed Indian and African heritage.

The stories in this collection move around in time and place, linked by the experiences of the descendants of a Jamaican family of mixed Indian and African heritage.

From Roaring River in rural Jamaica in 1908 where the descendants of African slaves make connections with new arrivals from Calcutta to work in the sugar cane fields, to Southall in 2013, where the Millers live alongside newer migrants from India, The Ice Migration is a poetic exploration of movement as central to the human condition.

Crooks’ vision encompasses the ancestors of the vanished Tainos in Jamaica who crossed the Behring Straits 40,000 years ago, but who linger in spirit, and individuals like Tutus who is driven to separation from her family, to constantly moving on, but who ultimately makes a return to Roaring River.

The people of Jacqueline Crooks’ stories are deeply enmeshed in their African/Indian Jamaican world of dreams, visions, duppies and spiritual presences that connect them across time and place. What they discover beyond the strangeness of change of place and the hostilities they encounter is that life remains defined by its common crises – of birth, the complications of sexuality, sickness, old age, and death – and by the comforts of food, stories and memory.

Individual stories have been shortlisted in the Asham Award and Wasafiri New Writing competitions and have appeared in: Virago, Granta, Closure: Contemporary Black British short stories, the Woven Tale Press, and MsLexia. The Ice Migration is Jacqueline Crooks’ first book.

Lynette Linton: ‘Why are we not marching in the streets?’

The Guardian
2019-01-02

Bridget Minamore

Lynette Linton, incoming artistic director of the Bush Theatre in London, photographed during rehearsals for Sweat. Photograph: David Levene for the Guardian

Fuelled by passion and outrage, the playwright and director is shaking up theatre with works about Windrush to an all-women-of-colour Richard II – and now she’s taking over the Bush in London

Lynette Linton is known for her deep love of Michael Jackson. The director and playwright has said that, in a parallel universe, her ideal job would be the King of Pop’s backup dancer. When I ask her why she loves him so much, she replies as though the answer is obvious. Jackson, she says, was a theatremaker. “If you watch his performances, that’s a show, it’s an experience. Everything from his toe to his eyebrow was activated, and you want your audiences to faint like they did when they saw him.” Does she want the audience for Sweat, her current production at the Donmar Warehouse in London, to faint in the aisles? Linton laughs, and points out that Sweat’s playwright, Lynn Nottage, has signed on to write the book for a forthcoming Broadway musical about Jackson. Everything, it seems, is connected.

To many in British theatre, Linton is one of the industry’s friendliest and most exciting figures. As an assistant director she has worked with Kwame Kwei-Armah and Michael Grandage; she has been an associate director of the Gate in Notting Hill, and she has written for both Theatre Royal Stratford East and the Arcola in east London, her plays exploring mixed-race identity (2017’s Hashtag Lightie), queerness (2013’s Step) and inner-city London’s chicken shops (2015’s Chicken Palace)…

…Much of Linton’s work has touched on who she is and where she comes from, with her forthcoming Windrush films a tribute to her mixed British Caribbean heritage. “My dad is from Guyana, and he sat me and my brother down [as children] and was like, ‘You are black, the world will see you as black.’” The Windrush scandal is something that has affected her deeply. “I spoke to theatre people, saying, ‘Why are we not responding to this? Why are we not in the streets marching?’ They’re sending families home. It makes me feel sick.” Linton’s voice shakes a little. “Even now, it chokes me. The people they’re targeting are elders, man. People are having heart attacks and have died because of this.” Still, her films – which are to be screened at the Royal Court in London – will have “a massive celebration at the core. It was really important to me that we took over a building and celebrated West Indian culture.”…

Read the entire interview here.

Introducing Lynette Linton as our new Artistic Director

Bush Green: Conversations, dispatches and ideas from the Bush Theatre
Bush Theater
Shepherd’s Bush, London, United Kingdom
2018-11-14

We are thrilled to announce that Lynette Linton will become our new Artistic Director in January 2019.

Lynette has made her name as a groundbreaking director and writer. She was previously Resident Assistant Director at the Donmar Warehouse and Associate Director at the Gate Theatre from 2016 to 2017 where she set up the Young Associate company. She is currently directing the UK premiere of Lynn Nottage’s Pulitzer prize winning play Sweat (Donmar Warehouse) and will then co-direct Richard II (Shakespeare’s Globe) in early 2019. The production will mark the first ever company of women of colour in a Shakespeare play on a major UK stage. She is co-founder of theatre and film production company Black Apron Entertainment who are producing Passages: A Windrush Celebration with the Royal Court, a project she also curated. As a writer her credits include Hashtag Lightie (Arcola Theatre), Chicken Palace and Step (Theatre Royal Stratford East)…

Read the entire article here.

Socioemotional wellbeing of mixed race/ethnicity children in the UK and US: Patterns and mechanisms

SSM – Population Health
Volume 5, August 2018
Pages 147-159
DOI: 10.1016/j.ssmph.2018.06.010

James Nazroo, Honorary Professor of Sociology
Cathie Marsh Institute, University of Manchester, United Kingdom

Afshin Zilanawala, Senior Research Associate
University College London, London, United Kingdom

Meichu Chen, Research Associate Social/Behavioral Sciences Intermediate
University of Michigan, Ann Arbor

Laia Bécares, Senior Lecturer in Applied Social Science (Social Work and Social Care)
University of Sussex, Brighton, United Kingdom

Pamela Davis-Kean, Professor of Psychology; Research Professor
Institute for Social Research, University of Michigan, Ann Arbor

James S. Jackson, Daniel Katz Distinguished University Professor of Psychology; Professor of Health Behavior and Health Education
University of Michigan, Ann Arbor

Yvonne Kelly, Professor of Lifecourse Epidemiology
University College London, London, United Kingdom

Lidia Panico, Researcher
Institut National d’Etudes Demographiques, Paris, France

Amanda Sacker, Professor of Lifecourse Studies
University College London, London, United Kingdom

Highlights

• Mixed race/ethnicity children are thought to have poorer socioemotional wellbeing
• We find no evidence that mixed race/ethnicity children have poorer socioemotional wellbeing in a study covering children aged 5/6 in the US and UK
• We find that mixed race/ethnicity children do have socio-economic advantage
• This socio-economic advantage is protective for socioemotional wellbeing

Existing literature suggests that mixed race/ethnicity children are more likely to experience poor socioemotional wellbeing in both the US and the UK, although the evidence is stronger in the US. It is suggested that this inequality may be a consequence of struggles with identity formation, more limited connections with racial/ethnic/cultural heritage, and increased risk of exposure to racism.

Using data from the UK Millennium Cohort Study (n = 13,734) and the US Early Childhood Longitudinal Study-Birth Cohort (n ~ 6250), we examine differences in the socioemotional wellbeing of mixed and non-mixed 5/6 year old children in the UK and US and explore heterogeneity in outcomes across different mixed groups in both locations. We estimate a series of linear regressions to examine the contribution of factors that may explain any observed differences, including socio-economic and cultural factors, and examine the extent to which these processes vary across the two nations.

We find no evidence of greater risk for poor socioemotional wellbeing for mixed race/ethnicity children in both national contexts. We find that mixed race/ethnicity children experience socio-economic advantage compared to their non-mixed minority counterparts and that socio-economic advantage is protective for socioemotional wellbeing. Cultural factors do not contribute to differences in socioemotional wellbeing across mixed and non-mixed groups.

Our evidence suggests then that at age 5/6 there is no evidence of poorer socioemotional wellbeing for mixed race/ethnicity children in either the UK or the US. The contrast between our findings and some previous literature, which reports that mixed race/ethnicity children have poorer socioemotional wellbeing, may reflect changes in the meaning of mixed identities across periods and/or the developmental stage of the children we studied.

Read the entire article in PDF or HTML format.

Mixed Up: ‘There are certain elements of English life that Iranian culture would deem totally disgusting’

Metro UK
2018-12-12

Natalie Morris, Senior Lifestyle Writer

Ariana Alexander-Sefre

Welcome to Mixed Up, a series looking at the highs, lows and unique experiences of being mixed-race.

Mixed-race is the fastest-growing ethnic group in the UK. It means your parents hail from two (or more) different ethnicities, leaving you somewhere in the middle.

In 2001, when the ‘mixed’ categories were first introduced to the national census, mixed-race people made up 1.3% of the population. Fast-forward 10 years, and that figure almost doubles to 2.3%.

It’s a trajectory that’s unlikely to slow down.

Alongside the unique pleasures and benefits of being exposed to multiple cultures, being mixed comes with complexities, conflicts and innate contradictions.

Ariana, founder of Sweat & Sound, is half Persian and half British. The Persians are an Iranian ethnic group that make up half of the population of Iran – they have their own language, Farsi.

Some schools of thinking class Persians as technically Caucasian, but recent census categorisation changes in the US have definied Iranian and Middle-Eastern heritage as different to white…

…Ariana identifies as mixed. She says her family is made up of a combination of intensely different cultural traditions.

But because of her appearance, her light skin and European features, she says she’s often assumed to be white by both English and Iranian people.

‘I actually find it really frustrating to be honest,’ Ariana tells Metro.co.uk…

Read the entire article here.

Writer and actor Indigo Griffiths: ‘Mixed-race identity is not reflected in theatre, so I wanted to explore that’

The Stage
London, United Kingdom
2018-11-22

Giverny Masso

Writer and actor Indigo Griffiths. Photo: Michael Wharley

Actor Indigo Griffiths started writing to address the lack of roles for mixed-race performers. She tells Giverny Masso about her first full-length play, Passing, which is to receive a rehearsed reading on a West End stage as part of the Masterclass Trust’s Pitch Your Play competition.

How did you get into theatre?

Theatre has always been something I’ve done. As a kid I was always in youth groups and I knew early on I wanted to be an actor. I studied drama and English literature at the University of East Anglia, which gave me an amazing grounding. I then did a postgraduate course at Drama Studio London, which I graduated from in 2016. Since then I’ve been working as an actor, before I started writing…

…Tell me about Passing?

Passing is the first full-length play I’ve written. It’s part of a trilogy of mixed-race themed plays I have been working on. It’s set in 1940s Chicago and is about the lives of three mixed-race siblings. The play explores how lives change when you make the decision to pass as a white person. Passing as a concept is something that fascinates me…

Read the entire interview here.