Mixed Race Studies

What Meghan Markle means to black Brits

The Washington Post
2018-05-11

Karla Adam, London correspondent covering the United Kingdom

William Booth, London bureau chief

Photos by Tori Ferenc

Photo by Tori Ferenc

After she marries Prince Harry, the royal family will look a bit more like modern Britain.

LONDON—Jean Carter had never bothered to come out for a royal appearance before. But when Prince Harry and his fiancee, Meghan Markle, made a visit to Brixton this year, Carter bought a bouquet and weathered a chilly afternoon waiting for a glimpse of the couple.

Carter was glad to see Harry, the happy-go-lucky, ginger-bearded son of the late Princess Diana. As an immigrant from Jamaica, though, Carter, 72, really wanted to lay eyes on Markle, a biracial American actress who is the subject of deep fascination here.

Multiethnic Brixton is South London’s hub for a founding generation of Afro-Caribbean immigrants. It’s a crossroad so central to the story of the African diaspora that local historians call the neighborhood — with its jerk chicken grills, reggae dance halls and vibrant mural scene — the black capital of Europe. When South African President Nelson Mandela came to Britain in 1996 he went to Buckingham Palace — and Brixton.

Carter characterized the royal couple’s visit to the neighborhood as “a big statement.”

But what exactly will it mean to have a biracial member of the monarchy after Prince Harry and Markle exchange vows on May 19?…

Read the entire article here.

Enterprising Women: Gender, Race, and Power in the Revolutionary Atlantic

University of Georgia Press
2015-01-15
240 pages
Trim size: 6 x 9
Hardcover ISBN: 978-0-8203-4455-3
Paper ISBN: 978-0-8203-5387-6

Kit Candlin, Lecturer
School of Humanities and Social Science
The University of Newcastle, Australia

Cassandra Pybus, Professor of History
University of Sydney

Recovered histories of entrepreneurial women of color from the Caribbean

In the Caribbean colony of Grenada in 1797, Dorothy Thomas signed the manumission documents for her elderly slave Betty. Thomas owned dozens of slaves and was well on her way to amassing the fortune that would make her the richest black resident in the nearby colony of Demerara. What made the transaction notable was that Betty was Dorothy Thomas’s mother and that fifteen years earlier Dorothy had purchased her own freedom and that of her children. Although she was just one remove from bondage, Dorothy Thomas managed to become so rich and powerful that she was known as the Queen of Demerara.

Dorothy Thomas’s story is but one of the remarkable acounts of pluck and courage recovered in Enterprising Women. As the microbiographies in this book reveal, free women of color in Britain’s Caribbean colonies were not merely the dependent concubines of the white male elite, as is commonly assumed. In the capricious world of the slave colonies during the age of revolutions, some of them were able to rise to dizzying heights of success. These highly entrepreneurial women exercised remarkable mobility and developed extensive commercial and kinship connections in the metropolitan heart of empire while raising well-educated children who were able to penetrate deep into British life.

Meet the Viscountess Transforming the Idea of British Aristocracy

Vanity Fair
2018-04-25 (May 2018 Issue)

David Kamp, Contributing Editor

Photograph by Simon Upton. Emma Thynn, the Viscountess Weymouth, on the roof of Longleat House, in Wiltshire, England

Emma Thynn, an extraordinary cook and mother who is positioned to become Britain’s first black marchioness, has recast the mold of aristocracy with her stylish, entrepreneurial spirit—despite a strained relationship with her in-laws.

So there we were, the future ninth Marquess of Bath and me, on a boat patrolling a lake on his family’s estate, each of us holding a plastic cup full of sprats. All at once, some sea lions surfaced starboard, barking expectantly, their whiskery maws wide open. We hustled to the boat’s railing, emptying our cups, tossing the silvery fish to the appreciative beasts. The marquess-to-be took to this task with particular relish, unsqueamish about getting his fingers slimy and barking back at the sea lions, “Urt! Urt! Urt!” As was only appropriate: he is three and a half years old.

The boy’s mother, Emma, Viscountess Weymouth, was leading me on a tour of the estate, Longleat, which includes a drive-through safari park open to the public. John, my fish-tossing comrade and the elder of Emma’s two sons, was tagging along. The park’s animals include tigers, lions, cheetahs, giraffes, red pandas, gorillas, monkeys, rhinos, hippopotamuses, and an Asian elephant, Anne, who was restored to good health after years of abuse in a circus and now lives at Longleat in her own purpose-built facility with a trio of companion goats. There are also walk-through enclosures where visitors can feed smaller animals, such as tamarins and rainbow lorikeets, and there is the boat ride, where a cup of sprats usually goes for £1, a fee that was waived for his lordship and his adult guest…

…Emma McQuiston was born in 1986 to a Nigerian father and an English mother. When her husband, Ceawlin, Viscount Weymouth, assumes the title held at the moment by his 86-year-old father, Alexander, the current, and seventh, Marquess of Bath, Emma will become Britain’s first black marchioness. In the ranks of British peerage, a marquess and marchioness are second only to a duke and duchess. And someday, young John, a sweet and precociously eloquent boy with caramel skin and loose black curls, will assume his father’s title and become the United Kingdom’s first marquess of color…

Read the entire article here.

A Furious Voice, Forged In The ‘Fire’ Of Prejudice

Book Review
National Public Radio
2008-10-10

Jessa Crispin, Founder and Editor
Bookslut.com

If I Could Write This in Fire
By Michelle Cliff
Hardcover, 104 pages
University of Minnesota Press
List price: $21.95

While on a tour of the University of Virginia, Jamaican-American novelist and short-story writer Michelle Cliff is informed by a doctoral student that Thomas Jefferson never owned slaves. “‘Villagers,’ as they’re affectionately known,” says the student, “built [this] university, Monticello, every rotunda, column and finial the great man dreamed of. They liked him so much they just pitched in, after their own chores are done.”

It’s one of many unsettling moments in If I Could Write This in Fire, a collection of essays that is Cliff’s first nonfiction book. Everywhere Cliff goes, she sees people treating history as if it were a story they could rewrite at will: women at cocktail parties uttering, “Pinochet was not so bad”; guests at a dinner party disbelieving that the blacks in Birth of a Nation were white actors in blackface.

Cliff, 61, has always been an outsider — a lesbian born on a homophobic Caribbean island, an immigrant in the U.K. (where she studied) and the U.S. (where she settled), a mixed-race intellectual trying to make sense of a black and white world…

Read the entire review here.

If I Could Write This in Fire

University of Minnesota Press
2008
104 pages
5 1/2 x 8 1/2
Cloth/jacket ISBN: 978-0-8166-5474-1

Michelle Cliff (1942-2016)

A deeply personal meditation on history and memory, place and displacement by a major writer

Born in a Jamaica still under British rule, the acclaimed and influential writer Michelle Cliff embraced her many identities, shaped by her experiences with the forces of colonialism and oppression: a light-skinned Creole, a lesbian, an immigrant in both England and the United States. In her celebrated novels and short stories, she has probed the intersection of prejudice and oppression with a rare and striking lyricism.

In her first book-length collection of nonfiction, Cliff displays the same poetic intensity, interweaving reflections on her life in Jamaica, England, and the United States with a powerful and sustained critique of racism, homophobia, and social injustice. If I Could Write This in Fire begins by tracing her transatlantic journey from Jamaica to England, coalescing around a graceful, elliptical account of her childhood friendship with Zoe, who is dark-skinned and from an impoverished, rural background; the divergent life courses that each is forced to take; and the class and color tensions that shape their lives as adults. The personal is interspersed with fragments of Jamaica’s history and the plight of people of color living both under imperial rule and in contemporary Britain. In other essays and poems, Cliff writes about the discovery of her distinctive, diasporic literary voice, recalls her wild colonial girlhood and sexual awakening, and recounts traveling through an American landscape of racism, colonialism, and genocide—a history of violence embodied in seemingly innocuous souvenirs and tourist sites.

A profound meditation on place and displacement, If I Could Write This in Fire explores the complexities of identity as they meet with race, gender, sexuality, nationality, and the legacies of the Middle Passage and European imperialism.

Q&A with Daniel Livesay, author of Children of Uncertain Fortune: Mixed-Race Jamaicans in Britain and the Atlantic Family, 1733-1833

The Junto: A Group Blog on Early American History
2018-04-20

Christopher Jones, Visiting Assistant Professor of History
Brigham Young University, Provo, Utah

Daniel Livesay

Daniel Livesay is Associate Professor of History at Claremont McKenna College in Claremont, CA. His research focuses on questions of race, slavery, and family in the colonial Atlantic World. His first book, Children of Uncertain Fortune: Mixed-Race Jamaicans in Britain and the Atlantic Family, 1733-1833 was published in January 2018 by the University of North Carolina Press for the Omohundro Institute. Casey Schmitt reviewed it yesterday here at The Junto. Daniel’s research has been supported by an NEH postdoctoral fellowship at the Omohundro Institute of Early American History and Culture, the Fulbright Foundation, the Institute of Historical Research, and the North American Conference on British Studies, as well as number of short-term fellowships. He is currently working on a book manuscript about enslaved individuals of advanced age in Virginia and Jamaica from 1776-1865 entitled, Endless Bondage: Old Age in New World Slavery. He graciously agreed to sit down and answer a few questions about his research.

JUNTO: Congratulations on the publication of your book, and thank you for taking the time to answer a few questions about it for readers of The Junto. Let’s start with a broad question: Where did the idea for this book begin?

DANIEL LIVESAY: First off, thanks for inviting me to The Junto. I really enjoy the site, and I’m very excited to be part of it.

The idea for the book effectively landed at my feet. When I started graduate school at the University of Michigan in 2003, the Clements Library—which, as many readers know, is a stellar manuscripts archive at the University—had just purchased the papers of John Tailyour, who was a slave trader in Jamaica at the end of the eighteenth century. The library needed someone to do an initial catalog of the collection, and since I was interested in the history of slavery, I spent several months working through the papers. The collection is really a jewel of economic history because Tailyour took up so much space writing about slave trading in Kingston. But the thing I became obsessed with were his letters back to family in Britain. In particular, he was asking if his relatives could find boarding schools in England for his four mixed-race children whom he had with an enslaved woman named Polly Graham. I had certainly heard of white men manumitting their children, but I had never heard of those same men sending their offspring of color to expensive institutions in Britain. It seemed like a strange level of parental responsibility from a man who also sold thousands of Africans without the slightest hesitation. I felt that I had to know more about the motivations behind this, what the experiences of these migrants were, and what all of it meant for conceptions of race in the Atlantic World. So, I decided to write a graduate seminar paper on the Tailyour family. I went to Britain for a couple of months, found a few stray references to other migrants of color, but ultimately grew worried that it would be almost impossible to find more families who undertook the journey. I finished the seminar paper, and then put it all away thinking that I would need to find another project for my dissertation…

Read the entire interview here.

Review: Atlantic Families, Race, and Empire

The Junto: A Group Blog on Early American History
2018-04-19

Casey Schmitt, Ph.D. Candidate in early American history
College of William and Mary, Williamsburg, Virginia

Daniel Livesay, Children of Uncertain Fortune: Mixed-Race Jamaicans in Britain and the Atlantic Family, 1733-1833 (Chapel Hill: University of North Carolina Press published for the Omohundro Institute of Early American History and Culture, 2018).

A central thread running through Daniel Livesay’s Children of Uncertain Fortune is deceptively simple: Atlantic families structured the development of ideologies surrounding race in the British empire during the long eighteenth century.¹ Woven through the book, however, is a richly nuanced exploration of what terms like Atlantic, family, race, and empire meant and how understandings of those terms changed over a pivotal hundred-year period starting in the 1730s. Through institutional records and family papers produced on both sides of the Atlantic, Livesay identifies 360 mixed-race people from Jamaica and traces the lived experiences of a handful of them as they navigated their social and economic position within transatlantic kin networks. Those individual narratives reveal how Britons experienced empire through family ties in ways that shaped their perceptions of race, colonialism, and belonging…

Read the entire review here.

Multi-award nominated playwright Natasha Marshall talks about the return of her hit show, Half Breed!

Theater Full Stop
2018-03-29

Lucy Basaba, Founder & Editor

Debuting at last year’s Edinburgh Festival, Natasha Marshall’s Half Breed has sparked conversation about what it means to be of mixed heritage in Britain today and how this is viewed within society. A part autobiographical work, Marshall’s vital one woman show has received critical acclaim, picking up multiple award nominations in the process. Marshall credits the show’s success to the influential Talawa Theatre Company and Soho Writer’s Lab for allowing the show to reach its full potential.

Both companies are renowned for their support and championing of new writing, contributing to our contemporary canon of new voices. Read on to find out more about Marshall’s response towards the show’s success, what she’d like for audiences to take away from the show and what it was like performing the show to audiences in India!

You’ll be performing your critically acclaimed show Half Breed at Soho Theatre in April before embarking on a UK tour. How are you feeling ahead of the tour?

I’m nervous but mainly so excited to take this story to the places that need it the most. Schools/ rural areas… it’s going to be a journey. Feels very surreal to be doing this because I never imagined it would go this far, but very grateful it has.

Half Breed places focus on identity; growing up as the only mixed raced resident within a rural part of the UK. What drew you to write a piece on this particular subject?

It’s my experience on what it means to be black and I never saw that portrayed anywhere, so I decided to do it myself. Just wanted to see more variety onstage for people of colour, I was tired of seeing/performing the same old stereotypes…

Read the entire interview here.

Why the idea that the English have a common Anglo-Saxon origin is a myth

The Conversation
2017-12-15

Duncan Sayer, Reader in Archaeology
University of Central Lancashire

A diverse history. Witan hexateuch via Wikimedia Commons

The idea that there is a common Anglo-Saxon ancestry based on biology is gaining currency among some right-wing and religious groups in the UK and US.

In the UK, the new leader of the UK Independence Party, Henry Bolton, suggested in a radio interview in October that “in certain communities the indigenous Anglo-Saxon population is nowhere to be seen.”

In August, a religious group called the Odinist Fellowship wrote to the Church of England demanding two churches as reparations for a “spiritual genocide” which it claims began in the seventh century AD.

The Odinists use old Icelandic texts to reconstruct the “indigenous” religion of the Anglo-Saxons which they claim was oppressed with the arrival of Christianity. The Anglo-Saxons are commonly believed to have migrated into Briton in the fifth and sixth century AD. Iceland by contrast was inhabited in the ninth century by Viking settlers. In the US, this mixed up medievalism is associated with the white supremacist alt-right who use Anglo-Saxon and Viking motifs.

But archaeological research, which examines ancient DNA and artefacts to explore who these “indigenous” Anglo-Saxons were, shows that the people of fifth and sixth century England had a mixed heritage and did not base their identity on a biological legacy. The very idea of the Anglo-Saxon ancestor is a more recent invention linked closely with the English establishment…

Read the entire article here.

Will Multiracial Kids End Racism? | Decoded | MTV

MTV
2018-01-31

Hosted by: Franchesca “Chescaleigh” Ramsey
Produced by: http://www.kornhaberbrown.com
Episode Written By: Zeba Blay
Directed by: Andrew Kornhaber
Make Up By: Delina Medhin
GFX By: Matthew Rainkin & Sarah Van Hoove
Editing By: Linda Huang

It’s been frequently suggested that in the near future, the massive increase in the number of multiracial children across America will help end racism. But is that actually true? Well no. And in today’s episode, we’re going to explain why ending racism is going to be quite a bit more complicated than making babies with someone of another racial background.