Mixed Race Studies

Passive Voice, Active Prejudice: Mary Seacole in Children’s Literature and Media

theracetoread: Children’s Literature and Issues of Race
2016-10-20

Karen Sands-O’Connor, Professor
English Department
Buffalo State, The State University of New York, Buffalo, New York

[David] Harewood’s ITV programme celebrates the new statue of Mary Seacole in London–but not everyone is pleased

This week, Britain’s ITV showed a programme on Mary Seacole entitled “In the Shadow of Mary Seacole.” In some ways, the programme could have been titled, “Mary Seacole in the Shadow of British Racism.” Many people who initially celebrated the fact that ITV was telling the story of the woman labeled “The Greatest Black Briton” in 2004 were dismayed to find that the programme was put on the schedule at 10:40 pm. Others complained that the programme focused on the opinions of white historians. Indeed, it seemed that most, though not all, of Seacole’s defenders in the programme were non-historians: actors, comedians, nurses. Unfortunately, none of this is new when it comes to Mary Seacole—and children’s books about the Jamaican Crimean War nurse are no exception…

Read the entire article here.

White Model Apologizes After Her Photo Shows Up On Blackhair Magazine

The Huffington Post
2016-11-21

Zeba Blay

“I’m very sorry this cover was taken away from a black woman,” she wrote.

Blackhair magazine had some explaining to do after mistakenly featuring a white model rocking afro-textured hair on the cover of its latest issue. The publication, known for offering hair tips and tricks for black and mixed-race women, was called out by a white model Emily Bador who says an old modeling photo of her was used without her permission for the December/January issue of the mag.

In an Instagram post published on Sunday, Bador shared a photo of the cover, writing in a caption that she “deeply and sincerely” apologized for the picture. Bador explained to her over 64,000 followers that the image had been taken three or four years ago when she was around 15 years old, before she had learned about the concept of cultural appropriation and the stigma many black women receive for wearing their hair in its natural state…

Read the entire article here.

2 Tone legend Pauline Black to get honorary degree from Coventry University

The Coventry Telegraph
2016-11-21

Catherine Lillington

Pauline Black

“It’s really important women don’t reach the menopause and go away and knit”

Ska and 2 Tone legend Pauline Black is being honoured by Coventry University for her support of the city’s music scene.

The lead singer of The Selecter will get an honorary degree following a career that has seen her create platinum-selling albums and an award-winning autobiography.

She will be among 6,000 undergraduate and postgraduate students receiving their degrees, 45 years after she moved to Coventry to study at Lanchester Polytechnic…

Pauline Black performing at The Tic Toc Club in Coventry in July 1981

Read the entire article here.

Black and British by David Olusoga review – reclaiming a lost past

The Guardian
2016-11-17

Colin Grant

David Olusoga at St Michael’s Church, Burgh-by-Sands. Photograph: Des Willie/BBC/Des Willie

Olusoga’s insightful ‘forgotten history’ amounts to much more than a text to accompany a TV series. Yet despite its many attributes, is it too temperate?

How do you make black British history palatable to white Britons? Actually, hold on a second. How do you make it palatable to black Britons? Let’s start again. How do you compose a history of Britain’s involvement with black people? The answer during my childhood was to accentuate the positive; to tweak the past, for instance, so that schoolchildren were left with the impression that slavery was somehow an abhorrent North American practice and that the British, through the good works of William Wilberforce, should be commended for their part in bringing about the end of the Atlantic slave trade.

Three decades ago Peter Fryer offered a corrective, stripping off the historical bandage. Fryer’s Staying Power: The History of Black People in Britain was an excoriating book by a tireless Marxist historian skewering British imperial mendacity, which, when young black readers stumble across it, delivers a punch to the sternum, a remembrance real or imagined of tragedy and sorrow. But it also elicits a flush of excitement and pride. At last! A history that is not sanitised or sugar-coated; and one written by a proxy black man, namely a white man who in his own apologia aimed to “think black”. The British-Nigerian David Olusoga has a head start on Fryer. But whereas Fryer had an independent radical publisher (Pluto) at his elbow, Olusoga had to satisfy BBC managers – the book accompanies a TV series – who are largely petrified about “race”…

Read the entire review here.

Black and British: A Forgotten History

Pan Macmillan
2016-11-03
624 pages
Hardcover ISBN: 978-1447299738
Ebook ISBN: 978-1447299745
Digital Audio ISBN: 978-1509837113

David Olusoga

A vital re-examination of a shared history, published to accompany the landmark BBC Two series.

In Black and British, award-winning historian and broadcaster David Olusoga offers readers a rich and revealing exploration of the extraordinarily long relationship between the British Isles and the people of Africa. Drawing on new genetic and genealogical research, original records, expert testimony and contemporary interviews, Black and British reaches back to Roman Britain, the medieval imagination and Shakespeare’s Othello.

It reveals that behind the South Sea Bubble was Britain’s global slave-trading empire and that much of the great industrial boom of the nineteenth century was built on American slavery. It shows that Black Britons fought at Trafalgar and in the trenches of the First World War. Black British history can be read in stately homes, street names, statues and memorials across Britain and is woven into the cultural and economic histories of the nation.

Unflinching, confronting taboos and revealing hitherto unknown scandals, Olusoga describes how black and white Britons have been intimately entwined for centuries.

PREFACE

When I was a child, growing up on a council estate in the North-East of England, I imbibed enough of the background racial tensions of the late 1970s and 1980s to feel profoundly unwelcome in Britain. My right, not just to regard myself as a British citizen, but even to be in Britain seemed contested. Despite our mother’s careful protection, the tenor of our times seeped through the concrete walls into our home and into my mind and my siblings’. Secretly I harboured fears that as part of the group identified by chanting neo-Nazis, hostile neighbours and even television comedians as ‘them’ we might be sent ‘back’. This, in our case, presumably meant ‘back’ to Nigeria, a country of which I had only infant memories, and a land upon which my youngest siblings had never set foot.

At the zenith of its swaggering confidence, the National Front – the NF – made enough noise and sparked enough debate within Britain to make the idea of sending ‘them’ ‘back’ seem vaguely plausible. The fact that in the 1970s and 1980s reputable, mainstream politicians openly discussed programmes for voluntary assisted repatriation that were aimed exclusively at non-white immigrants demonstrates the extent to which the political aether had been polluted by the politics of hate. In the year of my birth the Conservative Party’s General Election Manifesto contained a pledge to encourage voluntary repatriation of immigrants. Today we seem to have forgotten that Enoch Powell’s prediction of ‘Rivers of Blood’ was followed, many years later, by unsubtle calls for a mechanism to be found that might prevent the black British population from ‘doubling or trebling’. In 1981 Powell suggested that people from the ‘new commonwealth’ might be ‘happier outside of the UK’, and proposed a new British Nationality Act to redefine what British citizenship meant. In my childish fearfulness such discussions translated into a deep but unspoken anxiety that a process might, feasibly, be set in train that could lead to the separation and destruction of my family.

To thousands of younger black and mixed-race Britons who, thankfully, cannot remember those decades, the racism of the 1970s and 1980s and the insecurities it bred in the minds of black people are difficult to imagine or relate to. But they are powerful memories for my generation. I was eight years old when the BBC finally cancelled The Black & White Minstrel Show. I have memories of my mother rushing across our living room to change television channels (in the days before remote controls) to avoid her mixed-race children being confronted by grotesque caricatures of themselves on prime-time television. I was seventeen when the last of the touring blackface minstrel shows finally disappeared, having clung on for a decade performing in fading ballrooms on the decaying piers of Britain’s seaside towns. I grew up in a Britain in which there were pictures of golliwogs on jam jars and golliwog dolls alongside the teddy bears in the toy shop windows. One of the worst moments of my unhappy schooling was when, during the run-up to a 1970s Christmas, we were allowed to bring in our favourite toys. The girl who innocently brought her golliwog doll into our classroom plunged me into a day of humiliation and pain that I still find hard to recall, decades later. When, in recent years, I have been assured that such dolls, and the words ‘golliwog’ and ‘wog’, are in fact harmless and that opposition to them is a symptom of rampant political correctness, I recall another incident. It is difficult to regard a word as benign when it has been scrawled onto a note, wrapped around a brick and thrown through one’s living-room window in the dead of night, as happened to my family when I was a boy of fourteen. That scribbled note reiterated the demand that me and my siblings be sent ‘back’…

Read the entire Preface here.

Sophie Okonedo Is Queen Margaret in ‘The Hollow Crown: The Wars of the Roses’ (On PBS Dec 11-25)

Shadow And Act
2016-11-17

Sophie Okonedo

“The Hollow Crown: The Wars of the Roses” is a lavish three-part follow-up to the BAFTA winning “The Hollow Crown,” which aired in 2013 on THIRTEEN’s “Great Performances.”

The first series of “The Hollow Crown” covered the so-called Henriad comprising Richard II, Henry IV, Parts I and II and Henry V. Now, “The Wars of the Roses” – which comes to “Great Performances” on three consecutive Sundays beginning December 11 at 9 p.m. – picks up the story with epic film versions of Henry VI (in two parts) and Richard III…

The new series aired to great acclaim on the BBC this May. A Neal Street co-production with Carnival/NBCUniversal and THIRTEEN for BBC Two, the series was filmed in locations around the UK. Award-winning director Dominic Cooke (former Artistic Director of The Royal Court theatre) makes his TV directorial debut with the three films.

The series features some of the UK’s finest acting talent including Sophie Okonedo who has been cast to play Queen Margaret.

Okonedo joins Benedict Cumberbatch as Richard III, Tom Sturridge as Henry VI, Hugh Bonneville as Humphrey, Duke of Gloucester, Judi Dench as Cecily, Duchess of York, Sally Hawkins as Eleanor, Duchess of Gloucester, and Keeley Hawes as Queen Elizabeth…

Read the entire article here.

BBC’s Emma Dabiri says her first time in Brixton was like discovering a black utopia

London Evening Standard
2016-11-17

Ellen E. Jones

BBC presenter Emma Dabiri in Brixton Matt Writtle

She’s a SOAS fellow and former model, and now Emma Dabiri is fronting a new BBC show as part of the broadcaster’s Black and British season. She talks race, immigration and the politics of hair

There are many ways of being black and British. More than two million at the last count. Some of these are being celebrated, explored or simply presented this month as part of the BBC’s Black and British season. Programming strands include history, music, football and family life, all of which come together nicely in Back in Time for Brixton, which begins on Monday.

This spin-off from the hugely enjoyable social history series Back in Time For Dinner follows the Irwin family from Dagenham as they go on a time-travelling adventure through  50 years of black British life, recreating interiors, hobbies, talking points and hairdos as they go.

Giles Coren is reprising his presenting role but this time specialist expertise is provided by Emma Dabiri. She is a SOAS fellow in African Studies, a broadcaster and occasional model (her Twitter handle is @thediasporadiva), so there’s plenty to talk about when we meet in the Ritzy cinema’s café, a short walk from Brixton Tube station.

“I think sometimes, when there are attempts at diversity, it’s like, ‘Oh, we’ll just pop a black person in there and that’s diversity’,” she says of the need for the BBC’s season. “But here the emphasis is actually on black stories and black people. Representing all those different versions of blackness is really important, especially at this moment when the issue of British identity is such as it is.”

Dabiri’s own story serves as a typically atypical example. Her mother was born to white Irish parents in Trinidad, where Dabiri’s maternal grandfather worked as a civil engineer. Her father was born to black Nigerian parents in Ireland before moving back to Nigeria, and Dabiri herself was raised in her paternal grandparents’ house in Atlanta, Georgia, before returning to Dublin aged five. In summary? “So my mum was Irish but she’s Trinidadian, and my dad’s Nigerian but he’s Irish,” she laughs.

Although Dabiri, 37, has lived in Hackney since 2000, Brixton retains a special place in her imagination. The first time she ever set foot in London was as a child, when her mother brought her to Brixton to have her hair styled: “In comparison with Ireland at the time it seemed like this black utopia.”…

Read the entire article here…

Black Brits And Afropeans

The Norwich Radical
2016-11-03

Candice Nembhard

The black British existence is inherently unique. It not only samples cultural flavours or practices from Africa and the Caribbean but seemingly blends those influences into standardised British behaviour. For many black children in modern Britain, the divide between our race and nationality somehow leaves a gap for white or even non-black people of colour to make assumptions as to who we are.

Our social identity is affected by colonial academic spaces and texts, and our history is overshadowed by that of the great black American struggle. Every October, our heroes are sourced further and further away from our own history and we are left unsatisfied. That’s not to say there isn’t great merit in the discussion of black Americans, nor is it to rule out the overlap. It is to simply state that ‘African-American’ does not equal ‘Afro-Caribbean’, nor does it pander to the identity of black British people.

In recent years, the discussion of political blackness has risen to the surface. In layman’s terms, the unionising of a struggle. ‘Black’ has become the pigeonhole for uniting a worldwide issue of systemic racism that falls into different structures, depending on one’s heritage and nationality. Although the concept of political blackness is understandable, its practice often eradicates the personal day-to-day hardships of being black and what is central to exhibiting positive displays of blackness. By that stripe, we have allowed the black British moniker to be represented as fighting for a history most individuals were never inaugurated into. Furthermore, these individuals are then vilified for suggesting their allegiance lies with an alternative past…

Read the entire article here.

Locating black mixed-raced males in the black supplementary school movement

Race Ethnicity and Education
Published online 2016-11-08
pages 1-14
DOI: 10.1080/13613324.2016.1248838

Remi Joseph-Salisbury
School of Ethnicity and Racism Studies, School of Sociology and Social Policy
University of Leeds, Leeds, United Kingdom

Kehinde Andrews, Associate Professor of Sociology
Birmingham City University, Birmingham, United Kingdom

This article draws upon data from semi-structured interviews conducted with black mixed-race males in the UK and the US, to argue that a revival of the black supplementary school movement could play an important role in the education of black mixed-race males. The article contends that a strong identification with blackness, and a concomitant rejection of the values of mainstream schooling, make black supplementary education a viable intervention for raising the attainment and improving the experiences of black mixed-race males. Whilst blackness was important to participants’ understandings of their lived experiences, this did not engender a disregard for their mixedness. Supplementary schools must therefore find ways of recognising black mixedness within their practice.

Read or purchase the article here.

‘You don’t see many of them round here’: being black in the white, rural West Country

gal-dem
2016-09-05

Louisa Adjoa Parker

My parents met when my dad came to the UK from Ghana in the 1960s to train as a nurse. He married my mum, and I was born in Doncaster in 1972. I don’t think he had a clue before he came how racist Britain was then, and both my parents were naïve in their own ways. Their turbulent marriage was unsuccessful, not, as my grandparents had feared, as a result of two different cultures colliding, but because of two very different personalities colliding (and my dad’s fists colliding with parts of my mum’s body).

Many people of mixed heritage talk of the difficulties of belonging to two cultures. I didn’t have that problem – my dad rarely offered anything in the way of Ghanaian culture. We didn’t eat Ghanaian food, listen to Ghanaian music, or have contact with any of our Ghanaian relatives. In fact, Ghana has always seemed to me, a far-off, mystical, hot and dusty land, peopled by unknown relatives. My dad wanted to become English; he looked up to them, liked their ways. I’ve not yet visited, although I hope to soon, and am grateful to my brother for flying out there and finding our long-lost family…

Read the entire article here.