Mixed Race Studies

The Black Prince of Florence: A Medici Mystery

University of York
Room K/133, King’s Manor
York, United Kingdom
Tuesday, 2016-10-18, 19:00 BST (Local Time)

Black History Month Lecture

Catherine Fletcher is a historian of Renaissance and early modern Europe. Her first book, The Divorce of Henry VIII, was published in 2012 and brought to life the world of the papal court at the time of the Tudors. She broadcasts frequently on Renaissance and broader history: She is a 2015 BBC New Generation Thinker and was an adviser to the set team on the TV adaptation of Wolf Hall. She is currently Associate Professor in History and Heritage at Swansea University, has held fellowships at the British School at Rome and the European University Institute, and has taught at Royal Holloway, Durham and Sheffield Universities. In her previous career she worked in politics and the media, including at the BBC Political Unit.

For more information, click here.

‘Growing up in Ireland I was the only black person’

The Irish Times
2016-09-30

Anthea McTeirnan

Lorraine Maher, aged nine and today, who is curating the exhibition of photos of mixed-race Irish people at the London Irish Centre in Camden.

A new exhibition in London challenges the perceptions of what Irish people look like

Lorraine Maher’s son Aaron died from cancer two years ago. Aaron, who along with his brothers, Dwayne, Darnel and Rù-ffel, had visited his mother’s homeplace in Carrick-on-Suir, Co Tipperary, many times and met his Irish family often, was proud to be Irish. Aaron would have chosen to play soccer for the Republic of Ireland, no doubt about that. He was also a fervent Tipperary supporter.

Maher visits his grave often.

“In the graveyard in London, he has his Irish flag and his Tipperary flag on his grave with his St Lucia flag.”

His dad is from St Lucia, and Aaron was proud of his dual heritage.

Aaron’s photograph is on his gravestone, too. “I see people looking at the grave like they are thinking: what has Ireland got to do with him?”

But Aaron was proud of his Irishness, she says. “He had two heritages and both made him proud.”

Even though it is now more common in Britain to use the term “dual heritage” rather than “mixed race”, Maher is not completely sold on the newer description.

“It is challenging because my only heritage is Irish,” she says. “So that is what the conversation I wanted to have is about. For mixed-race Irish people our ancestry, our roots, our blood are Irish.”…

…Maher was never an “immigrant”. She grew up in 1960s-1970s Carrick-on-Suir, Co Tipperary, where she was the only black person she knew. After Presentation Convent Primary, she moved to Scoil Mhuire in Greenhill.

“I’m mixed race. I identify as a black woman from Ireland, who is quite pale,” she laughs. “The only heritage I ever had was Irish heritage.” Maher is aware of her other ancestry, “but it is not important at the moment for me”, she says…

Read the entire article here.

This Movie Was Nearly Lost. Now They’re Fighting to Save It.

The New York Times
2016-09-23

John Anderson

Richard Romain in the 1982 film “Cane River.” Credit IndieCollect

When it debuted in 1982, “Cane River” was already a rarity: a drama by an independent black filmmaker, financed by wealthy black patrons and dealing with race issues untouched by mainstream cinema. Richard Pryor had even tried to take it to Hollywood.

But since a negative resurfaced two years ago, it has attained a certain mythic quality, connecting a disparate group of people across the country: New York preservationists dedicated to restoring it; a cultural historian in Louisiana devoting an academic paper to it; an archivist in Los Angeles fascinated with it. And the director’s son, the music journalist and filmmaker Sacha Jenkins, who knew about the film but has never seen it, and who has been left with a question no small number of sons have asked about their fathers.

“Who was this guy?”…

…Cane River itself is a historically multicultural area in Natchitoches Parish in Louisiana, and the movie, in addition to being a Romeo-Juliet romance, deals with land swindles perpetrated against people of color, and “colorism”— that is, social hierarchy as dictated by skin tone.

“It’s a common issue, because there was a lot of intermarriage and, of course, slavery,” said Carol Balthazar, who was Horace Jenkins’s partner, and whose family history provided the movie’s historical backdrop…

…Ms. Spann watched a bootleg DVD of “Cane River.” “I can’t think of any film that dealt with colorism in such a serious way,” she said. She is writing a paper on “Cane River” for the Louisiana Historical Society, and said some of the scenes seemed too long. Debra I. Moore, who edited the film in 1980, said there’s a good reason for that…

Read the entire article here.

Reflections on Dr Martin Luther King Jr.

International Slavery Museum
Dr Martin Luther King Jr building, Albert Dock
Liverpool, United Kingdom
2016-09-21, 13:00-16:00 BST (Local Time)

Dr Mark Christian, Professor and Chair of Africana Studies
Lehman College, City University of New York

Black Liverpool and grassroots education in L8

There remains a burning need in today’s society for Dr Martin Luther King Jr’s message, and his hope of a Beloved Community to prevail:

• where all people share equally in the wealth of the earth,
• where poverty, hunger and homelessness will not be tolerated because international standards of human decency will not allow it;
• where racism and all forms of discrimination, bigotry and prejudice will be replaced by an all-inclusive spirit of sisterhood and brotherhood;
• where international disputes are resolved by peaceful conflict-resolution and reconciliation of adversaries, instead of by military power;
• for love and trust to triumph over fear and hatred,
• and for peace with justice to prove more powerful than war and military conflict.

The city of Liverpool’s history of fighting racism and discrimination goes back centuries. At this free talk, Dr Mark Christian, Professor and Chair of Africana Studies at Lehman College, City University of New York, himself a product of grassroots education in Liverpool (Charles Wootton Centre/College and L8 Access to Higher Education), will reflect on Dr King’s ideas from the perspective of Black Liverpool.

Following Mark’s talk, there will be a panel discussion and the opportunity for the audience to consider the role of education and the empowerment of marginalised groups in Liverpool.

For more information, click here.

Black History Month – #IMIRISH Exhibition Launch

London Irish Center
50-52 Camden Square
London, United Kingdom, NW1 9XB
2016-10-06 through 2016-10-31, 19:00 BST (Local Time)

#Iamirish a Photography Exhibition launching a series of workshops and debates linking those of mixed race heritage to their Irish family ancestry.

The Exhibition will be opened by Dan Mulhall, Ireland ’s Ambassador to the UK.

This project will map the roots, lives and experiences of mixed race Irish people creating intimate portraits which challenge perceptions of what it looks like to be Irish and open up people’s minds to the wonderful diversity of the Irish people.

Launching the project in October to coincide with Black History Month, in the centenary year of Irish Independence, is a unique and powerful opportunity to weave these celebrations of Black and Irish heritage together and put diversity in full focus.

2016 marks the centenary of the Republic of Ireland, an opportunity to remember the country’s history and the heritage and traditions of its people. This project embraces that spirit to celebrate the voices and the lives of independent, Irish people everywhere who happen to be mixed race. Drawing strong lines between the portraits and their family crests, we seek to dispel the idea that if you are from a non-white community, you are automatically an immigrant.

‘For mixed race Irish people in reality our ancestry, our roots, our blood are Irish and we are proud of it.’

For more information, click here.

Mixed Blessings from a Cambridge Union

Camden Review
2016-09-15

Angela Cobbinah

Elizabeth Anionwu

THE early years of one’s life normally follow a predictable path with any unexpected twists and turns suitably documented for posterity.

But it was not until she was in her 60s that Elizabeth Anionwu, one of the country’s most senior nurses, was able to discover why she ended up spending the best part of her childhood in the care of Roman Catholic nuns.

The revelations came in the form of a thick blue dossier containing almost 60 documents handed over to her from a Catholic children’s home in Birmingham.

“It consisted mainly of letters dating back to my time in my mother’s womb to when I left care, and the words that jumped out of the pages took my breath away,” recalls Elizabeth. Up until then I had a few bits of oral history passed down, but literally only bits.”

Her mother, the darling daughter of devout Irish Catholics living in Liverpool, had fallen pregnant while studying classics at Newnham College, Cambridge. The frantic back and forth correspondence between the family and the reverend in charge centred on concealing the pregnancy and whether the baby should eventually be adopted.

“There was a great deal of stigma surrounding illegitimacy in those days but this was only the start of the drama – at this stage, my grandparents were unaware that my father was from Nigeria.”.

Despite their renewed shock, they supported her mother’s desire to keep the baby but insisted that Elizabeth be placed in a children’s home at the age of six months so she could resume her studies. But, as her mother reveals in further correspondence, she planned to marry her father, who was also studying at Cambridge, and bring her baby home again.

What happens next is told in Elizabeth’s forth­coming autobiography, Mixed Blessings from a Cambridge Union, how she did not get to live with her mother until she was nine, but then only briefly because of her step­father’s hostility, and only met her father at the age of 24…

Read the entire article here.

The love story that shocked the world

BBC News
2016-09-14

When an African prince and a white middle-class clerk from Lloyd’s underwriters got married in 1948, it provoked shock in Britain and Africa.

Seretse Khama met Ruth Williams while he was a student at Oxford University. After his studies, he was supposed to go home to the British Protectorate of Bechuanaland (now Botswana) and marry someone from his own tribe, but his romance with Williams changed everything.

His family disapproved and Khama was forced to renounce his claim to the throne. The British government came under pressure to show its disapproval and Khama was exiled from his homeland.

He later became the first president of Botswana when it became an independent country.

Witness spoke to Ruth Williams’s sister about the love that conquered prejudice.

Watch the interview here.

Scotland’s national poet writes for those who’ve been asked ‘where are you from?’

PBS NewsHour
2016-09-08

Jackie Kay is Scotland’s first black national poet. Adopted as a child, much of her poetry and prose speaks to her own experience of not feeling entirely welcome in her own country. “I wrote the poems that I wanted to read and I wrote about the experiences that I wanted to find,” she says. Jeffrey Brown reports.

JUDY WOODRUFF: Now a Scottish literary talent whose work on identity and belonging, among other themes, has helped propel her to a unique role and a popular writer there.

Jeffrey Brown has our profile.

JACKIE KAY, Scottish Poet & Novelist: “And this is my country, says the fisherwoman from Jura. Mine, too, says the child from Canna and Iona. Mine, too, says the Brain family. And mine, says the man from the Polish deli.”

JEFFREY BROWN: Jackie Kay wrote her poem “Threshold” for the Scottish Parliament and a special guest, Queen Elizabeth.

JACKIE KAY: Let’s blether some more about doors, revolving doors and sliding doors.

JEFFREY BROWN: In the wake to of the recent Brexit vote to leave the European Union, it was a plea to keep doors and the country open to the outside world. As Scotland’s new national poet, Kay made it personal.

JACKIE KAY: Scotland’s changing faces — look at me!

I like the idea of trying to change the face of Scotland. But, traditionally, when somebody thinks of somebody Scottish, they see a white man with red hair in a kilt and a — and they don’t see me.

JEFFREY BROWN: Jackie is the adopted daughter of John and Helen Kay. Her birth mother Scottish. Her father was then a Nigerian student studying in Scotland.

JACKIE KAY: I was an illegitimate child. And being picked to be a national poet is probably a pretty legitimate thing.

(LAUGHTER)

JEFFREY BROWN: I will say…

Watch the interview here.

What Is Monoracial Privilege? (Hint: If You Are One Race Only You’ve Got It…)

Mixed Race Feminist Blog
2016-01-17

Nicola Codner
Leeds, Yorkshire, United Kingdom

The definition of the word monoracial is to be ‘composed of or involving members of one race only’. Monoracial privilege therefore refers to the advantages and benefits that come with being a person who is one race only. A person of any race can have this privilege if they are of only one race.

Monoracial privilege is an extremely controversial topic. I am 100% certain this article would never be posted by a popular feminist blog for that very reason. Many black American people insist monoracial privilege is not real and some multiracial American people agree with this too. I’m less clear about perspectives on this in the UK, where I live, and where race is less discussed. In this article I will outline some of the privileges that come with being monoracial and you can decide for yourself where you stand on this. I think the only reason people can get away with saying monoracial privilege doesn’t exist is because multiracial perspectives have such a long history of being ignored or dismissed. There is a lack of research on the racial experiences of multiracial people and as a group we have really only just begun to join forces and to speak out about our experiences. All of this makes it very easy for monoracial people to insist that multiracial perspectives are invalid. Despite the fact that the impact of racism on multiracial people is relatively unexplored territory and most people know nothing about the lives of multiracial people, many monoracial people constantly tell us what our experiences are and are not. This has been the story of my life. Between white racism and horizontal hostility from the other minority ethnic group or groups we belong to, multiracial people are often expected to keep our mouths shut. Well, I’m here to say, no I don’t think so! I’m not doing this anymore. I’m not going to be silenced by monoracial people. I know that monoracial privilege is real from my own lived experience…

Read the entire article here.

Racialized Lives: Ethnic Mixing and Mixed Ethnicity in Britain

New Left Project
2015-03-06

Karis Campion, Doctoral Researcher and Graduate Teaching Assistant
Department of Sociology
University of Manchester

Racialization has had a deeply personal impact on the lives of people in Britain, but history shows us it can be challenged.

In Racism, Class and the Racialized Outsider, Satnam Virdee presents an original, alternative history of the English working class, interrogating the dominant scholarly arguments which, he claims, have too often portrayed it as synonymous with the working white male.  Focusing on a period spanning 200 years (1780-1990), Virdee thoroughly explores how the boundaries which have encompassed the working class as a distinct social (white) category have been continuously in flux.

The book details important events and developments over this period when the boundaries of the working class were extended to include what Virdee refers to as ‘racialized outsiders’.  Importantly though, whilst Virdee offers a close analysis of the specific conditions in which the boundaries of the English working class protracted to subsume working class ethnic Others, he does not shy away from dealing with less collective periods for the working class, when boundaries were tightened to exclude those same Others.  It is racialization which, as he often explains in the book, has historically been a key factor in encouraging the working class to retreat from becoming a multi-ethnic collective.

Virdee documents the Chartist movement and the period which followed in the 19th century as one key moment when the boundaries of the working class were tightened in order to exclude.  The Irish presence in the struggle and the potentially multi-ethnic working class solidarity movement which might have followed, unsettled the state.  In response, it utilised various tactics to racialize the movement.  It was constructed as something ‘foreign and alien,’ more aligned to the wishes of the Irish Catholics who led it than ‘an authentic expression of the wishes of the English masses.’[1] Alongside this racist rhetoric, a new version of British nationalism was conjured up.  ‘The nation was re-imagined as an Anglo-Saxon Protestant nation’[2] by elites, and sections of the English working class were gradually incorporated into this.  Within this image of the nation, there was little space for the Irish Catholic working class, and this racist rhetoric and method of rule would eventually lead to the downfall of Chartism…

Read the entire article here.