Mixed Race Studies

How Bernardine Evaristo Conquered British Literature

The New Yorker
2022-02-03

Anna Russell
London, United Kingdom

In a new memoir, the writer describes how she was long excluded from the halls of literary power, and how she finally broke in.

hen the British author Bernardine Evaristo was in her early twenties, she and her drama-school friends would go to London’s theatres and heckle the performances. “It wouldn’t have been anything like ‘Rubbish!’ because it was a political heckling,” Evaristo, now sixty-two, told me recently. They would have been more likely to yell “Sexist!” or “Racist!” and then disappear, giddily, into the night. Recounting the habit this past December, Evaristo put on a mock posh accent and called it “appalling, appalling behavior.” The week prior, she had been named president of the U.K.’s Royal Society of Literature, becoming the first person of color to hold the position in the organization’s two-hundred-year history. (She is also the first who did not attend at least one of the following: Oxford, Cambridge, Eton.) Evaristo has some sympathy for her younger, angrier self. If social media had been around in her youth, she thinks she might have been one of what she calls the “Rabid Wolves of the Twittersphere.” “But we do need these renegades out there, don’t we?” she said. “We do need these people who will just lob a verbal hand grenade.”

Since 2011, Evaristo and her husband, David Shannon, have lived on the outskirts of West London, where she has dubbed herself “Mz Evaristo of Suburbia.” When I met her at her home recently, the doors to each room were painted a different bright color: blue, yellow, pink. Evaristo is tall, with a booming laugh. It’s been a long time since she has heckled anyone. These days, she sees herself as a diplomatic, modernizing force at the top of the British literary establishment from which she was long excluded. “The person I am today no longer throws stones at the fortress,” she writes in her new memoir, “Manifesto: On Never Giving Up,” which was published in the U.S. by Grove Atlantic last month. She used to laugh when people told her to think before she spoke. Now: “I’m so careful about everything I say.”…

Read the entire article here.

Manifesto: On Never Giving Up

Grove Atlantic
2022-01-18
240 pages
5.5″ x 8.25″
Hardcover ISBN-13: 978-0-8021-5890-1
eBook ISBN-13: 978-0-8021-5891-8

Bernardine Evaristo

From the bestselling and Booker Prize-winning author of Girl, Woman, Other, Bernardine Evaristo’s memoir of her own life and writing, and her manifesto on unstoppability, creativity, and activism

Bernardine Evaristo’s 2019 Booker Prize win was an historic and revolutionary occasion. The first Black woman and first Black British person ever to win the prize, Evaristo’s breathtaking Girl, Woman, Other was dubbed “godlike in its scope and insight” by the Washington Post, named a favorite book by President Obama, Roxane Gay, and countless other readers, and translated into thirty-five languages.

Evaristo’s nonfiction debut, Manifesto, is an intimate and inspirational account of Evaristo’s life and career as she rebelled against the mainstream to fight to bring her creative work into the world. She recalls her childhood and teenaged years as a young actor and playwright in London, details her early political awakenings and activism, and recounts her determination to tell stories that were absent in the literary world around her. In her over three decades of centering the stories and histories of Black Britons, Evaristo refused to let any barriers stand in her way. In Manifesto, she charts her theory of unstoppability, and explains how she broke with convention to achieve fulfillment both artistic and personal. Drawing deeply on her own varied experiences and the people who have inspired her, Evaristo offers a vital contribution to conversations around race, class, feminism, sexuality, and aging.

Manifesto is a unique inspiration to us all to persist in doing work that we believe in, even when we might feel overlooked or discounted, following in Evaristo’s footsteps, from first vision, to continued perseverance, to eventual triumph.

On Being Other: Primadonna 2021

Primadonna Festival
2022-02-11

Join writer and journalist Bee Rowlatt as she introduces this year’s Costa winner Monique Roffey, author of the remarkable novel The Mermaid of Black Conch, and Natalie Morris, whose debut title Mixed/Other came out in 2021. Together they explore shared themes of otherness, outsider

Introducing… Monique Roffey

FMcM Associates
London, United Kingdom
2020-10-15

Robert Greer

‘Introducing…’ is our online interview series to introduce you to some of the amazing authors we’re working with and their brilliant books!

Monique Roffey is an award-winning Trinidadian-born British writer of novels, essays, a memoir and literary journalism. Her novels have been translated into five languages and shortlisted for several major awards and, in 2013, Archipelago won the OCM BOCAS Award for Caribbean Literature. With the Kisses of His Mouth and The Tryst are works which examine female sexuality and desire. Her essays have appeared in The New York Review of Books, Boundless magazine, The Independent, Wasafiri, and Caribbean Quarterly. She is a Senior Lecturer in Creative Writing at Manchester Metropolitan University.

Welcome! To start with, could you tell us a little bit about yourself…

I’m a bi-national writer based in East London. My identity is mixed and fluid in that I was born in Port of Spain, (a city I frequently return to), but I’m also half English. Via my mother, I have Italian, Maltese and Middle Eastern blood. My consciousness, though, has been shaped by my knowledge and understanding of the Caribbean region. Four of my seven books have been set in the Caribbean region. Two of my books have dealt directly with female sexuality and desire. I’d call myself a magical realist as a writer and a practicing Buddhist in my everyday life; everything else is for others to decide. I teach creative writing on the MA/MFA at Manchester Metropolitan University and for the National Writers Centre. I’ve always enjoyed teaching and know, for sure, that the craft of writing can be taught to anyone with a feel for language and an active imagination…

Read the entire interview here.

‘In trying to enthuse the students, I definitely enthused myself’

Islington Tribune
London, United Kingdom
2022-02-10

Anna Lamche, Reporter

Hannah Lowe

The recipient of the Costa book of the year for The Kids, Hannah Lowe may have just about achieved her goal, learns Anna Lamche

TRACKING down a physical copy of Hannah Lowe’s The Kids has been difficult since the poet won the Costa Book Award last week, a fact she attributes more to a “national shortage of paper” than to her publisher’s surprise at her unexpected win.

Hannah won the prestigious prize last Tuesday for her book of sonnets, a beautiful and haunting ode to teaching and childhood. Her collection reflects on the junctures between education and the superstructures of history, class and race – the result is a tightly rendered meditation on human experience, spanning birth to death and grief to laughter, often within a matter of lines…

…Born to a “half Jamaican, half Chinese” father, Hannah’s own experience – she recalls being called “white wog” at school in one poem – allows her to relate to the alienation of her own black and diasporan students in the wake of the 7/7 bombings and beyond. The Kids continually demands we consider “the stakes when teachers rarely look like those/they teach”….

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More than a century later, the music of Samuel Coleridge-Taylor plays on

Experience CSO
Chicago Symphony Orchestra Association
Chicago, Illinois
2021-02-05

Kyle MacMillan

It’s kind of a musical game of names. In November, a group of Chicago Symphony Orchestra members performed Coleridge-Taylor Perkinson’s String Quartet No. 1 (Calvary) (1956), as part of CSO Sessions, a series of small-ensemble virtual concerts on the CSOtv video portal.

In an installment of CSO Sessions debuting Feb. 11, another group of CSO musicians will perform the Clarinet Quintet in F-sharp Minor, Op. 10, a work written 61 years earlier by Perkinson’s namesake: Samuel Coleridge-Taylor. These two composers with overlapping names were from two completely different generations, but they nonetheless have several important characteristics in common. Both were of African descent and racial bias kept them from attaining the recognition and standing they deserved.

Coleridge-Taylor (1875-1912), who had an English mother and Sierra Leone Creole father, gained considerable respect in England during his short life, including early support from Edward Elgar. In part because of the success of The Song of Hiawatha, a trilogy of cantatas, Coleridge-Taylor made three tours to the United States and was received in 1904 at the White House by President Theodore Roosevelt.

The Chicago Symphony Orchestra presented an aria from the first and most famous of the cantatas, Hiawatha’s Wedding Feast, in 1900 when Coleridge-Taylor was just 25 years old; it was the first music by a Black composer performed by the orchestra…

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What happened to the British children born to black GIs?

BBC News
2022-01-29

Eighty years ago, US soldiers began arriving in the UK to help in the fight against Hitler’s Nazi Germany. In a small sleepy village in Suffolk, life was about to change forever.

Best friends Eldridge Marriot and Trevor Everett grew up together in Tostock, where they still live today.

As the pair, now aged in their 70s, reminisce over summers spent playing on the village green, it is clear they have a deep connection.

They were two of 14 children in the village, and about 2,000 across the UK, born to white British mothers and black American soldiers during World War Two.

“We definitely stood out with our curly hair,” Eldridge laughs. “But we didn’t have any racial problems; we were never treated differently.”

“We had some good times and I’ve had a brilliant life, I wouldn’t change it for nothing,” Trevor adds…

Read the entire article here.

What it’s like growing up mixed race in Scotland

The Social
BBC
2020-07-15

Aleisha Omeike, The Social contributor

Aleisha details her experience of growing up as a mixed-race person in Glasgow.

I grew up in an overwhelmingly white neighbourhood. I hated being different. Throughout my childhood, I would navigate and shape my racial identity based solely on my white Scottish heritage, often dismissing or denying my Black African roots.

I remember the first time I experienced racial abuse. I was around 5 years of age and I was at school. I had come out into the playground after lunch. Some girls in the year below me were pointing directly at me, shouting and dancing, calling me “blackie”. Turns out, that was just the start.

Since then, I have been labelled almost every racial slur in the book. The most common of these slurs is “half caste”. People do not realise how offensive “half caste” is. Calling someone half of anything is dehumanising and derogatory.

Throughout my childhood, I have been asked where I am from and people would not accept my answer. I grew up in a small town in North Lanarkshire. People found that fact hard to believe because of my skin colour…

Read the entire story here.

Racial Passing in Early Modern England

Online- via Zoom
2022-01-20, 17:30-19:00Z (12:30-14:00 EST)

Lubaaba Al-Azami, Ph.D. Candidate in English Literature
University of Liverpool, Liverpool, United Kingdom

Lubaaba al-Azami (@lubaabanama) is a doctoral candidate at the University of Liverpool, funded by the AHRC NWCDTP. Her research project is a decolonial and feminist consideration of early modern English encounters with Mughal Indian imperial femininity, exploring English theatrical and travel literature alongside Mughal royal memoirs. She is founder of Medieval and Early Modern Orients (MEMOs), an AHRC NWCDTP-funded collaborative digital resource on early English encounters with the Islamic worlds.

All welcome. This event is free but booking is required.

For more information and to register, click here.

The Space Between Black and White

Jacaranda Books
2020-03-03
Paperback ISBN: 9781913090128

Esuantsiwa Jane Goldsmith

This unique #TwentyIn2020 memoir sheds light on Esuantsiwa Jane Goldsmith’s journey as a feminist and political activist. The book illuminates her inner journey of self-discovery and uncovers truths that could help a growing community of mixed-race people struggling to find their own space in the world.

Illuminating her inner journey growing up mixed-race in Britain, Esua Jane Goldsmith’s unique memoir exposes the isolation and ambiguities that often come with being ‘an only’.

Raised in 1950s South London and Norfolk with a white, working-class family, Esua’s education in racial politics was immediate and personal. From Britain and Scandinavia to Italy and Tanzania, she tackled inequality wherever she saw it, establishing an inspiring legacy in the Women’s lib and Black Power movements.

Plagued by questions of her heritage and the inability to locate all pieces of herself, she embarks on a journey to Ghana to find the father who may have the answers.

A tale of love, comradeship, and identity crises, Esua’s rise to the first Black woman president of Leicester University Students’ Union and Queen Mother of her village, is inspiring, honest, and full of heart.