Mixed Race Studies

How Reggie Yates went from kids’ TV to confronting neo-Nazis

The Guardian
2016-06-28

Hannah J. Davies

Louis Theroux 2.0: Reggie Yates in a cell at Bexar County Detention Center.

He braves Russian far-right rallies and Texas prison cells for his job. Meet the man helping to reinvent the documentary for Generation Y

While filming in South Africa in 2013, Reggie Yates experienced the two scariest moments of his TV career to date. “The director, sound man and I got caught up in a fight between two gangs,” he explains. “One of the guys pulled out a gun and I thought: ‘All bets are off.’ We got out of there, but we met up with one of the gangs again later on in this little hut and they all had their machetes out. I thought: ‘This could go wrong at any minute,’ but it didn’t. I think a lot of that came down to the respect we showed them; I don’t wear a bulletproof [vest] in these places, because [that would be] saying that I don’t trust someone or I think I’m better.” He laughs before adding: “It could’ve been worse!”…

…Starting out as a child actor in 90s barbershop sitcom Desmond’s, he went on to work as a kids’ TV presenter alongside pal Fearne Cotton on shows including CBBC’s Smile. Then came a move into radio DJing on 1Xtra, before a gig as the anchor of Radio 1’s Official Chart Show. Somehow he’s also found time to voice cartoon rodent Rastamouse and appear in Doctor Who, as well as writing and directing his own short films (his latest, Shelter, stars W1A’s Jessica Hynes). It even transpires during our conversation that he’s a “massive interiors nerd”, who teases that he might one day open a furniture store…

Read the entire article here.

Multiracial People and the Socialization of Their Children in Britain

The Futures We Want: Global Sociology and the Struggles for a Better World
3rd ISA Forum of Sociology
2016-07-10 through 2016-07-14
Vienna, Austria

Tuesday, 2016-07-12, 14:15 CEST (Local Time)
Room: Hörsaal 31

Oral Presentation

Miri Song, Professor of Sociology
University of Kent, Canterbury, Kent, United Kingdom

Since ‘Mixed’ was first offered as an option in the ethnicity question in the 2001 England and Wales Census, Britain’s recognition of, and interest in, ‘mixed race’ (or ‘multiracial’) people and families has not abated. Recent studies have focused primarily upon how mixed (young) people identify themselves, or how parents racially identify their multiracial children. But Britain now has a population of multiracial individuals who are themselves parents, about whom we know very little. Despite the growing commonality of mixed people and families, such families can still be subject to forms of racial pathologzation and scrutiny in various settings. Extant studies of multiracial family life (especially in the US) have tended to focus upon interracial couples and their multiracial children, but we now need to look a further generation down – at their grown children. What are the particular concerns which arise for multiracial individuals in Britain who are parents? How do multiracial people who are parents experience and negotiate forms of objectification and/or prejudice from others? Do multiracial people (who are parents) want to steer their children toward a particular kind of socialization, and if so, toward what (and why)? This paper is an in-depth exploration of the ways in which different types of mixed people (South Asian/White, Black/White, East Asian/White) in Britain think about and engage in parenting.

For more information, click here.

Chi-chi Nwanoku: A classical legacy and an African heritage

Music Africa Magazine
2016-06-16

Ed Keazor

A short biography of Chi-chi Nwanoku MBE, world-renowned classical baroque bassist and Professor of Music, covering her life, influences and deep connections to her African roots.

Dr Michael Nwanoku adjusted himself in his seat as the next announcement was about to be made. He and his wife Margaret had looked forward to this day for several weeks and he had made the point of wearing his full Igbo Chief’s regalia, complete with the “Ozo” Cap and Coral beads. After all it was not every day one visited Buckingham Palace, neither was it every day that one witnessed one’s daughter receiving the award of a national honour from Queen Elizabeth II herself. His daughter, through sheer talent and hard work, had conquered years of adversity and some might say, prejudice to emerge as one of Britain’s finest Classical Musicians and academics. Almost in the same way, he and his Irish wife had conquered racism and ignorance in the course of their long and happy marriage. Dr and Mrs Nwanoku had too many good reasons to be proud of their eldest daughter, the talented Chi-chi Nwanoku, now Member of the Order of the British Empire (MBE) as she received her award from the Queen.

Chinyere (Chi-chi) Adah Nwanoku, was born in Fulham, London, in 1956 to Michael Nwanoku and the former Margaret Ivey. Her parents had met at a chance encounter at a dance in London, in 1955 and were inseparable from then on and they got married shortly afterwards. The young couple faced prejudice on account of their Interracial relationship at the time, recalling a period in Britain, where signs on Houses, advertising lodging vacancies, would boldly state, “No blacks, no dogs, no Irish”. The couple humorously recalled thanking God they didn’t have a dog (since they were both black and Irish)…

Read the entire article here.

Mary Seacole statue unveiled at London ceremony

Nursing Standard
2016-07-01

Alistair Kleebauer

More than 200 years after her birth and 12 years after a campaign started to recognise her achievements, a statue to nurse heroine Mary Seacole has been unveiled in London.

To applause and loud cheers the permanent memorial to Mrs Seacole was unveiled in the garden of St Thomas’ Hospital on the banks of the River Thames.

The Jamaican-born nurse set up the British Hotel near Balaclava to provide soldiers with food and care during the Crimean War…

…British Army

Mrs Seacole, who was born in 1805 and died in 1881, nursed victims of cholera outbreaks in Jamaica and Panama in the 1850s, cared for victims of a yellow fever epidemic in 1853, and supervised British Army nursing services in Jamaica.

She was named the greatest black Briton in a 2004 poll.

The Times’ Crimean War correspondent Sir William Howard Russell wrote the following words about Ms Seacole’s service during the conflict, which have been inscribed on a memorial disc at the back of the statue:

‘I trust that England will not forget one who nursed her sick, who sought out her wounded to aid and succour them, and who performed the last offices for some of her illustrious dead.’…

Read the entire article here.

Africa Writes Returns to London

London Live
2016-07-01

Reya El-Salahi, Presenter

The UK’s biggest festival celebrating contemporary African literature returns to the capital today. The fifth annual Africa Writes event features award-winning authors, book launches and panel discussions at The British Library. Sheila Ruiz from the Royal African Society says the event aims to make African literature more mainstream while promoting cross-cultural understanding in London.

Africa Writes festival runs from Friday 1st – Sunday 3rd July 2016 at the British Library. For full listings visit: africawrites.org.

Poet Jackie Kay recites her first commission as Scots Makar at Opening Ceremony

The Scottish Parliament
2016-07-02

The poet, Jackie Kay has recited her first commission as Scots Makar, “Threshold”, at today’s Opening Ceremony of the Scottish Parliament.

Mary Seacole statue: Why Florence Nightingale fans are angry the Crimean War nurse is being commemorated

The Independent
2016-06-27

Kashmira Gander

Some Florence Nightingale experts say Mary Seacole isn’t a nurse

It should be a symbol of pride in a black British heroine. Instead, a statue of Mary Seacole, to be unveiled on 30 June, has become a source of controversy

Staring proudly across the River Thames towards Big Ben, her cape caught in a gust as she strides away from a backdrop of the Crimean battlefield. This is how the Crimean War heroine Mary Seacole will be memorialised in a powerful 10ft bronze statue by the distinguished sculptor Martin Jennings, to be unveiled outside St Thomas’ hospital in central London on Thursday.

The campaign to commemorate the nurse once voted the greatest black Briton began when a group of Caribbean women approached their local MP in Hammersmith. Seven years later, the sculpture – the first public statue of a named black woman in the UK – is complete thanks to donations from tens of thousands of people. Happy days.

Except a small faction of hand-wringing Florence Nightingale experts and fans are not at all happy. To them, placing Seacole’s statue outside the hospital where the Lady with the Lamp established her revolutionary nursing school is an affront…

…Then there’s the argument that Seacole is a symbol of political correctness gone mad because the great black British icon isn’t, er, black. In a Spectator piece Rob Liddle took the baffling stance that Seacole was “three-quarters white”. This is despite contemporary depictions of her as a person “of colour” (and her own recollection that a white American at a dinner party said he wished he could bleach her skin).

But how tiresome this mud-slinging is. If we were going to pick holes, we could point out that even Nightingale couldn’t compete with the fact that her military hospital at Scutari was placed over a sewer, meaning many patients died. But we celebrate the best in her: her initial impulse; her skill in creating and organising the British nursing profession in later life…

Read the entire article here.

Inside Facebook’s Totally Adorable, Kind of Racist Mixed Race Baby Community

Broadly
2016-06-21

Charlie Brinkhurst-Cuff

Thousands of people have signed up to Instagram and Facebook communities to celebrate the beauty of multiracial children. But not everyone is convinced that they have the purest intentions at heart.

In a world plagued by racism and prejudice, some people have hit on what they believe to be a simple but obvious solution. “Biracial babies!” they coo. “And they’re so cute, too!”

This is tongue in cheek, of course, but speaking as someone whose father is white and whose mother is black Caribbean, there does seem to be a growing and pervasive fascination with multiracial people. And in particular, babies…

…Recent census figures show mixed-race people are the fastest growing ethnic minority both in the US and the UK. These numbers are only set to rise, as predictions suggest that white people will no longer make up the majority of the US population by 2043. In the UK, one University of Oxford professor has said white Britons are set to become a minority in 2066.

Like many children, the lives of multiracial babies are intimately documented on social media, but they are arguably fixated on to a larger extent than most. Their pictures are all over the internet, under hashtags such as #BiracialBabies, #KardashianKids, #MixedLove, and #Diversity. On Instagram, accounts like Beautiful Mixed Kids and Mixed Babies Feature amass thousands of followers, along with regular picture submissions from doting family members…

Read the entire article here.

No Telephone to Heaven

Plume
March 1996 (Originally published in 1987)
224 Pages
Paperback ISBN: 9780452275690

Michelle Cliff (1946-2016)

A brilliant Jamaican-American writer takes on the themes of colonialism, race, myth, and political awakening through the experiences of a light-skinned woman named Clare Savage. The story is one of discovery as Clare moves through a variety of settings – Jamaica, England, America – and encounters people who affect her search for place and self.

The structure of No Telephone to Heaven combines naturalism and lyricism, and traverses space and time, dream and reality, myth and history, reflecting the fragmentation of the protagonist, who nonetheless seeks wholeness and connection. In this deeply poetic novel there exist several levels: the world Clare encounters, and a world of which she only gradually becomes aware – a world of extreme poverty, the real Jamaica, not the Jamaica of the middle class, not the Jamaica of the tourist. And Jamaica – almost a character in the book – is described in terms of extraordinary beauty, coexisting with deep human tragedy.

The violence that rises out of extreme oppression, the divided loyalties of a colonized person, sexual dividedness, and the dividedness of a person neither white nor black – all of these are truths that Clare must face. Overarching all the themes in this exceptionally fine novel is the need to become whole, and the decisions and the courage demanded to achieve that wholeness.

Chan

Bloodaxe Books
2016-06-23
72 pages
234 x 156 mm
Paperback ISBN: 9781780372839
E-book ISBN: 9781780372846

Hannah Lowe

Chan is a mercurial name, representing the travellers and shape-shifters of the poems in this collection. It is one of the many nicknames of Hannah Lowe’s Chinese-Jamaican father, borrowed from the Polish émigré card magician Chan Canasta. It is also a name from China, where her grandfather’s story begins. Alongside these figures, there’s Joe Harriott, the Jamaican alto saxophonist, shaking up 1960s London; a cast of other long-lost family; and a ship full of dreamers sailing from Kingston to Liverpool in 1947 on the SS Ormonde.

Hannah Lowe’s second collection follows her widely acclaimed debut, Chick, which took readers on a journey round her father, a gambler who disappeared at night to play cards or dice in London’s old East End to support his family.