Fanny Eaton: The Black Pre-Raphaelite Muse that Time Forgot

Posted in Articles, Arts, Biography, History, Media Archive, United Kingdom, Women on 2016-06-22 16:05Z by Steven

Fanny Eaton: The Black Pre-Raphaelite Muse that Time Forgot

AnOther
2016-03-07

Shola von Reynolds


Walter Fryer Stocks, British, 1842–1915: Mrs. Fanny Eaton, ca. 1859 / Black, red, and white chalk on cream wove paper / 43.2 × 34.9 cm (17 × 13 3/4 in.) / Museum purchase, Surdna Fund / 2016-1 / Princeton University Art Museum

The enigmatic model made her way to London from Jamaica in the early 19th century to sit for the Pre-Raphaelites, and her legacy lives on in their impactful work

Who? Lizzie Siddal has long reigned supreme in the minds of historians, artists and writers as the embodiment of the artist’s muse. Her fellow Pre-Raphaelite models, such as Marie Spartali, Jane Morris or Maria Zambaco are less well known, but renewed attention has given many of these women a rightful place in art history beyond the typically limited conception of “the muse”. If you haven’t heard of Fanny Eaton, however, there would be meagre cause for surprise, though surprise there should be: little exists in the way of information about her, and until recent years all that remained was the series of paintings and drawings she sat for.

Fanny Eaton was a black Victorian Londoner and, for some time, painter’s model. Born in Jamaica in 1835, Eaton was the daughter of an ex-slave and, it is suspected, a white slave owner. She came to London in the 1840s and began modelling in her twenties. It has been discovered that she was working as a regular portrait model at the Royal Academy, which is potentially where she caught the attention of the many renowned painters of the era she sat for…

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Florence Nightingale supporters in row over black rival’s new statue, claiming she is venerated based on ‘false achievements’

Posted in Articles, Biography, Europe, History, Media Archive, United Kingdom, Women on 2016-06-22 15:39Z by Steven

Florence Nightingale supporters in row over black rival’s new statue, claiming she is venerated based on ‘false achievements’

The Daily Mail
2016-06-20

Martin Robinson, UK Chief Reporter

Plans to give Britain’s most famous black nurse a statue have today been blasted by Florence Nightingale fans, who say it is a ‘history hoax’ because all she did was ‘sell wine and sandwiches’ in Crimea.

Mary Seacole is set to have a £500,000 bronze unveiled in her honour at St Thomas’ Hospital in London this month – the first public memorial to celebrate the ‘black pioneer nurse’.

It will be taller than Florence Nightingale’s statue in Pall Mall and Edith Cavell’s off Trafalgar Square.

And it will be unveiled this month at St Thomas Hospital where Nightingale founded her nursing school, and Seacole has no connection to whatsoever, critics say…

…Mary Seacole is regarded as our greatest black Briton, a woman who did more to advance the cause of nursing – and race relations – than almost any other individual.

On the bloody battlefields of the Crimea, she is said to have saved the lives of countless wounded soldiers, and nursed them back to health in a clinic she paid for out of her own pocket.

But some historians have long complained that she has become almost as famous as that other nursing heroine, Florence Nightingale…

…Born in Jamaica in 1805, she was the daughter of a white Scottish officer called Grant, and a Creole woman, from whom Mary learned her ‘nursing skills’. In her early 20s, Seacole married a Jamaican merchant called Edwin Seacole and travelled with him around the Caribbean, Central America and England until his death in 1844.

Seacole then set up a ‘hotel’ in the town of Cruces in Panama, where she is reputed to have treated cholera victims.

With the outbreak of the Crimean War later that year, Seacole was determined to offer her nursing services to the British, and, when she was turned down by the authorities, she paid her way to the peninsula out of her own pocket…

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Revealed: MP’s alleged killer ‘bought manual on how to make a handgun and bombs from a US far-right group and has links to neo-Nazi organisations going back decades’

Posted in Articles, Law, Media Archive, Politics/Public Policy, United Kingdom on 2016-06-17 19:57Z by Steven

Revealed: MP’s alleged killer ‘bought manual on how to make a handgun and bombs from a US far-right group and has links to neo-Nazi organisations going back decades’

The Daily Mail
London, England
2016-06-17

James Tozer, Chris Greenwood, Andy Dolan, and Claire Duffin For The Daily Mail
Richard Spillett, Stephanie Linning, and Lucy Crossley for MailOnline

  • Detectives were last night questioning Thomas Mair over Jo Cox’s murder
  • US civil rights group say their records show he bought far-Right books
  • Claims the quiet loner had been recently released from psychiatric care
  • Mair was brought up by his grandmother and lived in his childhood home
  • Half-brother says Mair never expressed any ‘racist tendencies’, adding: ‘I’m mixed race and I’m his half-brother. We got on well’

The man suspected of killing Labour MP Jo Cox previously bought a book on how to make a handgun, it was claimed this morning.

Thomas Mair has been described as a loner who was ‘socially isolated and disconnected from society’ as a result of long-term mental illness.

Detectives were last night questioning 52-year-old Thomas Mair, amid fears he was motivated by Mrs Cox’s political campaigning.

Documents obtained from a US far-right group show a 1999 receipt for a manual on how to build a homemade gun with Mr Mair’s name and address on the top…

…Duane St Louis, age 41, the suspect’s half-brother and Mary’s son with second husband Reginald St Louis, said Mair had obsessive compulsive disorder and cleaned himself with Brillo pads because he was ‘obsessed with his personal hygiene’.

Reginald, who is believed to be from Grenada, and Mary had married when Mair was around 16. The couple lived with Duane and Mair’s younger full brother Scott, while Mair stayed with his grandmother. Reginald died in the 1980s. It is not known if Mair’s father, named locally as James, is still alive.

Speaking from his home in Dewsbury, West Yorkshire, he added: ‘He’s never expressed any views about Britain, or politics or racist tendencies. I’m mixed race and I’m his half-brother, we got on well. He never married. The only time I remember him having a girlfriend was as a young man, but a mate stole her off him. He said that put him off [women] for life.’…

Read the entire article here.

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Imitation of Life: Melodrama and Race in the 21st Century exhibition, HOME, reviewed by Şima İmşir Parker

Posted in Articles, Literary/Artistic Criticism, Media Archive, Passing, United Kingdom on 2016-06-16 18:26Z by Steven

Imitation of Life: Melodrama and Race in the 21st Century exhibition, HOME, reviewed by Şima İmşir Parker

The Manchester Review
Manchester, England
May 2016

Şima İmşir Parker, Graduate Teaching Assistant
University of Manchester

Imitation of Life: Melodrama and Race in the 21st Century, Home, 30 April 2016 – 3 July 2016

“The melodramatic body is a body seized with meaning” writes Peter Brooks in “Melodrama, Body, Revolution.” Body is not only a sight branded with meanings and symbolism, but also a sight where resistance becomes possible through the gestures and mimics where what is repressed comes back to life. Melodramatic bodies are sights of both stigma as well as expression and resistance, something that the new Home exhibition Imitation of Life: Melodrama and Race in the 21st Century successfully brings forth by revealing the politics on and of the body, more specifically through the representations of race, gender and sexuality in the post-digital world in which we live.

The exhibition opens with Sophia Al-Maria’s new work, Scarce New Flowers, a photographic series of real products, “facial whitening creams” sold in South Asia, the Middle East and Africa with instructions only in Mandarin and Arabic. With the images of real boxes with women’s faces on them growing, being repeated and distorted, the product itself becomes melodramatic and hyperbolic, acting as a stark reminder of on-going racial stereotypes (and passing) that exist within a cross-cultural spectrum.

Passing as white is a subject widely discussed around Fanny Hurst’s novel Imitation of Life and its later movie adaptations, the work that gives its title to the exhibition. The novel was published in 1933. Almost immediately after its publication, in 1934, its first movie adaptation, directed by John Stahl, made it to the big screen. The life of the story however was not limited to one adaptation. In 1959, an iconic name for melodramas, Douglas Sirk, made another adaptation of the novel. This version, although not as loyal to the original story as John Stahl’s version, gained far greater popularity. The story, narrating two women’s struggle to take care of themselves and their daughters, was revealing of racial and gender stereotypes by portraying the black maid (Delilah/Annie) as the caregiving “mama” whose daughter (Peola/Sarah Jane) passes as white and the white single mother (Bae/Lora) who chooses a successful career at the cost of not providing care for her daughter and not uniting with her loved one. In 2002 Todd Haynes remade the movie, this time shifting the focus from race to homosexuality…

Read the entire review here.

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The penalties of miscegenation

Posted in Articles, Law, Media Archive, Politics/Public Policy, United Kingdom on 2016-06-15 20:58Z by Steven

The penalties of miscegenation

Patterns of Prejudice
Volume 6, Issue 3, 1972
pages 10-12
DOI: 10.1080/0031322X.1972.9969062

Mary Dines (1927-2011)

Paragraph 24 of “Commonwealth Citizens: Control after Entry: Immigration Rules” (Cmd. 4295) reads:

“If a man who was admitted as a visitor or student, or in some other temporary capacity, marries a woman who is a resident in the United Kingdom, he is not on that account to be granted an extension of stay or any other variation of conditions to enable him to settle here unless refusal would be undesirable because of the degree of hardship which, in the particular circumstances of the case, would be caused if the woman had to live outside the United Kingdom in order to be with her husband after marriage…”

These instructions are based on a rule announced by the Home Secretary in January 1969 as an “administrative procedure” and the principles involved were never submitted to Parliament in the form of a Clause or an amendment to a Bill. At the time, Mr. Callaghan stated that the intention was to put an end to the facility allowed to male fiancés to settle in the U.K. after marriage which then existed. This facility, he claimed, was being abused, particularly by Asians, as a means of seeking entry to the U.K. without an employment voucher. It is not proposed to go into the arguments about male fiancés at this stage and indeed experience has shown that this matter was used as a camouflage for the real motives behind the introduction of the new rules. A careful study of the wording confirms this and it should be noted that the Home Office say that the man marrying a resident here “is not on that account to be granted an extension of stay” (my italics).

In any discussion on racial prejudice in Britain the question of miscegenation is bound to arise. Even in colonial times the British showed a marked aversion to mixed marriages. Significantly the majority of those that did take place were between “other ranks” of occupying armies and local women in places like…

Read or purchase the article here.

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Large Abroad | London poet laureate Raymond Antrobus staying true to Jamaican roots

Posted in Articles, Arts, Caribbean/Latin America, Media Archive, United Kingdom on 2016-06-13 14:39Z by Steven

Large Abroad | London poet laureate Raymond Antrobus staying true to Jamaican roots

The Gleaner
Kingston, Jamaica
2016-06-13

Andre Poyser


Raymond Antrobus

Raymond Antrobus continues to be in strong contention to be named Young Poet Laureate for London – a position awarded annually to a poet age 21-30 living in the United Kingdom capital.

Antrobus, a second-generation Jamaican born and bred in East London, has been redefining what it means to be a poet in the 21st century through monologues, which Calabash co-founder Kwame Dawes describes as stunning studies of voice and substance.

While he only visits Jamaica occasionally, the young poet says he owes his graceful and finely crafted lyric poems, another characterisation penned by Dawes, to his Jamaican heritage…

Read the entire article here.

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Loving Day 2016

Posted in Asian Diaspora, Audio, Literary/Artistic Criticism, Media Archive, Politics/Public Policy, United Kingdom on 2016-06-13 00:17Z by Steven

Loving Day 2016

Hapa Happy Hour
2016-06-11

Tune in with Lisa and Hiwa as they discover technology and talk about race, Loving Day, films, and politics! And feel free to contact us through hapahappyhour@gmail.com. Happy Loving Day!

Listen to the podcast here. Download the podcast here.

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The Agonies Of “Passing” – Considering the Murder Mystery ‘Sapphire’

Posted in Articles, Communications/Media Studies, Media Archive, Passing, United Kingdom, Videos on 2016-06-12 01:06Z by Steven

The Agonies Of “Passing” – Considering the Murder Mystery ‘Sapphire’

IndieWire
July 2014

Sergio

The Agonies Of “Passing” – Considering the Murder Mystery ‘Sapphire

Starting in the late 1940’s, and continuing through to the end of the ‘50’s, Hollywood seemed to be obsessed with the concept of “passing” –light skinned black people passing for white. Though it wasn’t new, of course, somehow it caught Tinseltown’s attention and a slew of films were made, almost all them dealing with women in particular, who passed for white and the tragedies and sorrow that they encountered.

Elia Kazan’sPinky,” “Lost Boundaries,” “Imitation Of Life,” “Band of Angels,” “The Night of the Quarter Moon,” “I Passed for White,” and the would-be “Gone with the Wind” rip-off, “Raintree County,” with Elizabeth Taylor and Montgomery Clift, which, technically may not be a “passing” movie, though it deals with a pre-Civil war, antebellum Southern belle (Taylor), who goes slowly insane because she believes her real mother was a slave, who was her father’s lover (turns out that she wasn’t, but Taylor dies anyway for all her grief).

But, for my money, the real doozy of the passing-for-white films wasn’t from Hollywood, but came instead from the U.K.

I’m referring to the 1959 British mystery detective film “Sapphire,” directed by Basil Dearden, who specialized, during the late 50′s and 60′s, in films with controversial subject matter, such as his 1961 film “Victim,” which dealt with a successful and closeted gay barrister who is being blackmailed, and fights back against his tormentors. It is credited for being the first movie in which the word “homosexual” was actually used in a film.

But “Sapphire” is in another realm altogether…

Read the entire review here. Watch the entire film, Sapphire here.

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Piers Morgan shot down after trying to justify comments about ‘racist’ Muhammad Ali during GMB

Posted in Articles, Media Archive, United Kingdom, Videos on 2016-06-10 16:55Z by Steven

Piers Morgan shot down after trying to justify comments about ‘racist’ Muhammad Ali during GMB

The Daily Mirror
London, England
2016-06-06

The host previously tweeted that Ali was responsible for a number of ‘inflammatory’ and ‘racist’ comments

Piers Morgan was shot down as he discussed Muhammad Ali during Good Morning Britain.

Over the weekend the outspoken host was met with a backlash when he claimed Ali was responsible for a number of ‘racist’ comments following his death on Friday.

He tweeted: “Muhammad Ali said far more inflammatory/racist things about white people than Donald Trump ever has about Muslims. #fact.”

Piers looked to be trying to justify his comments about the boxer when he presented Good Morning Britain on Monday.

Speaking to barrister Miranda Brawn, he said: “There was another side to Ali, he was incredibly controversial.”…

…But guest Miranda didn’t let Piers’ comments go uncontested as she set the record straight about Ali’s racial agenda.

She instead reminded Piers that Ali was integral in helping improve self-pride amongst black people…

Read the entire article here.

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Report from The York Union: Stephen Woolfe MEP: The Futures of Britain and UKIP

Posted in Articles, Media Archive, Politics/Public Policy, United Kingdom on 2016-06-08 23:32Z by Steven

Report from The York Union: Stephen Woolfe MEP: The Futures of Britain and UKIP

The Yorker
2016-06-07

Jack Harvey, Editor/Editorial Director


Photo credit: James Hostford

For some voters, a mixed-race candidate for UKIP doesn’t quite add up. “UKIP? But they’re against immigrants, aren’t they?” one might say. This is not true, says Stephen Woolfe, the MEP for North West England and the party spokesman for Economic Affairs and Migration. UKIP is not against immigration nor the immigrants themselves.

Born in Manchester in 1967, Stephen Woolfe comes from a working-class family. When his parents’ relationship ended, he and his siblings were taken to live with his grandmother until his family could acquire a council house. The family slept in a single room and as a child Woolfe was washed in the kitchen sink. His mother worked in a biscuit factory, cleaned the local bookmaker’s and manned a shoe shop all at once to make ends meet. By his own admission, Woolfe didn’t have much, but his family ensured that he came away from his childhood in the possession of two distinct things: a determination to work hard and an education. “I was always being given books. We read; my mum would read to me at night.” Woolfe secured a scholarship at an independent school, St. Bede’s College and went on to study Law at Aberystwyth University. From his youth, Woolfe learned the value of hard work and the possibility to better oneself…

Read the entire article here.

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