Mixed Race Studies

Mixed race author on the struggle of having to ‘pick a side’

The Voice
2016-06-05

Davina Hamilton, Entertainment Editor

LIFETIME OF LOVE: Gus and sister Chi-chi with their parents Michael and Margaret

Author Gus Nwanokwu on growing up with a Nigerian father and Irish mother in 1960s Britain

THE PRESSURE to ‘pick a side’, the struggle to find acceptance, and the sense of alienation are issues that have been addressed by many academics when examining the mixed race experience.

But rarely has the subject of mixed race identity been chronicled through literature, by authors who have lived the experience. Gus Nwanokwu seeks to fill this void with his new book, Black Shamrocks – a powerful memoir, in which he charts his experiences as a mixed race child in post-colonial England.

Growing up in London in the 1960s and 70s, Nwanokwu would often see the ‘No blacks, no dogs, no Irish’ signs hanging in the windows of rented accommodation. The experience was all the more poignant for the youngster, as he was born to an Irish mother and Nigerian father.

“My parents met at the Hammersmith Palais in 1955,” Nwanokwu explains. “Mum was collecting her coat as she was about to leave when my dad walked in. He was instantly smitten and persuaded her not to leave, but to accompany him to the dance floor. They stayed together forever after that point.”…

Read the entire article here.

Black Shamrocks: Accommodation Available – No Blacks, No Dogs, No Irish

CreateSpace Independent Publishing Platform
2016-03-24
482 pages
15.2 x 2.8 x 22.9 cm
Paperback ISBN-13: 978-1523490912

Gus Michael Nwanokwu

While many academics and social scientists have examined the psychological and societal implications of growing up as a mixed-race person, few works exist that chronicle the actual lived experience of navigating life while juggling two cultures and racial identities.

Gus Nwanokwu seeks to fill this literary void with Black Shamrocks, a powerful memoir of life as a half-Nigerian and half-Irish boy in London and the in the 1960s and 70s.

The son of a Biafran-Nigerian father and an Irish mother, Nwanokwu experiences from a tender age the harsh realities of racism, classism, and anti-immigration sentiments and bigotry in post-colonial England.

Despite the high hurdles and the abject poverty into which he and his siblings were born, Nwanokwu rises above the challenges, pursues an education, and spends his life giving back as a teacher and contributing to the betterment of society.

With keen insights about the nature of the challenges he faced, Nwanokwu’s coming-of-age memoir deftly explores his attempts to balance black and white, poverty and pride, love and violence, irreverence and respect, joy and pain, justice and injustice, and misery and satisfaction against the backdrop of a rapidly changing world.

Becky and Mia – Belonging and Not Belonging

The Listening Project: It’s surprising what you hear when you listen
BBC Radio 4
2016-06-03

Fi Glover introduces a conversation about the surprising challenges facing a mixed race family at home and abroad. Another in the series that proves it’s surprising what you hear when you listen.

The Listening Project is a Radio 4 initiative that offers a snapshot of contemporary Britain in which people across the UK volunteer to have a conversation with someone close to them about a subject they’ve never discussed intimately before. The conversations are being gathered across the UK by teams of producers from local and national radio stations who facilitate each encounter. Every conversation – they’re not BBC interviews, and that’s an important difference – lasts up to an hour, and is then edited to extract the key moment of connection between the participants. Most of the unedited conversations are being archived by the British Library and used to build up a collection of voices capturing a unique portrait of the UK in the second decade of the millennium. You can learn more about The Listening Project by visiting bbc.co.uk/listeningproject.

Producer: Marya Burgess.

Listen to the story here.

Dancer, painter, soldier … Tottenham brothers on their way to the top

The Guardian
2016-05-28

Jessica Elgot

From left to right, Solomon, Kidane and Amartey … ‘We are fiercely proud – we didn’t feel like these institutions were worlds away.’ Photograph: Linda Nylind for the Guardian

Maryam Golding’s three oldest sons – an artist, a soldier and a ballet dancer – are all on the way to the top. Much of that, they say, is due to their parents, who brought them up to be fiercely proud of their mixed race heritage

Maryam Golding rarely gets her three eldest sons together round the dinner table at her small west London flat. Her boys have extraordinary reasons to be busy. The last time the whole family was crowded into the living room, her middle son was celebrating winning the Sword of Honour at Sandhurst, his younger brother was between performances with the Royal Ballet and his older brother, an artist, was back from a sell-out residency in Dubai…

Read the entire article here.

Tim Brannigan, a real black Irish republican

The Irish Times
Dublin, Ireland
2016-05-28

Fionola Meredith

When Tim Brannigan was born his mother persuaded a doctor to declare him a stillbirth. Then she gave him to an orphanage – coming back a year later to ‘adopt’ the son she couldn’t admit she’d had. After that he had a normal IRA–safe-house childhood

When Tim Brannigan was 19 he found out who he really was. Growing up as a black kid in 1970s west Belfast, he already knew he was different. He had been adopted as a baby, he believed. But it turned out the person who “adopted” him was his own mother, Peggy. As he tells it in his memoir, Where Are You Really From?, it is an extraordinary narrative of secrecy, desperation and deep, unbreakable devotion, played out against the flaming backdrop of the Troubles. So perhaps it isn’t surprising that Hollywood can see its cinematic potential. Brannigan recently sold the film rights to his life story to the Oscar-winning producer John Lesher, and scripting will soon be under way.

“Mum told me everything on July 13th, 1985,” Brannigan says. He remembers the date clearly because it was the day of Live Aid, Bob Geldof’s televised music fundraiser for famine relief in Ethiopia. The family had decamped to an uncle’s holiday house in Cushendall, Co Antrim, to escape the Twelfth parades in Belfast. “The drink was flowing, and my mum was sitting there with a glass in her hand,” says Brannigan. “She started asking me what I wanted to do when I got my A levels. Suddenly she said, ‘Your father was a doctor.’”

That didn’t make sense. As far as Tim knew his adoptive father was Tom Brannigan, a delivery man and sometime showband singer, whom he describes as a chancer. “He had plenty of opportunities to fly his kite, and he did.”

“Get ready,” Peggy said. “First of all, you’re not adopted.” Shocked, Tim began to weep. “Don’t cry,” his mother whispered. “People will think I’m shouting at you. And don’t tell them, or I’ll bust your face!”…

Read the entire article here.

Where Are You Really From?

Culture Northern Ireland
2010-04-10

Joanne Savage

Race, republicanism and a mothers love in Tim Brannigan’s memoir

Peggy Brannigan met Michael Ekue at a dance in Belfast in 1965. She was from Beechmount; he was a medic from Ghana. Their eyes met, they danced and sparks flew. She was gorgeous and vivacious and republican. He was well groomed, educated and, exotically for Belfast in the 1960s, black. Both were married but swept away by each other. It was a passionate affair and the result was Tim.

His skin colour meant Peggy Brannigan had to go to extraordinary lengths to placate her husband and stave off the judgement of her devoutly Catholic neighbourhood. A black baby would have sent the busybodies fingering their rosary beads behind the net curtains into overdrive.

The little boy was smuggled from the hospital to St Joseph’s Baby Home. Peggy told everyone it had been a stillbirth. When the dust settled she began to visit her son in St Joseph’s, soon bringing him home on weekends. Eventually she would adopt him.

Meanwhile, Doctor Ekue did what so many philandering married men do. He stuck his head in the sand and carried on as usual, never contributing to his son’s education or upkeep. He returned to Ghana and left Peggy to do the rest.

Being black in the almost totally white working class area of Beechmount in the heart of west Belfast (an area this writer knows all too well), Tim obviously stood out. Narrow-minded people made stupid remarks, including the British soldiers lining the streets. Some classmates were unkind and Tim was increasingly aware that he was different from his four brothers. As he grew up he became embroiled in the republican struggle, despite backward men in bars insisting that it wasn’t his struggle or that, being black, he somehow couldn’t count as republican…

Read the entire review here.

Where Are You Really From? Kola Kubes and Gelignite, Secrets and Lies – The True Story of an Extraordinary Family

Blackstaff Press
2010-12-06
208 pages
5.4 x 0.5 x 8.4 inches
Paperback ISBN: 978-0856408533

Tim Brannigan

Tim Brannigan was born in Belfast in 1966, and spent the first year of his life in St Joseph’s Baby Home, before being adopted by his birth mother. Told here for the first time is Tim’s extraordinary story, describing in vivid detail what it was like growing up black in Belfast during the turbulent 1970s and 80s, his five-year stint as a republican prisoner, his coming to terms with the true circumstances surrounding his birth, and his desperate attempts to trace the father who abandoned him.

Late Night Woman’s Hour (2016-05-27)

Woman’s Hour
BBC Radio 4
2016-05-27

Lauren Laverne, Presenter

Lauren Laverne and guests discuss the origins and pitfalls of stereotypes of women.

• With Joanne Harris, best-selling author of Chocolat who has written about myth and fairy tales.
• Lisa Mckenzie, a sociologist at the London School of Economics, who has explored portrayals of working class women
• Emma Dabiri, teaching fellow at the School of Oriental and African Studies in London, who has studied what people mean by the term ‘mixed-race’ in Britain today.
• Jane Cunningham, founder of advertising and marketing consultancy Pretty Little Head.

Listen to the episode here. Download the episode here.

Recovering the Afro-Metropolis Before Windrush

Christian John Høgsbjerg
University of Leeds

Anthurium: A Caribbean Studies Journal
Volume 13, Issue 1 (The Caribbean Radical Tradition)
May 2016

Marc Matera, Black London: The Imperial Metropolis and Decolonization in the Twentieth Century (Oakland, California: University of California Press, 2015), 410 pp.

In Black London, Marc Matera’s wide-ranging historical overview of the small but significant African and Afro-Caribbean presence in London from the 1920s to the 1940s, we have an important work which can take its place proudly alongside classic works such as Peter Fryer’s Staying Power and complementing more recent works such as John Belchem’s study of “black Liverpool,” Before the Windrush. Synthesizing scholarship both old and new in a sophisticated manner with an impressive level of archival research undertaken over a decade, Matera provides a powerful, indeed unanswerable, rebuttal to all those who would persist in seeing the arrival of the Empire Windrush in 1948 as the critical watershed marking the birth of “black British history”. The range of themes explored in Black London – political anticolonial agitation, social questions around interracial sex, imperial metropolitan cultural themes around British film-making and portrayals of Africa on the big screen, and the counter-cultures of resistance forged by black women and a host of musicians from across the African diaspora – mean that the work will appeal and be appreciated by not only historical specialists but also a wider public and popular audience…

…Matera registers in passing how the interracial relationships and marriages often resulting in such working class communities transgressed racial boundaries and upset imperialist sensibilities, noting for example that John Harris, who headed up the Committee for the Welfare of Africans in Europe, proposed to the Home Office in 1936 the gradual repatriation of black seafarers in Britain and suggested “steps might be found for raising the standard” of their mixed offspring “to that of the white races rather than leave them to drift down to that of the black” (210). Yet Matera’s work tells us little for example about the more general institutional racism suffered by this group of workers at the hands of the British state and the ship-owners (sometimes in collusion with the official National Union of Seamen), and perhaps more needed to be said about the “colour bar” that operated more widely across London (and Britain generally), for example in housing. Incidentally, it is noted that black actors such as Orlando Martins and Robert Adams survived by part-time work as wrestlers, but the role of black wrestlers as an aspect of wider inter-war multiracial working class culture might have been usefully developed (though I only am able to write this after recently hearing Gemma Romain give a fascinating paper on this very subject). Speaking of actors, though Matera does briefly discuss black theatre in Britain, I felt he could have pushed a little further in this direction, for example, building on the recent excellent work Black and Asian Theatre in Britain by Colin Chambers…

Read the entire review here.

Black London: The Imperial Metropolis and Decolonization in the Twentieth Century

University of California Press
May 2015
414 pages
Hardcover ISBN: 9780520284296
Paperback ISBN: 9780520284302
E-Book ISBN: 9780520959903

Marc Matera, Assistant Professor of History
University of California, Santa Cruz

This vibrant history of London in the twentieth century reveals the city as a key site in the development of black internationalism and anticolonialism. Marc Matera shows the significant contributions of people of African descent to London’s rich social and cultural history, masterfully weaving together the stories of many famous historical figures and presenting their quests for personal, professional, and political recognition against the backdrop of a declining British Empire. A groundbreaking work of intellectual history, Black London will appeal to scholars and students in a variety of areas, including postcolonial history, the history of the African diaspora, urban studies, cultural studies, British studies, world history, black studies, and feminist studies.

Contents

• List of Illustrations
• Acknowledgments
• List of Abbreviations
• Introduction: The Imperial and Atlantic Horizons of Black London
• 1. Afro-metropolis: Black Political and Cultural Associations in Interwar London
• 2. Black Internationalism and Empire in the 1930s
• 3. Black Feminist Internationalists
• 4. Sounds of Black London
• 5. Black Masculinity and Interracial Sex at the Heart of the Empire
• 6. Black Intellectuals and the Development of Colonial Studies in Britain
• 7. Pan-Africa in London, Empire Films, and the Imperial Imagination
• Epilogue
• Notes
• Bibliography
• Index