Mixed Race Studies

Maud Sulter

The Herald
Glasgow, Scotland, United Kingdom
2008-03-21

Artist and writer; Born September 19, 1960; Died February 27, 2008. MAUD Sulter, who has died after a long illness aged 47, was an extraordinarily gifted visual artist, writer, playwright and cultural historian.

She was born in Glasgow, of Scots and Ghanaian descent: in her poem Circa 1930, she pointed out that these two cultures “are not as disparate as they might/at first seem. Clan-based societies/With long memories and global diasporas”. The exploration of the continuing presence of Africa in Europe was one of her principal themes, explored through her art in a variety of media: text, photography, sound and performance.

She was active in feminist communities in London in the early 1980s, and while working with a women’s education group programmed Check It, a groundbreaking two-week show at the Drill Hall showcasing black women’s creativity…

…As well as her academic writing, she published several collections of poetry: As a Blackwoman (1985), which won the Vera Bell Prize for poetry that year; Zabat (1989); and Sekhmet (Dumfries & Galloway Council, 2005); and a play about Jerry Rawlings, Service to Empire (2002). “I often address issues of lost and disputed territories, both psychological and physical,” she wrote in 1994. “The central body of my poetic work is unequivocally the love poetry which is addressed to both genders.” Sekhmet begins with a roll-call of love and gratitude to friends, lovers, family across the world, to medics, and to the ancestors, “who walked beside me when I needed them most and carried me forward when the terrain was too rough but never absolve me of the responsibility for my own life and identity”…

Read the entire obituary here.

Phoebe Boswell: The Matter of Memory

Africanah.org: Arena for Contemporary African, African-American and Caribbean Art
Amsterdam, Kingdom of the Netherlands
2015-02-05

Yvette Greslé, Art Historian/Writer

Edited by Rob Perrée

Phoebe Boswell. ‘The Matter of Memory’, 2013-14. Installation view at Carroll/Fletcher [detail]. Courtesy the artist and Carroll/Fletcher.

I settle into an armchair and am surprised by voices audible from a mechanism buried in the fabric. I hear the voice of the artist, Phoebe Boswell, but also simultaneously, the voice of another. I discover that the chair on the right hand side (as I face the screen) transmits the voice of Boswell’s mother; and the other that of her father. Each parent narrates their memories of life in Kenya, where both were born, raised and married. As they narrate, their child (the artist) repeats their words. This device of multiple, simultaneous narration, does not obscure the speech of each. When the father pauses, the daughter pauses, when the mother sings, the daughter sings. This is a work of memory, a deliberate, staged act of remembering, but it is also a work of familial intimacy. The daughter appears to cherish the memories of the parents, repeating them so as not to forget. This gesture is poignant, it resists erasure and forgetting, and anticipates the inevitability of loss.

The armchairs, with their audio, are titled ‘When I Hear My Own Voice, I Can Hear Kenya’ (2013/14). These sound-objects are an important component in what is an immense spatial installation occupying the whole of the basement level of the Carroll/Fletcher Gallery. Titled ‘The Matter of Memory’ the work encompasses sound, looped projections, animations, objects, and drawings. It embodies the existence of multiple, simultaneous narratives functioning strategically to oppose assumptions about the world in which we live. Deeply sedimented racial prejudices that still hold the world in their thrall are potently countered and resisted. Boswell’s ‘The Matter of Memory’ draws attention to the continued critical significance of human subjectivity, and memory-work, as a counterpoint to the tyranny of singular, overarching narratives…

…Narratives of multiple-heritage and displacement are ones that many twenty-first century subjects, emerging out of historical conditions of travel and migration, can relate to. Boswell’s British-born, Kenyan father, is a fourth generation Kenyan settler and her mother is Kikuyu Kenyan. Visual significations of colonial settler life into which the artist’s father was born, and the Kikuyu Kenyan heritage of her mother is present throughout the installation. The story of this family is one wound up in migration: Boswell who moved to London in 2000, was born in Kenya but grew up in the Middle-East. She now lives and works in London having studied painting at the Slade School of Art and 2D Character Animation at Central St Martins. ‘The Matter of Memory’ invites us into the most intimate spaces of Boswell’s family history. It speaks about the presence of love despite the borders dreamed up by the historical obsession with racial difference. But this work is certainly no idealistic account of the transcendent capacities of love in conditions of trauma and social and political violence. Kenya inhabits the memories and the emotional life of mother, father and daughter who negotiate belonging, displacement, and ideas of ‘Home’….

Read the entire article here.

A Mixed Race Feminist Blog Interview with Isabel Adonis

A Mixed Race Feminist Blog
2016-01-15

Nicola Codner
Leeds, Yorkshire, United Kingdom

About Isabel Adonis

I’m a private tutor, artist and writer and I live in Wales. My mother was a white Welsh woman and my father was a black man from Georgetown in Guyana. He was quite a well-known writer and artist. I was born and brought up in London until I was six when my father began working in Khartoum in the Sudan. I lived and went to school there until I was nine when my parents bought a house in Wales. For the next nine years I lived and went to school in Wales and travelled to Africa in the holidays. After five years in the Sudan my father worked in different universities in Nigeria. My parents split up when I was seventeen and my father returned to the Caribbean. My mother did not remarry. In my twenties I trained as a teacher but because of an incident at the school, which I think was race related I decided I would never teach. I have four grown up children.

Do you remember when you first came to understand that you are mixed race?

Yes, around the time that ethnic monitoring was introduced in the UK in the early nineties. I had no notion of being mixed race prior to that. I was not brought up to call myself anything. However I do not call myself mixed race now. I leave it to others to do that kind of thing. I resist being categorised in this way, since it is problematic. Identification functions by inclusion and therefore exclusion. I’m not happy with that…

Read the entire interview here.

Musician Chi-chi Nwanoku discussing her life and work on Talking Africa

BlackRook Media
2015-05-12

Musician Chi-chi Nwanoku has been discussing her life and work on Talking Africa. Chi-Chi is a passionate advocate of music and particularly the double bass. She is a Principal Double Bass and founder member of the Orchestra of the Age of Enlightenment and Endymion Ensemble. Born in London of Nigerian and Irish parents, Chi-Chi is also a Professor at Royal Academy of Music, a broadcaster, writer and mentor.

On Being Mixed Race: I am Not a Percentage or a Fraction

The Radical Notion
2016-01-12

Nicola Codner
Leeds, Yorkshire, United Kingdom

I’ve noticed frequently when I’m having a conversation with someone about my racial identity, I start to feel frustrated by some of the language that comes up. To clarify my father is black Jamaican, Nigerian and white British, and my mother is white British.

My earliest memories are of being described racially as ‘half-caste’. This was an acceptable term back in the 80’s, in the UK, to describe someone whose parents are of different races. People don’t tend to use this word anymore unless they are from older generations and unaware that it is not politically correct. The word ‘caste’ originates from the Spanish/Portuguese word ‘casta’ which means ‘pure’. Describing someone as half-caste is to imply they are only half pure which has obvious racist implications. This term was my first introduction to the idea that I had an identity that could be broken down into numerical fractions…

Read the entire article here.

TS Eliot prize: poet Sarah Howe wins with ‘amazing’ debut

The Guardian
2016-01-11

Mark Brown, Arts correspondent

Sarah Howe, a fellow at Harvard’s Radcliffe Institute, could ‘change British poetry’. Photograph: Hayley Madden/FMcM/PA

Judges hail daring use of form in a collection that examines poet’s joint British and Chinese heritage

A new voice, who judges say “will change British poetry”, has won the TS Eliot poetry prize. Sarah Howe, a fellow at Harvard University’s Radcliffe Institute, was awarded the £20,000 prize for Loop of Jade, which explores her dual British and Chinese heritage.

Howe’s work – the first debut poetry collection to win the British prize since it was inaugurated in 1993 – triumphed over a particularly strong shortlist, which featured some of poetry’s biggest names, including Don Paterson, Claudia Rankine, Sean O’Brien and Les Murray…

Read the entire article here.

Arguing That Black Is White: Racial Categorization of Mixed-Race Faces

Perception
Published online before print: 2015-12-29
DOI: 10.1177/0301006615624321

Michael B. Lewis, Reader in Psychology
Cardiff University, Wales, United Kingdom

Previous research has demonstrated that racially ambiguous faces (blended from Black and White parent faces) are categorized as being Black more often than White. This has been taken as support for social concept of hypodescent: mixed-race people are categorized with the same race as the socially subordinate parent. The current research explores racial categorization further by using two sets of participants: those with greater experience of White faces and those with greater experience of Black faces. It was found that mixed-race faces were categorized as being Black more often than White by the former but White more often than Black by the latter group. Racial categorization of a mixed-race face, therefore, depends upon who is doing the categorizing. A face that may be argued as appearing racially Black to one person would be argued as appearing racially White to another depending on their experience.

Read or purchase the article here.

Mothering, Mixed Families and Racialised Boundaries

Routledge
2014-02-10
120 pages
Paperback ISBN: 9781138953697
Hardback ISBN: 9780415733748

Edited by:

Ravinder Barn, Professor of Social Policy
Royal Holloway, University of London, United Kingdom

Vicki Harman, Senior Lecturer
Royal Holloway, University of London, United Kingdom

This pioneering volume draws together theoretical and empirical contributions analyzing the experiences of white mothers in interracial families in Britain, Canada and the USA. The growth of the mixed race population reflects an increasingly racially and culturally heterogeneous society, shaped by powerful forces of globalisation and migration. Mixed family formations are becoming increasingly common through marriage, relationships and adoption, and there is also increasing social recognition of interracial families through the inclusion of mixed categories in Census data and other official statistics. The changing demographic make-up of Britain and other Western countries raises important questions about identity, belonging and the changing nature of family life. It also connects with theoretical and empirical discussions about the significance of ‘race’ in contemporary society.

In exploring mothering across racialised boundaries, this volume offers new insights and perspectives. The notion of racialisation is invoked to argue that, while the notion of race does not exist in any meaningful sense, it continues to operate as a social process. This crucial resource will appeal to academics, researchers, policy makers, practitioners and undergraduate and postgraduate students.

This book was originally published as a special issue of Ethnic and Racial Studies.

Table of Contents

1. Introduction / Ravinder Barn and Vicki Harman
2. ‘Doing the right thing’: transracial adoption in the USA / Ravinder Barn
3. The experiences of race in the lives of Jewish birth mothers of children from black/white interracial and inter-religious relationships: a Canadian perspective / Channa C. Verbian
4. Researching white mothers of mixed-parentage children: the significance of investigating whiteness / Joanne Britton
5. Social capital and the informal support networks of lone white mothers of mixed-parentage children / Vicki Harman
6. Narratives from a Nottingham council estate: a story of white working class mothers with mixed-race children / Lisa McKenzie

The Race Relations Act at 50: Davina’s story

BBC Radio 5
In Short
2015-12-07

It is 50 years since Britain’s first Race Relations Act was passed, banning racial discrimination in public places.

Davina Looker, an English teacher and blogger from London has spoken to BBC Radio 5 live about her “desperate” search to find an identity, growing up as a child of mixed heritage. Her father Austin moved to the UK from Nigeria in 1988.

“There were struggles growing up mixed race and struggling to find an identity”, she said, adding:

“I remember going on holiday […] and being told certain children didn’t want to play with me because I was black or brown […] or going to church and no one learning my name, referring to me as ‘lighty’ rather than actually getting to know me as a person”.

Davina says she feels that things are improving now there are more mixed race people in the UK, It’s easier to understand when you’ve got people around you going through the exact same thing”.

This clip is originally from Up All Night on Monday 7 December 2015.

Watch the video here.

Race in Mind: Critical Essays

University of Notre Dame Press
2015
408 pages
ISBN: 978-0-268-04148-9

Paul Spickard, Professor of History
University of California, Santa Barbara

With contributions by Jeffrey Moniz and Ingrid Dineen-Wimberly

Race in Mind presents fourteen critical essays on race and mixed race by one of America’s most prolific and influential ethnic studies scholars. Collected in one volume are all of Paul Spickard’s theoretical writings over the past two decades. Ten of the articles have been revised and updated from previous publications. Four appear here for the first time. Spickard’s work embraces three overarching themes: race as biology versus race as something constructed by social and political relationships; race as a phenomenon that exists not just in the United States, but in every part of the world, and even in the relationships between nations; and the question of racial multiplicity.

These essays analyze how race affects people’s lives and relationships in all settings, from the United States to Great Britain and from Hawaiʻi to Chinese Central Asia. They contemplate the racial positions in various societies of people called Black and people called White, of Asians and Pacific Islanders, and especially of those people whose racial ancestries and identifications are multiple. Here for the first time are Spickard’s trenchant analyses of the creation of race in the South Pacific, of DNA testing for racial ancestry, and of the meaning of multiplicity in the age of Barack Obama.