Mixed Race Studies

William Ellis: The Former Slave Who Became a Mexican Millionaire

Houston Matters
Houston, Texas
2017-03-29

Guillermo Eliseo was a wealthy Mexican banker and broker who lived in New York City in the early 20th Century.

But, Eliseo had a secret. He was actually born into slavery on a cotton plantation in southern Texas, and his real name was William Ellis.

Maggie Martin talks with historian and author Karl Jacoby, who wrote a book about Ellis. It’s called The Strange Career of William Ellis: the Texas Slave Who Became a Mexican Millionaire.

Jacoby talks about why Ellis made the move to Mexico, the ways his secret life cut him off from his family and the lessons from his life.

Listen to the interview here (00:09:05).

México’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women

State University of New York Press
February 2017
350 pages
Hardcover ISBN13: 978-1-4384-6357-5

B. Christine Arce, Assistant Professor of Latin American Literature and Culture
University of Miami, Miami, Florida

2016 Victoria Urbano Critical Monograph Book Prize, presented by the International Association of Hispanic Feminine Literature and Culture

Analyzes cultural materials that grapple with gender and blackness to revise traditional interpretations of Mexicanness.

México’s Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as “La Adelita” and “La Cucaracha,” iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art’s crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.

Table of Contents

• List of Illustrations
• Acknowledgments
• Introduction: The Paradox of Invisibility
• Part I: Entre Adelitas y Cucarachas: The Soldadera as Trope in the Mexican Revolution
  • 1. Soldaderas and the Making of Revolutionary Spaces
  • 2. The Many Faces of the Soldadera and the Adelita Complex
  • 3. Beyond the “Custom of Her Sex and Country”
• Part II: The Blacks in the Closet
  • 4. Black Magic and the Inquisition: The Legend of La Mulata de Córdoba and the Case of Antonia de Soto
  • 5. “Dios pinta como quiere”: Blackness and Redress in Mexican Golden Age Film
  • 6. The Music of the Afro-Mexican Universe and the Dialectics of Son
• Conclusion: To Be Expressed Otherwise
• Notes
• Bibliography
• Index

The Strange Career of William Ellis: Texas Slave to Mexican Millionaire

Columbia News: Office of Communications and Public Affairs
Columbia University, New York, New York
2016-06-28

Karl Jacoby

The odds were certainly against William Henry Ellis, who was born into slavery on a Texas cotton plantation near the Mexico border.

But a combination of sheer moxie, an ability to speak Spanish and an olive skin allowed Ellis to reinvent himself. By the turn of the 20th century, he was Guillermo Enrique Eliseo, a successful Mexican entrepreneur with an office on Wall Street, an apartment on Central Park West and business dealings with companies and corporations halfway around the world.

His unusual life story is told in a new book titled The Strange Career of William Ellis: The Texas Slave Who Became a Mexican Millionaire by Karl Jacoby, a professor in the history department and the Center for the Study of Ethnicity and Race. Ellis “learned how to be what people wanted him to be, and how to be sure that people would see what they want to see,” Jacoby said…

Read the entire article here.

Unmaking Race and Ethnicity: A Reader

Oxford University Press
2016-07-20
512 Pages
7-1/2 x 9-1/4 inches
Paperback ISBN: 9780190202712

Edited by:

Michael O. Emerson, Provost and Professor of Sociology
North Park University
also Senior Fellow at Rice University’s Kinder Institute for Urban Research

Jenifer L. Bratter, Associate Professor of Sociology; Director of the Program for the Study of Ethnicity, Race, and Culture at the Kinder Institute for Urban Research
Rice University, Houston, Texas

Sergio Chávez, Assistant Professor of Sociology
Rice University, Houston, Texas

Race and ethnicity is a contentious topic that presents complex problems with no easy solutions. (Un)Making Race and Ethnicity: A Reader, edited by Michael O. Emerson, Jenifer L. Bratter, and Sergio Chávez, helps instructors and students connect with primary texts in ways that are informative and interesting, leading to engaging discussions and interactions. With more than thirty collective years of teaching experience and research in race and ethnicity, the editors have chosen selections that will encourage students to think about possible solutions to solving the problem of racial inequality in our society. Featuring global readings throughout, (Un)Making Race and Ethnicity covers both race and ethnicity, demonstrating how they are different and how they are related. It includes a section dedicated to unmaking racial and ethnic orders and explains challenging concepts, terms, and references to enhance student learning.

Table of Contents

• Preface
• UNIT I. Core Concepts and Foundations
  • What Is Race? What Is Ethnicity? What Is the Difference?
    • Introduction, Irina Chukhray and Jenifer Bratter
    • 1. Constructing Ethnicity: Creating and Recreating Ethnic Identity and Culture, Joane Nagel
    • 2. The Racialization of Kurdish Identity in Turkey, Murat Ergin
    • 3. Who Counts as “Them?”: Racism and Virtue in the United States and France, Michèle Lamont
    • 4. Mexican Immigrant Replenishment and the Continuing Significance of Ethnicity and Race, Tomás R. Jiménez
  • Why Race Matters
    • Introduction, Laura Essenburg and Jenifer Bratter
    • 5. Excerpt from Racial Formation in the United States From the 1960s to the 1990s, Michael Omi and Howard Winant
    • 6. Structural and Cultural Forces that Contribute to Racial Inequality, William Julius Wilson
    • 7. From Traditional to Liberal Racism: Living Racism in the Everyday, Margaret M. Zamudio and Francisco Rios
    • 8. Policing and Racialization of Rural Migrant Workers in Chinese Cities, Dong Han
    • 9. Why Group Membership Matters: A Critical Typology, Suzy Killmister
  • What Is Racism? Does Talking about Race and Ethnicity Make Things Worse?
    • Introduction, Laura Essenburg and Jenifer Bratter
    • 10. What Is Racial Domination?, Matthew Desmond and Mustafa Emirbayer
    • 11. Discursive Colorlines at Work: How Epithets and Stereotypes are Racially Unequal, David G. Embrick and Kasey Henricks
    • 12. When Ideology Clashes with Reality: Racial Discrimination and Black Identity in Contemporary Cuba, Danielle P. Clealand
    • 13. Raceblindness in Mexico: Implications for Teacher Education in the United States, Christina A. Sue
• UNIT II. Roots: Making Race and Ethnicity
  • Origins of Race and Ethnicity
    • Introduction, Adriana Garcia and Michael Emerson
    • 14. Antecedents of the Racial Worldview, Audrey Smedley and Brian Smedley
    • 15. Building the Racist Foundation: Colonialism, Genocide, and Slavery, Joe R. Feagin
    • 16. The Racialization of the Globe: An Interactive Interpretation, Frank Dikötter
  • Migrations
    • Introduction, Sandra Alvear
    • 17. Excerpt from Becoming Mexican American: Ethnicity, Culture, and Identity in Chicano Los Angeles, 1900-1945, George J. Sánchez
    • 18. Migration to Europe since 1945: Its History and Its Lessons, Randall Hansen
    • 19. When Identities Become Modern: Japanese Emigration to Brazil and the Global Contextualization of Identity, Takeyuki (Gaku) Tsuda
  • Ideologies
    • Introduction, Junia Howell
    • 20. Excerpt from Racism: A Short History, George M. Fredrickson
    • 21. Understanding Latin American Beliefs about Racial Inequality, Edward Telles and Stanley Bailey
    • 22. Buried Alive: The Concept of Race in Science, Troy Duster
• Unit III. Today: Remaking Race and Ethnicity
  • Aren’t We All Just Human? How Race and Ethnicity Help Us Answer the Question
    • Introduction, Adriana Garcia
    • 23. Young Children Learning Racial and Ethnic Matters, Debra Van Ausdale and Joe R. Feagin
    • 24. When White Is Just Alright: How Immigrants Redefine Achievement and Reconfigure the Ethnoracial Hierarchy, Tomás R. Jiménez and Adam L. Horowitz
    • 25. From Bi-Racial to Tri-Racial: Towards a New System of Racial Stratification in the USA, Eduardo Bonilla-Silva
    • 26. Indigenism, Mestizaje, and National Identity in Mexico during the 1940s and the 1950s, Anne Doremus
  • The Company You Keep: How Ethnicity and Race Frame Social Relationships
    • Introduction, William Rothwell
    • 27. Who We’ll Live With: Neighborhood Racial Composition Preferences of Whites, Blacks and Latinos, Valerie A. Lewis, Michael O. Emerson, and Stephen L. Klineberg
    • 28. The Costs of Diversity in Religious Organizations: An In-Depth Case Study, Brad Christerson and Michael O. Emerson
  • The Uneven Playing Field: How Race and Ethnicity Impact Life Chances
    • Introduction, Ellen Whitehead and Jenifer Bratter
    • 29. Wealth in the Extended Family: An American Dilemma, Ngina S. Chiteji
    • 30. The Complexities and Processes of Racial Housing Discrimination, Vincent J. Roscigno, Diana L. Karafin, and Griff Tester
    • 31. Racial Segregation and the Black/White Achievement Gap, 1992 to 2009, Dennis J. Condron, Daniel Tope, Christina R. Steidl, and Kendralin J. Freeman
    • 32. Differential Vulnerabilities: Environmental and Economic Inequality and Government Response to Unnatural Disasters, Robert D. Bullard
    • 33. Racialized Mass Incarceration: Poverty, Prejudice, and Punishment, Lawrence D. Bobo and Victor Thompson
• Unit IV. Unmaking Race and Ethnicity
  • Thinking Strategically
    • Introduction, Junia Howell and Michael Emerson
    • 34. The Return of Assimilation? Changing Perspectives on Immigration and Its Sequels in France, Germany, and the United States, Rogers Brubaker
    • 35. Toward a Truly Multiracial Democracy: Thinking and Acting Outside the White Frame, Joe R. Feagin
    • 36. Destabilizing the American Racial Order, Jennifer Hochschild, Vesla Weaver, and Traci Burch
  • Altering Individuals and Relationships
    • Introduction, Horace Duffy and Jenifer Bratter
    • 37. A More Perfect Union, Barack Obama
    • 38. What Can Be Done?, Debra Van Ausdale and Joe R. Feagin
    • 39. The Multiple Dimensions of Racial Mixture in Rio de Janeiro, Brazil: From Whitening to Brazilian Negritude, Graziella Moraes da Silva and Elisa P. Reis
  • Altering Structures
    • Introduction, Kevin T. Smiley and Jenifer Bratter
    • 40. The Case for Reparations, Ta-Nehisi Coates
    • 41. “Undocumented and Citizen Students Unite”: Building a Cross-Status Coalition Through Shared Ideology, Laura E. Enriquez
    • 42. Racial Solutions for a New Society, Michael Emerson and George Yancey
    • 43. DREAM Act College: UCLA Professors Create National Diversity University, Online School for Undocumented Immigrants, Alyssa Creamer
• Glossary
• Credits

Interview with Scenters-Zapico

As Us
Issue 2 (December 2015)

Casandra Lopez, Co-Founder, Editor-in-Chief

“As a poet, I’m interested in what art can be created from the anxieties of being from such a place. What can we create from these experiences? I’m a poet, not a rhetorician—it’s not my place to tell you as a reader how best to interpret the world. I want to write about the things that keep me longing and the things that keep me up at night.”

[Casandra Lopez]1. Having read some of your work in workshop I was delighted to read your full manuscript. Can you describe what your manuscript is about. I am particularly interested in hearing about the “twin” element that is prevalent in many of your poems and how place functions in your work.

[Natalie Scenters-Zapico] On a literal level this manuscript is about where I am from, the sister cities of El Paso, Texas and Ciudad Juárez, México. It stems from a place of longing for where I am from, both what it is and what it used to be. They are poems about immigration, language, pollution, brutality against women and men, war, love, marriage, weddings, and the hybrid sense of these things that exists in these two cities. The metaphor of the cities being twins runs throughout the manuscript. El Paso and Cd. Juárez were one city, El Paso del Norte, that was then divided by the river into the U.S. and México leaving them forever in a state of longing for each other. In the manuscript, this longing manifests itself in a variety of ways and I became interested in how twins can feel a connection that is beyond that of regular siblings. I also liked that I could write about a relationship between a set of twins and only hint that they might be cities….

[CL]2. Can you talk a little about how you identify both as a poet and as an individual. How or in what ways to do think these identities influence your writing and topics you choose to explore in your work.

[NSZ] This is a very interesting question for me, mainly because I have such a hybrid identity and experience. My father is Anglo, from Wisconsin, and my mother is from Asturias, Spain. My mother came to the U.S. in her twenties after falling in love with my father. I grew up in a fully bi-lingual household, in a bi-lingual city, El Paso, Texas, and went to a high school at a time when over half of my graduating class was from Cd. Juárez and crossed the bridge every day for school. I also married a Mexican man, who was educated in México and the U.S. and is also bilingual. I grew up surrounded by hybridity and a variety of experience. I grew up where multiplicity was never seen as a positive or negative thing, only a fact of existence on the border. I think that all of these things affect how I identify as an individual and then what my concerns are as a poet…

Read the entire interview here.

Meet the Afro-Mexicans connecting to their African roots through dance

Ventures Africa
2017-01-05

Iroegbu Chinaemerem Oti

“Based on your culture, history, and traditions, do you consider yourself Black, meaning Afro-Mexican or Afro-descendant?” – MEXICO’S 2015 Intercensal Survey

The sound of Bata drums filled the air as girls, with printed scarfs tied around their waists and white or yellow dots painted on their faces, danced to the fervent rhythm, their feet and waists moving vigorously at the same time. As their left legs leave the floor, their right legs replace them, while their waists responding with a seesaw movement. This is an African dance performed by an Afro-Mexican group, the Obatala, for the purpose of connecting with their African roots. They live in the southern state of Oaxaca, Mexico and tour various regions of the state to create awareness with their energetic and beautiful dance.

“All the dances are from Africa’s northeastern region, we chose this area because after researching on the internet, we realised that that’s where the slaves that came from our town came from. Our dance troupe did the research and we learned those dances,” Anai Herrera, one of the lead dancers, said…

Read the entire article here.

A Conversation With Natalie Scenters-Zapico

The American Literary Review
2016-03-27

Sebastian Hasani Paramo, Poetry Contest Coordinator
​
Natalie Scenters-Zapico is from the sister cities of El Paso, Texas, U.S.A. and Ciudad Juárez, Chihuahua, México. She is the author of The Verging Cities, which won the 2016 Great Lakes Colleges Association’s New Writers Award, the National Association for Chicana and Chicano Studies Tejas FOCO Award, was featured as a top ten debut of 2015 by Poets and Writers, and named a Must-Read Debut by LitHub (Center For Literary Publishing, 2015). A CantoMundo fellow, her poems have appeared in American Poets, The Believer, Prairie Schooner, West Branch, Best American Poetry 2015, and more. She lives with her husband, border rhetorics scholar José Ángel Maldonado, in Salt Lake City.

Scenters-Zapico’s debut collection was recently named a top ten debut by Poets and Writers. Before that, her poetry was featured in American Poets, a publication by The Academy of American Poets, and was introduced by Dana Levin. That issue was my first introduction to her work and I eagerly anticipated her book. Many others have since applauded her aforementioned collection, The Verging Cities. Dana Levin writes that Scenters-Zapico “engages politically and personally charged material…with signature intimacy and fairy-tale strangeness.” In 2015, her book was featured on several top lists and included in Best American Poetry 2015. When I read her collection, I read it eagerly. Her poems in this collection are dark, visceral, haunting, and will echo for days in your mind. Here’s one of the most thought provoking lines in the collection:

I write of the boy I love gone missing, his father found with no teeth
In an abandoned car. Some say you have no right to talk about the dead.
So I talk of them as living, their bodies standing in the street’s bend.

Throughout, she builds and breaks down the boundaries of love, place, identity, and memory in ways that are unexpected, and uses them to great effect to write the political and engage us in the surreal violence of our time. I was fortunate to be able to interview her via email.

Sebastian Hasani Paramo: In reading The Verging Cities, I loved this idea of “verging” and the many forms it took. Your use of the Oxford English Dictionary as a guide for exploring this idea was very incredible. The relationship you created between the speaker and borders seemed to create much tension and conflict. Can you talk about this idea and how it culminates into the title poem?

Natalie Scenters-Zapico: When I started writing about El Paso–Cd. Juárez just about everyone had a reading list for me to take home. There are so many wonderful writers who have come before me who share the same love affair with the border. And yet, the more I read the more I felt that I had a very different relationship with the border than the ones I saw being described. So, I started talking about the border as verging—the beginning of one thing and the end of another in constant cycle. When I looked up the term “verge” in the OED I was fascinated by its long history and deeply masculine roots. So I set out to write poems that addressed the verging cities—being beaten by them, escaping them, returning to them. By the time we get to the title poem, “The Verging Cities,” I wanted the reader to get a sense that they are in fact one place, only to turn to that poem and hear two distinct voices, one from each city, in an abusive, violent, incestuous relationship. In it I turn to the history of border crossing into El Paso and the use of Zyklon-B, strip searches, etc. I wanted to point to how the use of these things continues. The past and the present are in constant cycle, there is no beginning or end…

…SHP: What influences were important for you in writing about identity and what things do you say to young writers about feeling more comfortable writing about themselves? As a younger writer, I felt sometimes I didn’t always see myself in the writers I read, but when I started to–I saw many more possibilities for my writing.

NSZ: As a young writer I often made the mistake of looking for myself in the writing of others. As though, only if they mirrored my identity or experience in some way could I learn something from them. This is a huge, embarrassing mistake on my part. Because how could I, with my hybrid, messy, one could argue “pocha” identity see myself in a piece of literature as a complete mirror reflection? This is impossible. I understand that some people have this “mirror” experience in reading the work of others, but I don’t think I ever will. However, when I stopped looking for a reflection and instead looked for refracted moments, or places where I could feel deep empathy, or ways of dealing with and examining trauma that I could apply to myself that is when I felt I could truly learn.

I also have to give a huge shout out to people who are doing great work when it comes to hybrid identity in our field. I’ll never forget when I was nineteen I went to a reading at the University of Texas at El Paso by Rosa Alcalá in which she read from her amazing collection Undocumentaries. Here was this woman who looked like me, who was bilingual like me, who was willing to call herself Latina, and was questioning our traditional notions of that word. I left that reading nearly in tears, because it felt like she was talking to me, it felt like she was making me see the world in a way that both empowered me and made me question my pain. I don’t think I’ve ever thanked Rosa for that moment, but it changed me deeply.

I also love the work that Rosebud Ben-Oni is doing in advocating for people who don’t fit the mold perfectly, people who question the use of strategic essentialism, whose very existence won’t allow for it because it’s just so damn complicated. And of course, I personally am very interested in liminal spaces, and the art that can come from existing in that space. I wrote more about that in my introduction to the liminal spaces interview series I did for The Best American Poetry blog. I think it’s important to recognize that to be Latinx is to be hybrid. There is no such thing as purity in Latinidad, if you even buy into this very American idea of Latinidad…

Read the entire interview here.

The Verging Cities, Poetry

Center For Literary Publishing
2015
80 pages
Paperback ISBN: 978-1-885635-43-3
6.5 x 8.5 inches

Natalie Scenters-Zapico

• Poets and Writers Top Debut Poets 2015
• Great Lakes Colleges Association New Writers Award
• NACCS-Tejas Foco Best Poetry Book of 2015

Ninth in the Mountain West Poetry Series, edited by Stephanie G’Schwind & Donald Revell

From undocumented men named Angel, to angels falling from the sky, Natalie Scenters-Zapico’s gripping debut collection, The Verging Cities, is filled with explorations of immigration and marriage, narco-violence and femicide, and angels in the domestic sphere. Deeply rooted along the US-México border in the sister cities of El Paso, Texas, and Cd. Juárez, Chihuahua, these poems give a brave new voice to the ways in which international politics affect the individual. Composed in a variety of forms, from sonnet and epithalamium to endnotes and field notes, each poem distills violent stories of narcos, undocumented immigrants, border patrol agents, and the people who fall in love with each other and their traumas.

The border in Scenters-Zapico’s The Verging Cities exists in a visceral place where the real is (sur)real. In these poems mouths speak suspended from ceilings, numbered metal poles mark the border and lovers’ spines, and cities scream to each other at night through fences that “ooze only silt.” This bold new vision of border life between what has been named the safest city in the United States and the murder capital of the world is in deep conversation with other border poets—Benjamin Alire Saenz, Gloria Anzaldúa, Alberto Ríos, and Luis Alberto Urrea—while establishing itself as a new and haunting interpretation of the border as a verge, the beginning of one thing and the end of another in constant cycle.

Read an excerpt here.

The Other California: Land, Identity, and Politics on the Mexican Borderlands

University of California Press
January 2017
188 pages
Hardcover ISBN: 9780520291638

Verónica Castillo-Muñoz, Assistant Professor of History
University of California, Santa Barbara

The Other California is the story of working-class communities and how they constituted the racially and ethnically diverse social landscape of Baja California. Packed with new and transformative stories, the book examines the interplay of land reform and migratory labor on the peninsula from 1850 to 1954, as governments, foreign investors, and local communities shaped a vibrant and dynamic borderland alongside the booming cities of Tijuana, Mexicali, and Santa Rosalia. Migration and intermarriage between Mexican women and men from Asia, Europe, and the United States transformed Baja California into a multicultural society. Mixed-race families extended across national borders, forging new local communities, labor relations, and border politics.

The Life and Times of Pío Pico, Last Governor of Mexican California

Lost LA
KCET
Burbank, California
2016-10-27

William D. Estrada, Curator of California and American History and Chair of the History Department
Natural History Museum of Los Angeles County

Pío de Jesus Pico and his wife, María Ignacia Alvarado Pico, in 1852, with two of their nieces, María Anita Alvarado (far left) and Trinidad Ortega (far right). Courtesy of the Seaver Center for Western History Research, Natural History Museum of Los Angeles County.

Pío Pico was the last governor of California under Mexican rule, serving from 1845-46, just before the U.S. military occupation. Today, the name Pico is a familiar place name. Driving or walking throughout Southern California one will encounter busy Pico Boulevard; the City of Pico Rivera; two Pío Pico elementary schools; the Pico-Union district near downtown L.A.; Pico Park; the Pío Pico Koreatown Library; the three-story Pico House building; natural landmarks such as Pico Canyon north of Los Angeles and Pico Creek near Oceanside; and Pío Pico State Historic Park in the City of Whittier, just to name a few. His name has been commercialized in several businesses from corner grocery stores, shopping malls and fast food restaurants. And yet, despite the veneration in the popular mind, much of what we know about Pío Pico remains clouded in myth. His significance as an historical figure, as well as his connection to the contemporary Latino and African-American communities, is worth remembering…

Read the entire article here.