Category: Literary/Artistic Criticism

  • Playing in the dark/ playing in the light: Coloured identity in the novels of Zoë Wicomb Current Writing: Text and Reception in Southern Africa Volume 20, Issue 1, 2008 pages 1-15 DOI: 10.1080/1013929X.2008.9678286 J. U. Jacobs, Senior Professor of English and Fellow University of KwaZulu-Natal, South Africa Zoë Wicomb’s three fictional works—You Can’t Get Lost…

  • Le métissage dans l’œuvre indochinoise de Marguerite Duras McGill University, Montreal 2006 106 pages Elisabeth Desaulniers Mémoire soumis à l’Université McGill en vue de l’obtention du grade de Maître ès arts (MA) en langue et littérature françaises This dissertation focuses on the issue of hybridity in Marguerite Duras’ corpus of Indochinese texts, as well as…

  • From Barefoot Madonna to Maggie the Ripper Kendall Blog Kendall College of Art and Design Ferris State University, Grand Rapids, Michigan 2011-11-07 Pamela Patton, Editor Kendall Portfolio Margaret Garner or The Modern Medea (1867) I always find lectures by visiting art historians fascinating. Looking at works of art in historical context, examining the details, and hearing…

  • Multiracialism on The Real World and the Reconfiguration of Politics in MTV’s Brand During the 2000s Popular Communication Volume 8, Issue 2, 2010 pages 132-146 DOI: 10.1080/15405701003676105 Jon Kraszewski, Assistant Professor of Communication Seton Hall University, South Orange, New Jersery The Real World’s focus on multiracial identity is part of the MTV’s efforts to rebrand…

  • ENGL 490: Multi-Ethnic and Mixed-Race Identities in Literature and Film University of British Columbia Winter 2011 Glenn Deer, Assistant Professor of English This course will examine literary and selected filmic representations of interracial and inter-ethnic identities, mixed-race relationships and intermarriage, and bicultural communities in comparative national and international contexts. We shall be especially concerned with…

  • The Near-White Female in Frances Ellen Harper’s Iola Leroy Phylon (1960-) Volume 45, Number 4 (4th Quarter, 1984) pages 314-322 Vashti Lewis During the antebellum years, the near-white black character played a central role in the American novel. In fact, almost all of the novels of that period which feature near-white characters are antislavery tracts.…

  • ENGL 487: The Mulatto in American Fiction Kenyon College, Gambier, Ohio Fall 2004 Jené Schoenfeld, Assistant Professor of English The mulatto balances precariously on the razor-thin edge of the color line between black and white. In the antebellum era, the mulatto’s proximity to whiteness made the mulatto an attractive object for Abolitionist sympathy. In the…

  • The Mulatto in American Fiction Phylon (1940-1956) Volume 6, Number 1 (1st Quarter, 1945) pages 78-82 Penelope Bullock In its heterogenous population and the individualistic traits of its various inhabitants the United States possesses a reservoir teeming with literary potentiality. Throughout the years, the American writer has tapped these natural resources to bring forth products…

  • Alexandre Dumas, author of “The Three Musketeers,” “The Count of Monte Cristo,” and “The Man in the Iron Mask,” is the most famous French writer of the nineteenth century. In 2002, his remains were transferred to the Panthéon, a mausoleum reserved for the greatest French citizens, amidst much national hype during his bicentennial.

  • Showing Her Colors: An Afro-German Writes the Blues in Black and White Callaloo Volume 26, Number 2, Spring 2003 pages 306-319 DOI: 10.1353/cal.2003.0045 Karein Kirsten Goertz, Lecturer of Germanic Language and Literature University of Michigan This essay undertakes a detailed analysis of May Ayim’s Blues in Schwarz Weiss and examines her development of what she…