Category: Literary/Artistic Criticism

  • “The devil made the mulatto”: Race, religion and respectability in a Black Atlantic, 1931-2005 University of Toronto 2007 312 pages Publication Number: AAT NR39517 ISBN: 9780494395172 Daniel R. McNeil, Lecturer in Media and Cultural Studies Newcastle University, United Kingdom According to The Historical Journal there has only been one scholarly study of mixed- race history.…

  • Multiracial representations: Nishime examines Battlestar Galactica University of Washington Department of Communications 2010-11-15 Amanda Weber LeiLani Nishime, Assistant Professor of Communication, is a self-proclaimed science fiction fan, so it seemed natural to her to set her research sights on the TV series Battlestar Galactica. Although science fiction is generally a genre about the future, it…

  • Seeds of Rebellion in Plantation Fiction: Victor Séjour’s “The Mulatto” Southern Spaces An interdisciplinary journal about regions, places, and cultures of the American South and their global connections 2007-08-28 Ed Piacentino, Professor of English High Point University, High Point, North Carolina This essay examines Victor Séjour’s “The Mulatto” (1837), a short story acknowledged as the…

  • “Death by Misadventure”: Teaching Transgression in/through Larsen’s “Passing” College Literature Volume 37, Number 4, Fall 2010 pages 120-144 E-ISSN: 1542-4286 Print ISSN: 0093-3139 DOI: 10.1353/lit.2010.0013 Jessica Labbé, Assistant Professor of English and Director of Writing Across the Curriculum Greensboro College, Greensboro, North Carolina This article provides college literature teachers with a detailed historical, theoretical, and…

  • Re-imagining mixed race: Explorations of multiracial discourse in Canada York University December 2008 190 pages ISBN: 9780494517864 Publication Number: AAT NR51786 Leanne Taylor A Dissertation submitted to the Faculty of graduate Studies in partial fulfilment of the requirements for the degree of Doctor of Philosophy This dissertation analyses discourses of racial mixture, with particular focus…

  • Sniffing Elephant Bones: The Poetics of Race in the Art of Ellen Gallagher Callaloo Volume 19, Number 2, Spring 1996 E-ISSN: 1080-6512 Print ISSN: 0161-2492 pages 337-339 DOI: 10.1353/cal.1996.0074 Judith Wilson, Former Assistant Professor of African American Studies, Assistant Professor of Art History and Assistant Professor of Visual Studies University of California, Irvine What she…

  • Biraciality and Nationhood in Contemporary American Art Third Text: Critical Perspectives on Art and Culture Volume 14, Number 53 (Winter 2001-2002) pages 43–54 Kymberly N. Pinder, Associate Professor of Art History School of the Art Insitute of Chicago An article on work by artists responding to racial hybridity that features a discussion of Lorraine O’Grady’s…

  • Optical Illusions: Images of Miscegenation in Nineteenth- and Twentieth-Century American Art American Art Volume 5, Number 3 (Summer, 1991) pages 88-107 Judith Wilson, Former Assistant Professor of African American Studies, Assistant Professor of Art History and Assistant Professor of Visual Studies University of California, Irvine miscegenationn. [Latin miscere to mix + genus race…]: a mixture…

  • “A Little Yellow Bastard Boy”: Paternal Rejection, Filial Insistence, and the Triumph of African American Cultural Aesthetics in Langston Hughes’s “Mulatto” Robert Paul Lamb, Professor of English Purdue University College Literature Volume, 35, Number 2 (Spring 2008) pages 126-153 DOI: 10.1353/lit.2008.0012 When Langston Hughes published “Mulatto” in his second poetry collection, Fine Clothes to the…

  • Representing Mixed Race in Jamaica and England from the Abolition Era to the Present Routledge: Routledge Research in Postcolonial Literatures 2010-10-21 204 pages Hardback ISBN: 978-0-415-39808-4 Sarah Salih, Professor of English University of Toronto This study considers cultural representations of “brown” people in Jamaica and England alongside the determinations of race by statute from the…