Category: Literary/Artistic Criticism

  • History, Trauma, and the Discursive Construction of “Race” in John Dominis Holt’s Waimea Summer Cultural Critique Number 47, Winter 2001 pages 167-214 DOI: 10.1353/cul.2001.0026 Susan Y. Najita, Associate Professor of English University of Michigan In contemporary discussions about the literature of Hawai’i and its decolonization, a central problematic resulting from on-going Euro-American imperialism is the…

  • Who’s Your Mama? “White” Mulatta Genealogies, Early Photography, and Anti-Passing Narratives of Slavery and Freedom American Literary History Volume 14, Number 3 (Fall 2002) DOI: 10.1093/alh/14.3.505 pages 505-359 P. Gabrielle Foreman, Professor of English and American Studies Occidental College Partus sequitur ventrem. The child follows the condition of the mother. US slave law and custom…

  • The Literary Career of Charles W. Chesnutt Louisiana State University Press March 1999 312 pages Trim: 6 x 9 Paper ISBN-13: 9780807124529 William L. Andrews, E. Maynard Adams Professor of English University of North Carolina, Chapel Hill The career of any black writer in nineteenth-century American was fraught with difficulties, and William Andrews undertakes to…

  • From exclusion and alienation to a ‘multi-racial community’: The image of the métis in New Caledonian literature International Journal of Francophone Studies ISSN: 13682679 Volume 8 Issue 3 December 2005 DOI: 10.1386/ijfs.8.3.305/1 Peter Brown  In her 2005 New Year’s greetings, Marie-Noëlle Thémereau, the President of the New Caledonian government, expressed her confidence in the future…

  • ‘Our sea of islands’: migration and métissage in contemporary Polynesian writing International Journal of Francophone Studies Volume 11, Issue 4 (December 2008) pages 503-522 DOI: 10.1386/ijfs.11.4.503_1 Michelle Keown, Senior Lecturer of English Literature University of Edinburgh This article explores metaphors of oceanic migration in contemporary Polynesian writing, investigating the notion of a regional ‘Oceanic’ identity…

  • The Woman of Colour Broadview Press 2007-01-01 268 pages Paperback ISBN: 9781551111766 / 1551111764 Written by: Anonymous Edited by: Lyndon J. Dominique, Assistant Professor of English Lehigh University, Bethlehem, Pennsylvania The Woman of Colour is a unique literary account of a black heiress’ life immediately after the abolition of the British slave trade. Olivia Fairfield,…

  • Since the early days of Hollywood film, portrayals of interracial romance and of individuals of mixed racial and ethnic heritage have served to highlight and challenge fault lines within Hollywood and the nation’s racial categories and borders.

  • Mixed-Race Identity Politics in Nella Larsen and Winnifred Eaton (Onoto Watanna) Ohio University English (Arts and Sciences) Department November 2001 217 pages Advisor: David Dean McWilliams Sachi Nakachi A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of…

  • “I’m Black an’ I’m Proud”: Ruth Negga, Breakfast on Pluto, and Invisible Irelands Invisible Culture: An Electronic Journal for Visible Culture Issue number 13 (Spring 2009): After Post-Colonialism University of Rochester, New York Charlotte McIvor, Lecturer in Drama National University Ireland, Galway This article examines Ethiopian-Irish actress Ruth Negga‘s performance in Neil Jordan’s 2005 Breakfast…

  • What does it mean to be a “mixed-blood,” and how has our understanding of this term changed over the last two centuries? What processes have shaped American thinking on racial blending?  Why has the figure of the mixed-blood, thought too offensive for polite conversation in the nineteenth century, become a major representative of twentieth-century native…