Category: Literary/Artistic Criticism

  • HIST 1133-Mongrel America: Miscegenation, Passing, and the Myth of Racial Purity Cornell University Fall 2012 Racial divisions have served as potent tools for consolidating power, upholding unjust practices, and shaping the American historical imagination. Whether in the form of slavery, segregation, extralegal violence, or the one-drop rule, the insistence on preserving racial distinctions reflects a…

  • American Creoles: The Francophone Caribbean and the American South Liverpool University Press May 2012 256 pages 234 x 156 mm Hardback ISBN: 9781846317538 Edited by: Celia Britton, Professor of French and Francophone Studies University College London Martin Munro, Professor of French and Francophone Studies Florida State University The Francophone Caribbean and the American South are…

  • The White African American Body Rutgers University Press March 2002 240 pages 30 b&w illus. Paper ISBN: 978-0-8135-3032-1 Cloth ISBN: 978-0-8135-3031-4 Charles D. Martin Explores the image of the white Negro in American popular culture from the late eighteenth century to the present. Blacks with white skin. Since colonial times, showmen have exhibited the bodies…

  • “Passing” in a White Genre: Charles W. Chesnutt’s Negotiations of the Plantation Tradition in “The Conjure Woman” American Literary Realism, 1870-1910 Volume 27, Number 2 (Winter, 1995) pages 20-36 Robert C. Nowatzki When Charles Chesnutt’s collection of plantation tales The Conjure Woman was published in 1899, the immensely popular plantation tradition in fiction had become…

  • Mining the garrison of racial prejudice: The fiction of Charles W. Chesnutt and turn-of-the-century White racial discourse University of Illinois, Urbana-Champaign 1995 Robert Carl Nowatzki This dissertation analyzes the fiction of Charles Waddell Chesnutt (1858-1932), the first black fiction writer published by a major American firm and widely reviewed and read by white critics and…

  • Parading Respectability: An Ethnography of the Christmas Bands movement in the Western Cape, South Africa University of Illinois, Urbana-Champaign May 2012 238 pages Sylvia R. Bruinders The Christmas Bands march through Adderley Street late at night during the “festive season” in Cape Town, 2001. Picture by Henry Trotter. The author releases it to the public…

  • Anglo-Indian Nostalgia: Longing for India as Homeland Rhizomes Postgraduate Conference Rhizomes: Re-visioning Boundaries Conference The School of Languages and Comparative Cultural Studies The University of Queensland, Brisbane, Australia 2006-02-24 through 2006-02-25 Alzena D’Costa Curtin University of Technology This paper argues that the ‘nostalgia’ that the Anglo-Indian community exhibits in the telling of its (hi)stories can…

  • Frantz Fanon’s reception in Brazil Penser aujourd’hui à partir de Frantz Fanon, Actes du colloque Fanon (Symposium on Frantz Fanon) Université Paris 7 February 2008 Antonio Sérgio Alfredo Guimarães, Professor of Sociology University of São Paulo, Brazil Frantz Fanon is a central figure in cultural, post-colonial and African-American studies, whether in the United States, Africa…

  • The first section introduces three popular metaphors about mixed-race objects and ‘racial bridges’ that Fanon used to invoke the threat of bestial, immature and consumerist Others – metaphors that were not swept away by the winds of change in the 1960s, or the decline and fall of Black internationalist movements in the 1970s.

  • Gay male pornography and the re/de/construction of postcolonial queer identity in Mexico New Cinemas: Journal of Contemporary Film ISSN: 14742756 Volume 8 Issue 2 (November 2010) Gustavo Subero, Independent Researcher Since colonial times, the figuration of the Latin(o) male homosexual has been highly exoticized and troped in western media accounts (Shohat and Stam 1994; Ramirez…