Mixed Race Studies
Scholarly perspectives on the mixed race experience.
recent posts
- The Routledge International Handbook of Interracial and Intercultural Relationships and Mental Health
- Loving Across Racial and Cultural Boundaries: Interracial and Intercultural Relationships and Mental Health Conference
- Call for Proposals: 2026 Critical Mixed Race Studies Conference at UCLA
- Participants Needed for a Paid Research Study: Up to $100
- You were either Black or white. To claim whiteness as a mixed child was to deny and hide Blackness. Our families understood that the world we were growing into would seek to denigrate this part of us and we would need a community that was made up, always and already, of all shades of Blackness.
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Category: Literary/Artistic Criticism
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In this exploration of race and racism, noted scholar Lewis R. Gordon offers a critique of recent scholarship in postcolonial Africana philosophy and critical race theory, and suggests alternative models that respond to what he calls our contemporary neocolonial age; an age in which cultural, intellectual, and economic forms of colonial domination persist.
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The “ethnology” of Josiah Clark Nott Journal of Urban Health Volume 50, Number 4 (April 1974) pages 509–528. C. Loring Brace, Ph.D. Museum of Anthropology University of Michigan It is only rarely that a person so completely transcends the ethos of his age that the recorded results of his scientific endeavors can be read a…
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Donna Bailey Nurse: Addressing mixed race in literature CBC Books 2012-02-28 Donna Bailey Nurse Throughout February and March, literary journalist, teacher and author Donna Bailey Nurse will be blogging for CBC Books about black Canadian writers and their important works. In her third post, she explores the complex subject of mixed race and how different…
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Inscribing African descendant identity in nineteenth century Cuba: The transculturated literature of Juan Francisco Manzano and Gabriel de la Concepcion Valdes Michigan State University 2010 260 pages Publication Number: AAT 3435282 ISBN: 9781124337340 Matthew Joseph Pettway This dissertation explores how Juan Francisco Manzano and Gabriel de la Concepcion Valdés (also known as Plácido) appropriated Hispanic…
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Searching for a new soul in Harlem Gender News The Clayman Institute for Gender Research Stanford University 2012-02-27 Annelise Heinz, Ph.D. candidate in the Department of History Stanford University Allyson Hobbs on passing and racial ambiguity during the Harlem Renaissance Harlem in the 1920s is known for its creative outpouring of art, music, and literature.…
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The Absurdity of America: George S. Schuyler’s Black No More EnterText: an interdisciplinary humanities e-journal Volume 1, Number 1 (Winter 2000) Americas, Americans pages 127-148 Joseph Mills, Susan Burress Wall Distinguished Professor of the Humanities North Carolina School of the Arts, Winston-Salem It is a peculiar sensation, this double-consciousness, this sense of always looking at…
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ENGL 3270.03: Contemporary Canadian Literature: Crossing the Line Dalhousie University, Halifax, Nova Scotia, Canada Summer 2007 Dr. C. Dawson Our study of contemporary Canadian literature will be loosely divided into three sections, each organized around the idea of “crossing the line.” In the first section the line under consideration will be the border that defines…
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Looking White, Acting Black: Cast(e)ing Fredi Washington Theatre Survey Volume 45, Issue 1 (2004) pages 19-40 DOI: 10.1017/S0040557404000031 Cheryl Black, Associate Professor of Acting, Theatre History/Theory/Criticism University of Missouri, Columbia In October 1926 a leading African-American newspaper, the Pittsburgh Courier, featured adjacent photographs of two young women with a provocative caption: “White Actresses Who Open…
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“SAMO© as an Escape Clause”: Jean-Michel Basquiat’s Engagement with a Commodified American Africanism Journal of American Studies Volume 45, Issue 2 (May 2011) DOI: 10.1017/S0021875810001738 Laurie A. Rodrigues Department of English University of Rhode Island Heir to the racist configuration of the American art exchange and the delimiting appraisals of blackness in the American mainstream…