Mixed Race Studies

Don’t Touch My Hair by Emma Dabiri review – a voyage to empowerment

The Guardian
2019-05-02

Colin Grant

Emma Dabiri records the external and internal pathologising of black hair as a chronic condition. Photograph: Silvana Trevale/The Guardian

Combs, braids and Bob Marley’s bad-hair days are explored in this richly researched cultural history

When Rita Anderson’s teenage boyfriend Bob was growing up in Jamaica’s Trenchtown ghetto, the fair-skinned future Rasta reggae star was so concerned to demonstrate his black heredity that he would get Rita to rub black shoe polish into his hair – so that, she says, it appeared “blacker, coarser and more African”. But after reading Emma Dabiri’s richly researched book, you wonder which model of African hair Bob Marley had in mind. For Dabiri shows that Africans have always paid close attention to the grooming and careful styling of hair, and in Yoruba the phrase for “dreadlocks” is irun were, which translates as “insane person’s hair-do”.

Like Marley, Dabiri also has black and white parents, and has wrestled with her identity. As a child in Ireland, people volunteered opinions about her hair that made her feel ashamed and “like an abomination”. But her personal story merely serves in the book as a jumping off point for an exploration of many subjects, among them colourism and self-worth.

Dabiri, who is a teaching fellow at SOAS, argues that the “desire to conform” to a European “aesthetic which values light skin and straight hair is the result of a propaganda campaign that has lasted more than 500 years”. European powers saw African culture as an impediment to productivity. “Idle husbands”, fumed one colonial administrator, wasted hours setting their wives the task of “braiding and fettishing out their woolly hair”…

Read the entire review here.

ABC Orders ‘Black-Ish’ Prequel ‘Mixed-Ish’ Starring Tika Sumpter, Renews Parent Series For Season 6

Shadow And Act
2019-05-02

black-ish has been renewed for Season 6 and ABC has also officially ordered a prequel series, mixed-ish.

The fact that mixed-ish has received an early series order ahead of upfronts shows the network’s heavy confidence in the second black-ish series following Freeform’s grown-ish. Initially set to air this season, the mixed-ish backdoor pilot will air as an episode of black-ish next season.

The official description for mixed-ish: Rainbow Johnson recounts her experience growing up in a mixed-race family in the ’80s and the constant dilemmas they had to face over whether to assimilate or stay true to themselves. Bow’s parents Paul and Alicia decide to move from a hippie commune to the suburbs to better provide for their family. As her parents struggle with the challenges of their new life, Bow and her siblings navigate a mainstream school in which they’re perceived as neither black nor white. This family’s experiences illuminate the challenges of finding one’s own identity when the rest of the world can’t decide where you belong…

Read the entire article here.

New documentary ‘Being Both’ explores mixed-race identity

METRO.co.uk
2019-04-29

Natalie Morris, Senior lifestyle Writer

The UK’s fastest-growing ethnic group is comprised of anyone with parents who have two of more different ethnicities – and the varieties within that group are almost endless.

The realities of being mixed-race are unique and often overlooked in mainstream narratives, but documentary maker Ryan Cooper-Brown wants to change that. His new short documentary film Being Both tackles issues that directly relate to the mixed-race experience, from displacement and family conflict to racism and fetishisation.

But the film is also brimming with hope and shines a light on the many positives that come with having mixed heritage.

The eight-minute film condenses a series of compelling stories from the mixed-race community. It is an intimate and uplifting short that captures the shared challenges, emotions and histories of mixed-race people from the UK, Denmark, Italy, Brazil, Mexico, Germany and Japan…

Read the entire article here.

Constructions of race in Brazil: resistance and resignification in teacher education

International Studies in Sociology of Education
Volume 27, 2018 – Issue 2-3: Special Issue: Migration, Borders, and Education: International Sociological Inquiries
pages 307-323
DOI: 10.1080/09620214.2018.1444504

Joel Austin Windle
Department of Modern Languages
Universidade Federal Fluminense, Niteroi, Brazil

Kassandra Muniz
Departamento de Letras
Universidade Federal de Ouro Preto, Mariana, Brazil

This paper reflects on racial identification in Brazil, considering how concepts of race travel internationally and are transformed locally. In light of the silencing of issues of race in Brazilian public education, we analyse the experiences of student teachers of colour participating in a professional development project coordinated by the authors. We report findings of a qualitative study arising from the project, based on reflective journals and interviews, and focusing on processes of racial resignification and resistance. The narratives produced by participants are situated in relation to dominant discourses of racial democracy and mixing, which deny the possibility of a politicised Afro-Brazilian identity. We show how hybrid identifications, drawing on cultural resources and networks that involve transnational circulation, are part of the construction of new social identities in the context of teacher education.

Read or purchase the article here.

Discovering the Illusion: An Interview with T Kira Madden

Asian American Writers’ Workshop
2019-03-18

Pik-Shuen Fung

T Kira Madden, Photo by Jac Martinez

“Magic and writing, it’s all misdirection, defamiliarization, and at its best, the ahhhhh moment of surprise.”

Nothing is steadfast in the childhood of Long Live the Tribe of Fatherless Girls, only a slow unraveling. An only child born out of an affair between her wealthy white shoe-brand father and her Chinese-Hawaiian model mother, [T Kira] Madden went back and forth between the chaos of her home, where her parents struggled with drug and alcohol addiction, to the misery of her Boca Raton private school, where she faced ostracism as a queer biracial girl.

Madden writes, “I wanted love the size of a fist. Something I could hold, something hot and knuckled and alive.” To contain, to hold, to be vulnerable—these intense desires both shape and propel her exploration of grief, trauma, pain, and forgiveness. Composed as a kaleidoscope of darkly shimmering fragments, this courageous debut memoir is the documentation of one woman’s attempt to write down and rewrite her own history, so as to make space for more love.

I had the chance to speak with T Kira on a freezing afternoon in January. She welcomed me into her cozy home, where there were glowing candles, a pot of roasted buckwheat tea, and two energetic poodles who insisted on sitting around for the conversation…

Read the entire interview here.

A Queer, Biracial Coming-of-Age Memoir Is Equal Parts Pain and Pleasure

The New York Times
2019-04-19

Tessa Fontaine

Janice Chang

T Kira Madden, Long Live the Tribe of Fatherless Girls, A Memoir (New York: Bloomsbury, 2019)

The tribe of fatherless girls that make up T Kira Madden’s titular chapter are three high school friends bonded by loss, lust, recklessness and love. But the tribe extends much further, shape-shifting throughout the memoir from youthful friendships to romantic partners, from a nuclear family to a revision of that family history. Though the tribe expands, Madden’s devoted, imperfect relationships with girls and women form the centrifugal force around which her story spins. This is a fearless debut that carries as much tenderness as pain. The author never shrinks from putting herself back into the world after every hurt, and we are lucky for it.

The memoir is told in fragmented chapters, many of which read like self-contained essays. They are arranged into three mostly chronological sections that follow Madden’s life from early memories to the death of her father when she is 27. Madden renders her mourning viscerally: “My hands — they are never not shaking,” and yet still, when she falls asleep, “it’s the women who come first.”…

Read the entire book review here.

Portrait of My Father

Granta
March 2009

Alexander Chee, Associate Professor of English and Creative Writing
Dartmouth College, Hanover, New Hampshire

His drink was Crown Royal, his candy bar, a Baby Ruth, though he didn’t like chocolate much. He was good at poker, loved reading Tolstoy. His suits were bespoke.

In Korea, starting at the age of five, he ran barefoot in the snow when he was training for tae kwon do, so he was ready, during the Korean War, for when he and his oldest brother had to steal food from overturned army supply trucks, running the bags of rice home on their backs. After the war, he became the international tae kwon do champion in his age group at the age of eighteen, and captain of his college rugby team — the rice had helped two ways.

He left for the US while his father was away on business so he couldn’t stop him. His mother gave him a gold belt buckle to sell when he arrived, as she couldn’t give him money, and asked him, whatever he did, not to marry a blue-eyed, blonde-haired American girl…

Read the entire article here.

We Can’t Screw Ourselves Out of Racism

Medium
2019-03-28

Daniella Barreto, Digital Activism Coordinator
Amnesty International
Toronto, Ontario, Canada

Illustration by Maia Boakye (@/ghostyboi)

Multiracial kids won’t end racism. Stop acting like we can.

In case you’ve been living under a six-ton boulder for the last five years, featuring mixed-race couples is the hot new thing in advertising. It’s edgy! It’s progressive! It’s absolutely adorable! Best of all, it is accessible to anyone who’s willing to test out their new Diversity Strategy™ and choose to see the backlash as free PR: banks, clothing brands, jewellers, mattresses, cereals, you name it. We haven’t stopped at plain old mixed race heteros, lord no. Ever heard of representation? Give me mixed race gays. Add some kids! (Just don’t get into that queer or trans business much because there’s not a lot of expendable cash in that.) Diversity’s the in-thing! The opportunities are endless.

Our obsession with diversity reveals far more about us than we think. And serves as a convenient distraction to avoid doing any real equity work.

Mixed race relationships are not inherently progressive, radical, or even healthy. That includes queer ones. The mainstream gawks at multiracial people and mixed-race relationships, turning us into superheroes or weirdos, statistical outliers divorced from the historical impacts of colonization and anti-Black racism — particularly in a Canada so smitten with itself that it has started to believe its own lies about multiculturalism.

It is a gross misunderstanding and a cruel oversimplification of the magnitude and insidiousness of white supremacy (and basic genetics) to think that if we all just fuck each other more or have mixed babies that we will get along better, turn the same shade of beige, and lo, racism will vanish…

Read the entire article here.

With the Birth of My Son, I Stopped Hiding

Modern Love
The New York Times
2019-04-19

Tina Chang, Poet Laureate of Brooklyn, New York
Brooklyn, New York

Brian Rea

Fearing judgment of her interracial relationship and mixed-race child, a woman keeps both from her family. Until she doesn’t.

My son, Roman, turned to me from his book and said, “Mom, can you throw me a blanket? This is my favorite part in the book and I don’t want to stop.”

When I look at my son, I see myself: the inability to tolerate pain, even from the smallest of physical hurts; the deep fear of the dark, of the deserted street, of that strange insect on the ceiling; and the intense, abiding love of reading.

Most of all, I see myself in his face, the eyes like mine, left slightly larger than right, especially when he’s tired, and the toothy smile that breaks through the most serious situations. All of it: me.

Yet when he and I walk along the street, so many people feel the need to tell me how much he isn’t like me, how incredibly unalike we appear, how he looks just like his father. They say it with such authority.

My son is biracial. His father is Haitian-American and I’m of Chinese descent; Often, I have to work to prove that my son is mine. On our daily subway commute to school, at least one person will look at me, then at him, and then back again. I am forced to see what they see: His skin is darker and his hair wavy, while I’m fair, prone to freckling, with hair that won’t hold a curl. If their eyes happen to meet mine, they’ll catch me glaring, holding them accountable for what I deem to be their silent judgment…

Read the entire article here.

Liana by Martha Gellhorn (1944)

Literary Ladies Guide: Inspiration for Readers and Writers from Classic Women Authors
2018-11-25

Taylor Jasmine

Martha Gellhorn was married to Ernest Hemingway when Liana, her fifth novel, was published in 1944. She had already made quite a name for herself as a war correspondent by that point and it rankled her to be described as “Mrs. Ernest Hemingway” in reviews of her books.

Though her fiction varied in its quality and critical acclaim, her book of linked stories titled The Trouble I’ve Seen (1936), based on her actual observations as a journalist during the Depression, earned her a great deal of respect.

Her brief marriage to Hemingway was already in jeopardy the year that Liana appeared. In her capacity as a war correspondent, Gellhorn wanted to cover the action, wherever it happened to be…

…The story centers on Liana, who is described as a mulatto, or what we now call mixed-race. She marries Marc Royer, a wealthy white man on a fictional French Caribbean island called Saint Boniface.

For his part, he marries her mainly to spite another woman, and so, Liana is marked by a kind of tragedy in this sense, becoming a prisoner in his home, and a partner to a man who doesn’t fully love her…

Read the entire review here.