The making of Meghan Markle

Posted in Articles, Biography, Media Archive, United States on 2018-05-16 15:26Z by Steven

The making of Meghan Markle

The Washington Post
2018-05-16

Jessica Contrera, Features Writer


Portraits of Meghan Markle from eighth, ninth and 12th grades. From her childhood in Los Angeles to her acting career, Markle has said her “ethnically ambiguous” appearance shaped her identity. (John Dlugolecki/Contact Press Images)

What happens when a ‘confident mixed-race woman’ marries into the royal family

Meghan Markle was glaring at her love interest. She leaned forward, fury clear in her expression as she asked the question: Was it so hard to believe one of her parents was black?

“You think,” she spat, “this is just a year-round tan?”

He stammered. She grimaced. The opening credits began to roll.

It was just the scene of a television show, a few lines from the script of the law drama “Suits.” But Markle would later describe it as something more: the moment she was no longer playing the role of “ethnically ambiguous.” That was the description assigned to so many of the jobs for which she had auditioned. Others asked her to be white, like her father. Or black, like her mother…

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“My Sister Tried to Kill Me”: Enactment and Foreclosure in a Mixed-Race Dyad

Posted in Articles, Social Work, United States on 2018-05-15 14:57Z by Steven

“My Sister Tried to Kill Me”: Enactment and Foreclosure in a Mixed-Race Dyad

Psychodynamic Psychiatry
Volume 43, Number 2 (June 2015)
pages 229-241
DOI: 10.1521/pdps.2015.43.2.229

Teresa Méndez, MSW, Clinical Social Worker
The Retreat at Sheppard Pratt; Private Practice
Washington, D.C. and Baltimore, Maryland

How is treatment complicated when both patient and therapist bring into the room multiracial identities that stand in contrast to their visible race or ethnicity? Using relational psychoanalysis’s concepts of dissociation, enactment, and relational trauma, this article examines the way multiple racial realities, beyond the more familiar black/white binary, can coexist in the consulting room. The implications and potential pitfalls of a cross-cultural dyad, in which each participant carries a mixed-race identity, are considered through a clinical vignette.

Read or purchase the article here.

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I study biracial identity in America. Here’s why Meghan Markle is a big deal.

Posted in Articles, Autobiography, Identity Development/Psychology, Media Archive, Social Science, United States on 2018-05-14 20:24Z by Steven

I study biracial identity in America. Here’s why Meghan Markle is a big deal.

Vox
2018-05-14

Sarah E. Gaither, Assistant Professor of Psychology
Duke University


Photos: Getty Images. Photo illustration: Christina Animashaun/Vox

Biracial representation is sorely needed in a country with a fraught relationship with mixed-race people.

Growing up in the late ’80s as a biracial girl, I never had a mixed-race princess whose image I could sport on my backpack or my lunchbox. There was little to no representation of my identity — almost no characters in movies or television shows, no musicians or celebrities who identified as mixed-race.

For today’s biracial youth, Meghan Markle, the actress who is marrying into the British royal family — and who has defined herself publicly as “a strong, confident mixed-race woman” — represents the biracial role model I didn’t have growing up.

My mother is white and my father is black, and as a social psychologist, I research mixed-race identity and perceptions of biracial people for a living. The history of biracial couplings and children in our country is fraught: The “one drop” rule that categorized people with any African ancestry as “colored” was legally codified in a couple of states in the early 1900s. Interracial marriage was illegal in some states starting in 1664 until 1967 with the famous Loving v. Virginia case, and it wasn’t until the year 2000 when the option to “check all that may apply” for race appeared on the census…

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The Markle effect: black women see the royal wedding as workplace inspiration

Posted in Articles, Economics, Media Archive, United Kingdom, United States, Women on 2018-05-12 17:31Z by Steven

The Markle effect: black women see the royal wedding as workplace inspiration

The Guardian
2018-05-12

Rory Carroll, Shenelle Wallace and Edward Helmore

Prince Harry and Meghan Markle at Westminster Abbey in London on 25 April.
Prince Harry and Meghan Markle at Westminster Abbey in London on 25 April. Photograph: Eddie Mulholland/AFP/Getty Images

As the royal wedding approaches, some are hoping it will lead to a greater acceptance of African American women in business

As final arrangements are set for the wedding of the US actor Meghan Markle to Prince Harry Windsor, hopes are mounting among some that the Markle effect will have unexpected impacts, including improving opportunities for African American women in the workplace.

“It’s exciting for black women, and I think it’s going to be inspirational,” said Camille Newman, a 38-year-old Brooklyn entrepreneur. Newman expressed deep-felt enthusiasm in the union as a symbolic marker for the acceptance of black or biracial women in society and said other women of color she knew felt the same way.

“We’re claiming her for a black woman’s right to be in there like everybody else,” she said.

One anticipated spin-off, she told the Guardian, could be the greater acceptance of black women across all sectors of society, including business. “As an entrepreneur I face so many challenges to find funding for my business. We’re going to claim her and look to her for inspiration as an African American entrepreneur,” she said…

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What Meghan Markle means to black Brits

Posted in Articles, Media Archive, Politics/Public Policy, Social Science, United Kingdom on 2018-05-11 15:30Z by Steven

What Meghan Markle means to black Brits

The Washington Post
2018-05-11

Karla Adam, London correspondent covering the United Kingdom

William Booth, London bureau chief

Photos by Tori Ferenc


Photo by Tori Ferenc

After she marries Prince Harry, the royal family will look a bit more like modern Britain.

LONDON—Jean Carter had never bothered to come out for a royal appearance before. But when Prince Harry and his fiancee, Meghan Markle, made a visit to Brixton this year, Carter bought a bouquet and weathered a chilly afternoon waiting for a glimpse of the couple.

Carter was glad to see Harry, the happy-go-lucky, ginger-bearded son of the late Princess Diana. As an immigrant from Jamaica, though, Carter, 72, really wanted to lay eyes on Markle, a biracial American actress who is the subject of deep fascination here.

Multiethnic Brixton is South London’s hub for a founding generation of Afro-Caribbean immigrants. It’s a crossroad so central to the story of the African diaspora that local historians call the neighborhood — with its jerk chicken grills, reggae dance halls and vibrant mural scene — the black capital of Europe. When South African President Nelson Mandela came to Britain in 1996 he went to Buckingham Palace — and Brixton.

Carter characterized the royal couple’s visit to the neighborhood as “a big statement.”

But what exactly will it mean to have a biracial member of the monarchy after Prince Harry and Markle exchange vows on May 19?…

Read the entire article here.

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Why Chelene Knight wrote letters to the current occupants of the houses she lived in growing up

Posted in Articles, Autobiography, Canada, Interviews on 2018-05-10 19:41Z by Steven

Why Chelene Knight wrote letters to the current occupants of the houses she lived in growing up

CBC Books
Canadian Broadcasting Corporation
2018-03-06

Ryan B. Patrick, Associate Producer


Chelene Knight is an author based in Vancouver. (Chelene Knight/BookThug)

Chelene Knight is a Vancouver-based writer and editor. Of Black and East Indian heritage, Knight’s Dear Current Occupant mixes poetry and prose to tell a story about home and belonging, set in the 1980s and 1990s of Vancouver’s Downtown Eastside.

The book plays with genre by way of a series of letters addressed to the current occupants now living in the 20 different houses she moved in and out of with her mother and brother. Knight tells CBC Books how she wrote Dear Current Occupant.

A bus ride beginning

“The first draft was originally all poetry, but my publisher suggested I rewrite it as creative nonfiction. I tried to write this book in generic memoir form. I sat down wanting to write about some of my childhood experiences. But it couldn’t come out. I thought maybe it’s not the right time.

“Then I was on the bus one snowy day and I passed by one of the houses that I lived in as a child and something sparked in me. I got off the bus and I stood in front of this house. I had a notebook with me and I started scribbling. The memories were coming back to me — flooding in — and it was this visceral thing where I needed to be in that place and then be transported back to those times.”…

…Writing for others

“We always hear people say there are no Black people in Vancouver, but there are. I identify as a Black woman. I know there was a larger Black community in Vancouver many years ago, but people have been displaced. I definitely want to reach people who not only are of mixed ethnicity but who also identify as Black.

“I’m writing this for the community that I wish were here now. So whether you are Black, of mixed race or can identify with the trauma parts of the book, I think there are different layers in the work where you can see something different every time. That’s what I like with the hybrid form, of poetry and prose.”

Read the entire article here.

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Joseph Boyden Won’t Find Indigenous Identity In A Test Tube Of Spit

Posted in Articles, Canada, Media Archive, Native Americans/First Nation on 2018-05-10 19:15Z by Steven

Joseph Boyden Won’t Find Indigenous Identity In A Test Tube Of Spit

Canadaland
2017-08-04

Robert Jago


photo by Bryan McBurney

To be First Nations, you must first belong to a nation.

In anticipation of a fall book tour for his new novel, Seven Matches, Joseph Boyden is back in the pages of Maclean’s magazine with an article restating his claim of First Nations ancestry, and anchoring that in the results of a DNA test.

Boyden’s ancestry first came into question late last year when I, along with APTN and a number of other Indigenous activists, questioned Boyden’s right to speak on our behalf. We looked at his shifting claims of ancestry — covered here on CANADALAND — and his misuse of basic First Nations concepts like being “two-spirit,” and we presented the questions to the public for them to decide.

Broadly speaking — though with many notable exceptions — Indigenous people on social media took the position that he was not Indigenous. And broadly speaking, non-Natives, especially those in the media, claimed that he was, and that we had no right as Indigenous people to determine who belonged to our communities…

In his 4,000-word Maclean’s piece, “My name is Joseph Boyden,” Boyden presents several cases for his First Nations bona fides. The article is presented as being addressed to Indigenous critics — but the enthusiastic support of a dwindling number of media figures, like “Appropriation Prize” ring-leader Ken Whyte, perhaps reveals the real intended audience: white Canadians looking for an excuse to turn the page on this controversy and take Boyden back as the leading voice of Indigenous Canada

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He searched for his Japanese birth mother. He found her — and the restaurant she had named after him.

Posted in Articles, Asian Diaspora, Family/Parenting, Media Archive, United States on 2018-05-10 18:45Z by Steven

He searched for his Japanese birth mother. He found her — and the restaurant she had named after him.

The Washington Post
2018-05-08

Kathryn Tolbert


Bruce Hollywood with his mother, Nobue Ouchi. (Courtesy of Bruce Hollywood)

It began with a heart attack in the Pentagon parking lot in pre-dawn darkness. Air Force Col. Bruce Hollywood was on his way to work and found himself on the ground, thinking: “This is where it ends.”

Later, as he lay in the ambulance racing to Walter Reed Army Hospital, two regrets popped into his head. One was that he wouldn’t be able to help his son with his college applications. The other was that he never thanked the Japanese woman who gave birth to him, then gave him up for adoption in 1960.

Hollywood was adopted by an American couple who were stationed in Japan with the U.S. military and who could offer him a good life in America.

It took that heart attack in 2005 for Hollywood to set out to find his birth mother, something his adoptive mother, who had passed away, had repeatedly encouraged him to do. Before that, he said, he never felt something was missing. His adoption was not something he had reflected on much.

“I always knew I was adopted because I had Asian features and [my father] was an Irishman and [my mother] was a Norwegian lady,” said Hollywood, 57. “And they always told me, ‘…We picked you out special. So you’re even more special than everyone else.’”…

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Museum buys 1882 painting by African-American artist who worked in Victoria

Posted in Articles, Arts, Canada, Media Archive on 2018-05-10 17:36Z by Steven

Museum buys 1882 painting by African-American artist who worked in Victoria

The Times Colonist
Victoria, British Columbia, Canada
2018-04-24

Louise Dickson


Giant’s Castle Mountain: A.L. Fortune Farm, Enderby B.C. Oct. 6, 1882, painted by Grafton Tyler Brown while he was living in Victoria.
Photograph By via Royal B.C. Museum

The Royal B.C. Museum has purchased an major landscape painting by 19th-century African-American artist Grafton Tyler Brown.

The painting — Giant’s Castle Mountain: A.L. Fortune Farm, Enderby B.C. Oct. 6, 1882 — is considered by University of Victoria history professor John Lutz to be the most important of Brown’s B.C. paintings. The painting, bought for $44,000 from Uno Langmann Fine Art Ltd. in March, shows Alexander Leslie Fortune’s farmstead on the edge of a forest. The agrarian foreground is dwarfed by a looming mountain.

The Royal B.C. Museum holds the greatest number and most significant of Brown’s Canadian works. Giant’s Castle Mountain is considered to be a work of artistic and historical significance to British Columbians. It was painted in Victoria after Brown visited the southern Interior…

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My family had never seen a Kenyan: The Chinese making a new life in Africa

Posted in Africa, Articles, Asian Diaspora, Economics, Media Archive on 2018-05-10 17:12Z by Steven

My family had never seen a Kenyan: The Chinese making a new life in Africa

BBC News
2018-05-10

Rajeev Gupta
BBC World Service, Nairobi, Kenya


Xu Jing and Henry Rotich fell in love a decade ago

“We fell in love but it was very difficult at first,” Xu Jing explains from the courtyard of the Fairmont Hotel in Nairobi.

“My family didn’t know much about Africa at all. They hadn’t even seen a Kenyan before so they were very worried.”

Henry Rotich – the Kenyan in question – was just as concerned.

The pair had fallen for each other after Henry was sent to China to learn Mandarin as part of his government job.

It took him many weeks to get his language skills good enough to meet Jing’s father over a nerve-filled lunch, at which he asked for his blessing.

“Her father didn’t say much so I was really worried about what he was thinking, whether or not he even liked the food we were serving him,” Henry recalls.

Apparently his mastery of Mandarin was enough: a decade later, the couple are living in the Kenyan capital, proud parents to two children.

Jing now teaches Mandarin at the Confucius Institute based at the University of Nairobi, one of an estimated 10,000 Chinese nationals who have moved to the East African state.

Their family provides one snapshot of the growing links between Chinese and Kenyans – propelled somewhat by China’s massive investment in the country…

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